The Contemplative Poetry Of Gerard Manley Hopkins

In 1989, the centenary of his death, Gerard Manley Hopkins continues to provoke fundamental questions among scholars: what major poetic strategy informs his work and how did his reflections on the nature of poetry affect his writing? While form meant a great deal to Hopkins, it was never mere form. Maria Lichtmann demonstrates that the poet, a student of Scripture all his life, adopted Scripture's predominant form--parallelism--as his own major poetic strategy. Hopkins saw that parallelism struck deep into the heart and soul, tapping into unconscious rhythms and bringing about a healing response that he identified as contemplation. Parallelism was to him the perfect statement of the integrity of outward form and inner meaning. Other critics have seen the parallelism in Hopkins's poems only on the auditory level of alliterations and assonances. Lichtmann, however, builds on the views held by Hopkins himself, who spoke of a parallelism of words and of thought engendered by the parallelism of sound. She distinguishes the integrating Parmenidean parallelisms of resemblance from the disintegrating Heraclitean parallelisms of antithesis. The tension between Parmenidean unity and Heraclitean variety is resolved only in the wordless communion of contemplation. This emphasis on contemplation offers a corrective to the overly emphasized Ignatian interpretation of Hopkins's poetry as meditative poetry. The book also makes clear that Hopkins's preference for contemplation sharply differentiates him from his Romantic predecessors as well as from the structuralists who now claim him. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Jesuit priest Gerard Manley Hopkins created verse that combined material sensuousness with asceticism. This anthology features all of his mature work, including the well-known elegy, "The Wreck of the Deutschland."

Britain's Gerard Manley Hopkins is beloved for his unusual images of both the physical world and the spiritual life. This is the ideal introduction to the spirituality of the great nineteenth-century Catholic mystic poet. With a preface by Rev. Thomas Ryan, C.S.P., this book is part of a new series, The Mystic Poets.Skylight Paths

Reproduction of the original: Poems of Gerard Manley Hopkins by Robert Bridges

DigiCat Publishing presents to you this special edition of "Poems of Gerard Manley Hopkins" (Now First Published) by Gerard Manley Hopkins. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Gerard Manley Hopkins is one of English poetry's most brilliant stylistic innovators, and one of the most distinguished poets of any age. However, during his lifetime he was known not as a poet but as a Jesuit priest, and his faith was essential to his work. His writings combine an intense feeling for nature with an ecstatic awareness of its divine origins, most remarkably expressed in his magnificent and highly original 'sprung rhythm.' This collection contains not only all of Hopkins’ significant poetry, but also selections from his journals, sermons, and letters, all chosen for their spiritual guidance and insight. Hopkins didn't allow the publication of most of his poems during his lifetime, so his genius was not appreciated until after his death. Now, more than a hundred years later, his words are still a source of inspiration and sheer infectious joy in the radiance of God's creation.

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Gerard Manley Hopkins (1844-89) has long been admired as a letterwriter for the vividness, sense of humor, and honesty with which he expressed his opinions. Although he died young, his life overlapped with some of the great poets--Wordsworth, Tennyson, Yeats, Robert Bridges--of the Victorian era, and his comments on them are astute and revealing. This collection, drawn from the three volumes edited by C.C. Abbott, covers the whole period of Hopkins's life, adding some important and lesser-known letters that have only recently come to light. Ranging in date from his school days to his final years in Dublin, the letters include correspondence with his German master at Highgate, a rare letter written during the course of his priestly duties, one to an Irish colleague on the political situation in Ireland, a late letter to his brother Everard on art and poetry, and various other letters to his Oxford friends, to John Henry Newman and Coventry Patmore, and to his family. Together they reveal a man of great warmth who had a wonderful perception of natural beauty, and deep religious ardor.