The Complete Public Enemies Pt 1

When World War Two Ended the focus of fighting crime and evil once more turned toward the domestic shores - where police and FBI became the modern realistic superheroes. PUBLIC ENEMIES told exciting and colorful stories of the men (and women) who break the law, and those who would catch them. Although it only had a short run (1948-1949) it represents some of the best story-telling of the Golden Age - and we have them all here for you! As individual issues; In a 3-volume collection; Altogether in CLASSIC COMICS LIBRARY #159 RARE COMICS CAN BE HARD TO FIND IN EXCELLENT CONDITION. These books are reprinted from the best available images, and the books will be updated as new copies are uncovered. Sometimes the early and rarer books reflect the age and the condition of the originals. Many people enjoy these authentic characteristics. If you are not entirely happy, please contact us for exchange or refund at any time! ALL STORIES - NO ADS Get the complete catalog by contacting [email protected]

In Public Enemies, bestselling author Bryan Burrough strips away the thick layer of myths put out by J. Edgar Hoover’s FBI to tell the full story—for the first time—of the most spectacular crime wave in American history, the two-year battle between the young Hoover and the assortment of criminals who became national icons: John Dillinger, Machine Gun Kelly, Bonnie and Clyde, Baby Face Nelson, Pretty Boy Floyd, and the Barkers. In an epic feat of storytelling and drawing on a remarkable amount of newly available material on all the major figures involved, Burrough reveals a web of interconnections within the vast American underworld and demonstrates how Hoover’s G-men overcame their early fumbles to secure the FBI’s rise to power.

Grounded' part 1! Writer J. Michael Straczynski ('Babylon 5,' WONDER WOMAN) begins an important soul-searching journey for the Man of Steel. Trekking around the US, Superman makes his first stop in Philadelphia—just in time to try to save a young girl about to commit suicide!

In this study of Hollywood gangster films, Jonathan Munby examines their controversial content and how it was subjected to continual moral and political censure. Beginning in the early 1930s, these films told compelling stories about ethnic urban lower-class desires to "make it" in an America dominated by Anglo-Saxon Protestant ideals and devastated by the Great Depression. By the late 1940s, however, their focus shifted to the problems of a culture maladjusting to a new peacetime sociopolitical order governed by corporate capitalism. The gangster no longer challenged the establishment; the issue was not "making it," but simply "making do." Combining film analysis with archival material from the Production Code Administration (Hollywood's self-censoring authority), Munby shows how the industry circumvented censure, and how its altered gangsters (influenced by European filmmakers) fueled the infamous inquisitions of Hollywood in the postwar '40s and '50s by the House Committee on Un-American Activities. Ultimately, this provocative study suggests that we rethink our ideas about crime and violence in depictions of Americans fighting against the status quo.

'Everything separates us from one another, with the exception of one fundamental point: we're both utterly despicable individuals.' (Houellebecq to BHL) In 2008, two of the most celebrated of French intellectuals Michel Houellebecq and Bernard-Henri Lévy ('BHL') began a ferocious exchange of letters. Public Enemies is the result. In their inimitably witty, inimitably fascinating, inimitably confrontational correspondence, they lock horns on everything, including literature, sex, politics, family, fame and even - naturally - themselves. By turns caustic and touching, sincere and candid, Public Enemies reveals how these two immensely procovative writers came to be who they are. Never dull, always incendiary, this is one literary fight you can't ignore. The sparks fly from every page...

In this daring reexamination of the connections between national politics and Hollywood movies, Lary May offers a fresh interpretation of American culture from the New Deal through the Cold War—one in which a populist, egalitarian ethos found itself eventually supplanted by a far different view of the nation. "One of the best books ever written about the movies." —Tom Ryan, The Age "The most exhilarating work of revisionist film history since Pauline Kael's Citizen Kane. . . . May's take on what movies once were (energizing, as opposed to enervating), and hence can become again, is enough to get you believing in them again as one of the regenerative forces America so sorely needs."—Jay Carr, Boston Globe "A startling, revisionist history of Hollywood's impact on politics and American culture. . . . A convincing and important addition to American cultural criticism."—Publishers Weekly "A controversial overview of 30 years of American film history; must reading for any serious student of the subject."—Choice "A provocative social history of Hollywood's influence in American life from the 1930s to the 1950s. May argues persuasively that movies in the period offered a good deal of tough criticism of economic and social conditions in U.S. society. . . . May challenges us to engage in some serious rethinking about Hollywood's impact on American society in the middle of the twentieth century."—Robert Brent Toplin, American Historical Review