The Complete Atom Age Combat Pt 2

ATOM AGE COMBAT This great anthology comic fed on the excitement and the hysteria of the early atomic age, combining science-fiction and battle comics into its own sub-genre. It only lasted for five issues in 1952-53, and a short-lived revival in 1958, but the stories are some of the most imaginative of the era, worthy of the earlier Golden Age and the looming Silver Age comics. You can enjoy ATOM-AGE combat in one of three ways:All six issues individually;A 2-volume collection;All in one giant volume, the 350-page CLASSIC COMICS LIBRARY #69CLASSIC COMICS LIBRARY - ALWAYS ALL STORIES - NO ADSGet the complete catalog by [email protected] COMICS CAN BE HARD TO FIND IN EXCELLENT CONDITION. These books are reprinted from the best available images, and the books will be updated as new copies are uncovered. Sometimes the early and rarer books reflect the age and the condition of the originals. Many people enjoy these authentic characteristics. If you are not entirely happy, please contact us for exchange or refund at any time!

ATOM AGE COMBAT This great anthology comic fed on the excitement and the hysteria of the early atomic age, combining science-fiction and battle comics into its own sub-genre. It only lasted for five issues in 1952-53, and a short-lived revival in 1958, but the stories are some of the most imaginative of the era, worthy of the earlier Golden Age and the looming Silver Age comics. You can enjoy ATOM-AGE combat in one of three ways:All six issues individually;A 2-volume collection;All in one giant volume, the 350-page CLASSIC COMICS LIBRARY #69CLASSIC COMICS LIBRARY - ALWAYS ALL STORIES - NO ADSGet the complete catalog by [email protected] COMICS CAN BE HARD TO FIND IN EXCELLENT CONDITION. These books are reprinted from the best available images, and the books will be updated as new copies are uncovered. Sometimes the early and rarer books reflect the age and the condition of the originals. Many people enjoy these authentic characteristics. If you are not entirely happy, please contact us for exchange or refund at any time!

It was the heat of the Cold War, and World War III was due any time --- so the comic tried to imagine what it would like! Both interesting and terrifying, ATOM AGE COMBAT (1958-1959) played on the fears and the fascination of Americans, and brought colorful action on a terrifying topic! ATOM AGE COMBAT only ran for two issues, and we have them both right here - OR you can find them as part of the Atomic Age, 350-page giant CLASSIC COMICS LIBRARY #144!RARE COMICS CAN BE HARD TO FIND IN EXCELLENT CONDITION. These books are reprinted from the best available images, and the books will be updated as new copies are uncovered. Sometimes the early and rarer books reflect the age and the condition of the originals. Many people enjoy these authentic characteristics. If you are not entirely happy, please contact us for exchange or refund at any time!ALL STORIES - NO ADSGet the complete catalog by contacting [email protected]

A childhood comic book fan turned comic book retailer, the author soon discovered the prevalence of scams in the world of comics collecting. This book is his tutorial on how to collect wisely and reduce risks. Drawing on skills learned from twenty years with the San Diego Police Department and as a Comic-Con attendee since 1972, he covers in detail the history and culture of collecting comic books and describes the pitfalls, including common deceptions of grading and pricing, as well as theft, and mail and insurance fraud.

Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.

Conventional wisdom holds that comic books of the post-World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.

Italian filmmakers have created some of the most magical and moving, violent and controversial films in world cinema. During its twentieth-century heyday, Italy's film industry was second only to Hollywood as a popular film factory, exporting cinematic dreams with multinational casts to the world, ranging across multiple genres. 'Cinema Italiano' is the first book to discuss comprehensively and in depth this Italian cinema, both popular and arthouse. It is illustrated throughout with rare stills and international posters from this revered era in European cinema and reviews over 350 movies. Howard Hughes uncovers this treasure trove of Italian films, from Lucino Visconti's epic 'The Leopard' to the cult superhero movie 'Puma Man'. Dario Argento's bloody 'gialli' thrillers and Sergio Leone's spaghetti westerns are explored alongside films of Federico Fellini, Pier Paolo Pasolini and Michelangelo Antonioni. Chapters discuss the rise and fall of genres such as mythological epics, gothic horrors, science fiction, spy films, war movies, costume adventures, zombie films, swashbucklers, political cinema and 'poliziotteschi' crime films. They also trace the directorial careers of Mario Bava, Sergio Corbucci, Francesco Rosi, Lucio Fulci, Duccio Tessari, Enzo G. Castellari, Bernardo Bertolucci and Gillo Pontecorvo.