The Coming Of Vertumnus And Other Stories

A collection of science-fiction short stories by the author of "Lucky's Harvest". They feature dozens of characters, a new way of travelling between the stars, a strange planet, magical powers, bravura set-pieces, and manoeuvres of narrative.

The 11 stories include Nanoware Time, which is on life after death, and Virtually Lucid Lucy, which is on virtual reality. The title story is on eco-terrorism. By the author of Stalin's Teardrops.

This second collection of Watson's short stories further demonstrates his seemingly inexhaustible imagination. In 'The Thousand Cuts' the entire human race finds its consciousness blanked out for varying periods, but life seems somehow to have gone on in the missing days, and indeed, previously intractable problems have moved towards a solution. In 'Sunstroke' a doctor blinded accidentally during the voyage to a seemingly benign new world becomes gradually aware of disturbing changes afflicting her sighted companions. These stories, and many others, confirm Watson's place in the forefront of contemporary SF writers.

Ian Watson's latest collection shows the same range and apparently inexhaustible fund of ideas that have characterized all his previous books. No other contemporary figure in SF is so prolific or inventive a writer of short stories. In the title story we immediately encounter a phantasmagoric vision of a society increasingly dependent on recycling its usable material; other brilliant inventions include a planet inhabited by lemur-like aliens who bafflingly produce marvellously finished stone carvings without apparently having the tools to do so ('The Moon and Michelangelo'); people fighting their way through the various levels of what appears to be a real-life version of a computer adventure game ('Jewels in an Angel's Wing'); and a zoo in which are caged the extensions into our universe of four-dimensional hyberbeings ('Hyperzoo'). And that is only the beginning: there are fifteen stories in all, each one a state-of-the-art example of short science fiction at its finest.

Ian Watson is one of the most prolific short story writers in contemporary science fiction, with a range and invention that others might envy. In this collection we move from a ghostly occurrence in Catalonia to a memorably hallucinatory and atmospheric tale of eggs and ectoplasm in pre-glasnost Russia. The Times said of Watson that his 'stories are springloaded with effect, compressed with a drama that, in others, might take a novel to eke out', a judgement confirmed by he dozen stories collected here.

In his fourth short-story collection, Watson again demonstrates the extraordinary scope of his imagination. The title story has ancient witchcraft meeting complacent modern suburbia in a tale of spine-chilling horror, while 'When the Timegate Failed' casts an unexpected light in the dangers of space travel and man's powers of self-delusion. Alien matters of a different kind crop up in 'Windows', in which mysterious artefacts found on Mars prove to be something of a problem for their chic human owners. Evil Water is a highly inventive collection which is a delight to read.

Presents articles on the science fiction genre of literature, including authors, themes, significant works, and awards.

Zbornik vsebuje petnajst razprav, ki z različnih zornih kotov osvetljujejo vprašanje, kakšno vlogo imajo antične študije v Sloveniji danes, ko tudi politično znova postajamo del Evrope, torej prostora, v katerem smo nastali kot narod z lastno kulturno identiteto. Namen zbornika je soočiti mnenja vidnih slovenskih raziskovalcev, ki se znanstveno udejstvujejo na različnih področjih, ki zadevajo antiko in srednji vek, ter jih predstaviti v njihovi skladnosti in razlikah.

British Science Fiction award winner Ian Watson graces us here with a brilliant new collection of short stories and essays. Though he dazzles the reader with his footwork in the kaleidoscope intensity of his vision, each piece is plainly the work of a master craftsman. Whether he is dealing with a future culture where whales control us ("The Culling") or taking a hilarious poke at the matter of government funding ("The President's Not for Turning"), his concepts are clear and undeniably logical. True to the highest ideal of science fiction, Watson carries present tendencies of our society to possible conclusions in "Roof Gardens under Saturn," and points a warning finger at the consequences of alienation from the environment. In an innovative style which borders on the experimental, Watson explores in "The Pharaoh and the Mademoiselle" the horrors of fascism. Ian Watson's writing stays with us. He entertains and he makes us think. If in some future and better world politicians were to take advice form writers, Watson should be one of them.