The Coming American Race War

In 1993, William Pannell called the evangelical church to account on issues of racial justice. Now, nearly thirty years later, his words are as timely as ever. Both pastoral and prophetic, this new edition will inspire today's readers take a deeper look at the complexities of institutional racism and address the unjust systems that continue to confound us.

Delgado (law, U. of Colorado) uses a dialogue between a fictional young law professor of mixed racial heritage and an older mentor, first introduced in The Rodrigo Chronicles (1995), to explore the American racial landscape in the wake of the mid-term elections of 1994, touching on false liberal empathy, affirmative action, immigration, identity politics, and citizenship. For students and general readers. Annotation copyright by Book News, Inc., Portland, OR

Warning readers that America's racial and economic disputes are escalating to warlike proportions, a cautionary study cites such symptoms as corporate downsizing, the growth of armed right-wing militia, repealed welfare and affirmative action, and the O. J. Simpson trial. 75,000 first printing. Tour.

In April 1917, black Americans reacted in various ways to the entry of the United States into World War I in the name of "Democracy." Some expressed loud support, many were indifferent, and others voiced outright opposition. All were agreed, however, that the best place to start guaranteeing freedom was at home. Almost immediately, rumors spread across the nation that German agents were engaged in "Negro Subversion" and that African Americans were potentially disloyal. Despite mounting a constant watch on black civilians, their newspapers, and their organizations, the domestic intelligence agents of the federal government failed to detect any black traitors or saboteurs. They did, however, find vigorous demands for equal rights to be granted and for the 30-year epidemic of lynching in the South to be eradicated. In Race, War, and Surveillance, Mark Ellis examines the interaction between the deep-seated fears of many white Americans about a possible race war and their profound ignorance about the black population. The result was a "black scare" that lasted well beyond the war years. Mark Ellis is Senior Lecturer in History at the University of Strathclyde, Glasgow, Scotland. June 2001 256 pages, 6 1/8 x 9 1/4, index, append. cloth 0-253-33923-5 $39.95 s / £30.50 Contents African Americans and the War for Democracy, 1917 The Wilson Administration and Black Opinion, 1917--1918 Black Doughboys The Surveillance of African American Leadership W. E. B. Du Bois, Joel E. Spingarn, and Military Intelligence Diplomacy and Demobilization, 1918--1919 Conclusion

Dubbed a pioneer of critical race theory, Delgado offers a book of compelling conversations about race in America Richard Delgado is one of the most evocative and forceful voices writing on the subject of race and law in America today. The New York Times has described him as a pioneer of critical race theory, the bold and provocative movement that, according to the Times "will be influencing the practice of law for years to come." In The Rodrigo Chronicles, Delgado, adopting his trademark storytelling approach, casts aside the dense, dry language so commonly associated with legal writing and offers up a series of incisive and compelling conversations about race in America. Rodrigo, a brash and brilliant African-American law graduate has been living in Italy and has just arrived in the office of a professor when we meet him. Through the course of the book, the professor and he discuss the American racial scene, touching on such issues as the role of minorities in an age of global markets and competition, the black left, the rise of the black right, black crime, feminism, law reform, and the economics of racial discrimination. Expanding on one of the central themes of the critical race movement, namely that the law has an overwhelmingly white voice, Delgado here presents a radical and stunning thesis: it is not black, but white, crime that poses the most significant problem in modern American life.

This book examines how Hollywood has promoted the myth of the American White male savior and the way in which this myth has negatively affected people of color throughout U.S. history.