The Colours Of Our Memories

What remains of the colours of our childhood? What are our memories of a blue rabbit, a red dress, a yellow bike – and were they really those colours? What colours do we associate with our student years, our first loves, our adult lives? How does colour leave its mark on memory? In an attempt to answer these and other questions, Michel Pastoureau presents us with a journal about colours that covers half a century. Drawing on personal recollections, he retraces the recent history of colours through an exploration of fashion and clothing, everyday objects and practices, emblems and flags, sport, literature, museums and art. This text – playful, poetic, nostalgic – records the life of both the author and his contemporaries. We live in a world increasingly bursting with colour, in which colour remains a focus for memory, a source of delight and, most of all, an invitation to dream.

The first novel, in revised form, from "possibly the best living writer in Britain" (The Daily Telegraph) In The Colour of Memory, six friends plot a nomadic course through their mid-twenties as they scratch out an existence in near-destitute conditions in 1980s South London. They while away their hours drinking cheap beer, landing jobs and quickly squandering them, smoking weed, dodging muggings, listening to Coltrane, finding and losing a facsimile of love, collecting unemployment, and discussing politics in the way of the besotted young—as if they were employed only by the lives they chose. In his vivid evocation of council flats and pubs, of a life lived in the teeth of romantic ideals, Geoff Dyer provides a shockingly relevant snapshot of a different Lost Generation.

About the history of the color black, its various meanings and representations.

We perceive color everywhere and on everything that we encounter in daily life. Color science has progressed to the point where a great deal is known about the mechanics, evolution, and development of color vision, but less is known about the relation between color vision and psychology. However, color psychology is now a burgeoning, exciting area and this Handbook provides comprehensive coverage of emerging theory and research. Top scholars in the field provide rigorous overviews of work on color categorization, color symbolism and association, color preference, reciprocal relations between color perception and psychological functioning, and variations and deficiencies in color perception. The Handbook of Color Psychology seeks to facilitate cross-fertilization among researchers, both within and across disciplines and areas of research, and is an essential resource for anyone interested in color psychology in both theoretical and applied areas of study.

"Everyone We've Been is a dazzling love story with mystery and dizzying twists. Sarah Everett's puzzle of a debut will easily hook readers as they piece together this consuming tale of hope and heartbreak." -Adam Silvera, New York Times bestselling author of More Happy Than Not "Addictive, charming, and full of surprises, EVERYONE WE'VE BEEN is a gorgeously written novel about our mistakes and how we recover from them." --Adi Alsaid, author of LET'S GET LOST and NEVER ALWAYS SOMETIMES For fans of Jandy Nelson and Jenny Han comes a new novel that will be hard to forget. Addison Sullivan has been in an accident. In its aftermath, she has memory lapses and starts talking to a boy who keeps disappearing. She's afraid she's going crazy, and the worried looks on her family's and friends' faces aren't helping. Addie takes drastic measures to fill in the blanks and visits the Overton Clinic. But there she unwittingly discovers it is not her first visit. And when she presses, she finds out that she had certain memories erased. Flooded with questions about the past, Addison confronts the choices she can't even remember and wonders if you can possibly know the person you're becoming if you don't know the person you've been.

Colour permeates contemporary visual and material culture and affects our senses beyond the superficial encounter by infiltrating our perceptions and memories and becoming deeply rooted in thought processes that categorise and divide along culturally constructed lines. Colour exists as a cultural as well as psycho-physical phenomenon and acquires a multitude of meanings within differing historical and cultural contexts. The contributors examine how colour becomes imbued with specific symbolic and material meanings that tint our constructions of race, gender, ideal bodies, the relationship of the self to others and of the self to technology and the built environment. By highlighting the relationship of colour across media and material culture, this volume reveals the complex interplay of cultural connotations, discursive practices and socio-psychological dynamics of colour in an international context.

Record details of your life, family history, values, memories, and more for your children by following the prompts in this appealing keepsake journal. With sections for school and work, marriage and spirituality, andof courseparenthood, the guided questions here will help you create a family heirloom.

A century ago phrenologists described a "bump" for color located just over the eyebrow. Today's modular approach to the organization of the visual cortex is more sophisticated, yet it still holds that there are brain areas dedicated solely to particular aspects of perception. "Cognition through Color "reviews the current status of investigations of color cognition from the standpoint of modern neuropsychology. It provides clear evidence, based on a large body of empirical study that includes the author's own work on color perception and naming, that color appears to be one of the basic building blocks or modules from which perception is constructed and our memories organized. Davidoff systematically relates this evidence to an explicit model of color cognition from sensation through functional role to naming.The original impetus for "Cognition through Color "came from the investigation of individuals with brain damage. There are, for example, patients who have difficulty in naming colors. More important, despite normal color vision, memory for colors can be "split off" from all aspects of memory for shapes and objects, providing a strong case for the notion of modularity in vision.Davidoff shows that to understand how color is remembered, we must know how objects are recognized. He observes that the perception of what we call color is, in essence, the study of the surface properties of objects, and he develops a model in which the mental representations for color can be linked to the knowledge of objects. Throughout he emphasizes detailed critical analysis of experimental data in light of current theories of both perception and cognition.

Fifteen children's book artists share their favorite colors and explain why they love them.

Independence for India, in 1947, came with a price: division on the basis of religion. In the communal riots that followed, hundreds of thousands were killed and millions rendered homeless. And the tragic legacy of Partition haunts the subcontinent even today. Memories of Madness brings together works by three leading writers who witnessed the insanity of those months. Train to Pakistan, Khushwant Singh’s debut novel, tells the story of a village in Punjab, Mano Majra, where Muslims and Sikhs have co-existed peacefully, till one night in 1947, when a ghost train arrives from across the new border, bearing corpses of butchered refugees. As mistrust grows into hate and the people of Mano Majra lose their humanity, it is left to an outcast, a Sikh dacoit in love with a Muslim girl, to avert another carnage. Bhisham Sahni’s Tamas is a harrowing portrait of a small frontier town in the grip of communal frenzy. Based on the author’s own experience of riots in Rawalpindi, this celebrated novel describes the murder and mayhem triggered off by the discovery of a pig’s carcass outside a mosque. The matchless stories of Saadat Hasan Manto, the greatest short story writer in the Urdu language, round off this collection. In addition to his most famous story, ‘Toba Tek Singh’, the selection includes ten other sketches and stories in which Manto turns his unflinching gaze on history's criminals, victims and unlikely heroes. As moving as they are disturbing, the stories in this volume are of immense relevance in these times, for they constitute a chilling reminder of the consequences of communal politics.