The Colin Cheong Collection

"Prolific writer Colin Cheong brings together three classic novellas and 23 short stories in this first-ever collection. Written in the 1990s, each story reflects his prowess as a storyteller. He is known for his sensitive and skillful articulation of some universal human themes — the pain of rejected love, the frustration and anticipation of being ‘almost adult’, the rites of passage to adulthood, and man’s need for woman. This collection comprises: 1. Seventeen (novella, published 1996) 2. Poets, Priests and Prostitutes (novella, published 1990) 3. The Man in the Cupboard (novella, published 1999) – won the Merit Award, Singapore Literature Prize 1998 4. Life Cycle of Homo Sapiens, Male (short stories, published 1992) 5. Five new stories, previously only published in The Straits Times "

After 15 years of humiliation, Timothy is coming out of the closet to murder his insensitive and domineering wife, Marcia. The Man in the Cupboard is a sad and darkly funny tale of isolation – in both life and dreams. Winner of the 1998 Singapore Literature Prize Merit Award. The Series This title is being reissued under the new Marshall Cavendish Classics: Literary Fiction series, which seeks to introduce some of the best works of Singapore literature to a new generation of readers. Some have been evergreen titles over the years, others have been unjustly neglected. Authors in the series include: Catherine Lim, Claire Tham, Colin Cheong, Michael Chiang, Minfong Ho, Ovidia Yu and Philip Jeyaretnam.

Running away from his family and second-language problems, Richard Young With-No-Chinese-Name finds refuge in his college darkroom and his friends. Like shutterbug ZZ. Like the seemingly unattainable Samantha. Like gung-ho Janice and laidback Jacqueline. And seventeen looks like a great age to be forever. Until a mysterious Chinese flute player suddenly enters their lives, and slowly – and tragically – Richard’s life begins to unravel. The Series This title is being reissued under the new Marshall Cavendish Classics: Literary Fiction series, which seeks to introduce some of the best works of Singapore literature to a new generation of readers. Some have been evergreen titles over the years, others have been unjustly neglected. Authors in the series include: Catherine Lim, Claire Tham, Colin Cheong, Michael Chiang, Minfong Ho, Ovidia Yu and Philip Jeyaretnam.

The dark side of The Lion City is explored in a thrilling anthology that gives “plenty of new and unfamiliar voices a chance to shine” (San Francisco Book Review). The island city-state of Singapore harbors unique customs and traditions largely unknown to the West. A booming economy and embrace of conformity overshadow its gambling dens, red-light districts, and a collective passion for ghostly and gory tales. Now, in Singapore Noir, some of its best contemporary authors delve into its seedy side, including three winners of the Singapore Literature Prize: Simon Tay (writing as Donald Tee Quee Ho), Colin Cheong, and Suchen Christine Lim, whose contribution was named a finalist for the Private Eye Writers of America Shamus Award for Best P.I. Short Story. Eleven more tales showcase the talents of Colin Goh, Philip Jeyaretnam, Cheryl Lu-Lien Tan, Monica Bhide, S.J. Rozan, Lawrence Osborne, Ovidia Yu, Damon Chua, Johann S. Lee, Dave Chua, and Nury Vittachi. “Singapore, with its great wealth and great poverty existing amid ethnic, linguistic, and cultural tensions, offers fertile ground for bleak fiction . . . Tan has assembled a strong lineup of Singapore natives and knowledgeable visitors for this volume exploring the dark side of a fascinating country.” —Publishers Weekly

A search for a dream. Wing Cheong discovers that there are many roads to a single dream. He wants to fly — but his dream is suddenly shattered. As he searches for a meaning in life and other dreams to replace his first love, Wing experiences the trials and tribulations of change — in his family, friends and most of all, himself. A powerful and moving story about growing up, innocence and love, toughness and courage. A search across time and space — from the wonders of childhood to the strident urges of young manhood; from the landscape of the mind to the realm of the heart.

The world is anything but unfamiliar with diaspora: Jewish, African, Armenian, Roma-Gipsy, Filipino/a, Tamil, Irish or Italian, even Japanese. But few have carried so global a resonance as that of China. What, then, of literary-cultural expression, the huge body of fiction which has addressed itself to that plurality of lives and geographies and which has come to be known as “After China”? This collection of essays offers bearings on those written in English, and in which both memory and story are central, spanning the USA to Australia, Canada to the UK, Hong Kong to Singapore, with yet others of more transnational nature.This collection opens with a reprise of woman-authored Chinese American fiction using Maxine Hong Kingston and Amy Tan as departure points. In turn follow readings of the oeuvres of Tan and Frank Chin. A comparative essay takes up novels by Canadian, American and Australian authors from the perspective of migrancy as fracture. Chinese Canada comes into view in accounts of SKY Lee, Wayson Choy, Evelyn Lau and Larissa Lai. Australia under Chinese literary auspices is given a comparative mapping through the fiction of Brian Castro and Ouyang Yu. The English language “China fiction” of Singapore and Hong Kong is located in essays centred, respectively, on Martin Booth and Po Wah Lam, and Hwee Hwee Tan and Colin Cheong. The collection rounds out with portraits of Timothy Mo as British transnational author, a selection of contextual Chinese British stories and art, and the phenomenon of “Chinese Chick Lit” novels. China Fictions/English Language will be of interest to readers drawn both to “After China” as diasporic literary heritage and comparative literature in general.

What's a girl to do? Smart, athletic and obscenely wealthy, Yuki Moh is the embodiment of girl power and looks like she's got it all. She also has an insanely possessive and protective father who wants to keep her in the family money-laundering business. Luckily for Yuki, she's got friends who owe her favours. But with her lover's mother dying from cancer and her best friend gang-raped, she's got more on her mind than freedom. Polite Fiction is about the rude reality behind the stories we tell about ourselves. Colin Cheong's latest work weaves a central story through the lives and issues of a cast of characters hiding behind their own polite fictions. Each chapter sends sanitized fairy tales back to the realm of shadows where they lie in wait — to remind us of just how much we lie.

The Routledge Companion to Asian American and Pacific Islander Literature offers a general introduction as well as a range of critical approaches to this important and expanding field. Divided into three sections, the volume: Introduces "keywords" connecting the theories, themes and methodologies distinctive to Asian American Literature Addresses historical periods, geographies and literary identities Looks at different genre, form and interdisciplinarity With 41 essays from scholars in the field this collection is a comprehensive guide to a significant area of literary study for students and teachers of Ethnic American, Asian diasporic and Pacific Islander Literature. Contributors: Christine Bacareza Balance, Victor Bascara, Leslie Bow, Joshua Takano Chambers-Letson, Tina Chen, Anne Anlin Cheng, Mark Chiang, Patricia P. Chu, Robert Diaz, Pin-chia Feng, Tara Fickle, Donald Goellnicht, Helena Grice, Eric Hayot, Tamara C. Ho, Hsuan L. Hsu, Mark C. Jerng, Laura Hyun Yi Kang, Daniel Y. Kim, Jodi Kim, James Kyung-Jin Lee, Rachel C. Lee, Jinqi Ling, Colleen Lye, Sean Metzger, Susette Min, Susan Y. Najita, Viet Thanh Nguyen, erin Khuê Ninh, Eve Oishi, Josephine Nock-Hee Park, Steven Salaita, Shu-mei Shi, Rajini Srikanth, Brian Kim Stefans, Erin Suzuki, Theresa Tensuan, Cynthia Tolentino, Thuy Linh Nguyen Tu, Eleanor Ty, Traise Yamamoto, Timothy Yu.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume Two gathers twenty-four of the finest stories from Singaporean writers published in 2013 and 2014, selected from hundreds published in journals, magazines, anthologies and single-author collections. These pieces examine life in Singapore, as well as beyond its borders to Toronto, California, Shanghai, Andhra Pradesh, Pyongchon and Paris, as well as to the distant past and the far future. Accompanying the stories are the editor’s introduction and an extensive list of honourable mentions for further reading.