The Clipper Of The Clouds Translated From Robur Le Conquerant Illustrated

Robur the Conqueror is a science fiction novel by Jules Verne, published in 1886. It is also known as The Clipper of the Clouds. It has a sequel, Master of the World, which was published in 1904.They laughed at his ideas of heavier-than-air flying machines. But he had the last laugh with the Albatross -- the most incredible flying machine ever built. Lord of the skies, Robur became the would-be conqueror of the world! A fascinating companion to 20,000 Leagues Under the Sea, Robur the Conqueror explores many of the same themes. The Wildside Press edition contains a newly revised version of the first English-language translation.

Bill Warren's Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in softcover format (ISBN 978-1-4766-6618-1).

Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.

This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. Contributors are drawn from Britain, America and Europe, and range from well-known academic critics to young novelists. The essays establish the common properties of science fiction writing, and assess the history and significance of a field in which critical judgements have often been unreliable. The material ranges from the earliest imaginative journeys to the moon, to later developments of British, American and European science fiction.

Sci-Fi Art: A Graphic History traces the evolution of this popular art form from the earliest illustrations of Jules Verne and H.G. Wells through the classic cover art of pulp magazines from the 1920s and 30s, to graphic novels in the 60s and 70s, and right up to contemporary film posters, movies, and television shows. Chapters bring to light the most groundbreaking and talked about sci-fi art in media ranging from comic books, movies, and TV programs to art, posters, toys, literature, collectibles, board games and video games. Sci-Fi Art is a comprehensive compilation that reveals fascinating background information, anecdotes, ideas, and inspirations relied on by iconic artists from Chris Foss, Jim Burns, and David Mattingly to Moebius, Albert Robida, and Frank Kelly Freas. Illuminating analyses of these sci-fi masters' use of technique, tools, materials, and media are also featured. All images are richly illustrated and seemingly three-dimensional making Sci-Fi Art the perfect nostalgia book for sci-fi fans and collectors, as well as an inspiring resource for art lovers, designers, illustrators, writers and creative minds.

First complete English translation of Jules Verne's classic novel of flight At the Weldon Institute in Philadelphia, a mob of zealous balloon enthusiasts plans to conquer the sky in a state-of-the-art dirigible. When a stranger, the mysterious Robur, declares that the future belongs not to balloons but to heavier-than-air flying machines, the Institute scornfully dismisses the idea. But Robur demands vengeance—and has a unique flying machine that will allow him to take it. By turns an impassioned argument for aviation, a wild proto-steampunk adventure, and a jubilant celebration of the dream of flight, Robur the Conqueror ranks among Jules Verne's most iconic and influential works. Its technological speculations, including the unforgettable aircraft Albatross, are a vibrant snapshot of nineteenth-century scientific innovation. This, the first complete English translation of Verne's 1886 novel, includes an insightful introduction, explanatory chapter notes, never-before-published glimpses of Verne's original manuscript, all the first-edition illustrations by Léon Benett, and an up-to-date Verne biography and primary and secondary bibliography. It is an essential new edition of a seminal science fiction classic.