The Civil War Centennial Handbook

This book focuses on the Civil War, which began in the 1830s as a cold war and moved toward the inevitable conflict somewhere between 1850 and 1860, which was one of America's greatest emotional experiences. It tells a story of the human toil and machinery that produced more than four million small arms for the Union Army and stamped from copper over one billion percussion caps for these weapons during the four years of war. It is the purpose of "The Civil War Centennial Handbook" to present this unusual story of the Civil War, a mosaic composed of fragments from the lesser-known and yet colorful facts that have survived a century but have been obscured by the voluminous battle narratives and campaign studies. The handbook is divided into five basic parts. The first is a presentation of little-known and unusual facts about participants, battles and losses, and the cost of war. The second is a graphic portrayal of both the men and machines that made the war of the 1860s. The special selection of photographs for this portion of the story was made available courtesy of the National Archives and the Library of Congress. Next are reproductions in color of Union and Confederate uniforms from the Official Records Atlas and the famous paintings by H. A. Ogden. The fourth section is a reference table of battles and losses listed in chronological order, accompanied by a map showing the major engagements of the war. And primarily for the growing number of new Civil War buffs, there is a roster of Civil War Round Tables, as well as a recommended list of outstanding books on the Civil War.

The Civil War Centennial Handbook by William H. Price.

It is also a story of the human toil and machinery that produced more than four million small arms for the Union Army and stamped from copper over one billion percussion caps for these weapons during the four years of war. Inside the Confederacy, it is the story of experiments with new weapons-the submarine, iron-clad rams, torpedoes, and landmines-in an attempt to overcome the North's numerical superiority. It is the purpose of The Civil War Centennial Handbook to present this unusual story of the Civil War, a mosaic composed of fragments from the lesser-known and yet colorful facts that have survived a century but have been obscured by the voluminous battle narratives and campaign studies. Much of this material, when originally drafted, was selected by the National Civil War Centennial Commission for their informative and interesting Facts About the Civil War.

In Troubled Commemoration, Robert J. Cook recounts the planning, organization, and ultimate failure of United States Civil War Centennial and reveals how the broad-based public history extravaganza was derailed by its appearance during the decisive phase of the civil rights movement.

In the tradition of the great regimental histories of the past, this book records the fire which seared the ranks of the Twenty-Four Michigan Regiment of the legendary “Iron Brigade.” Born as the result of a riot, led by a Virginian, met with coldness and hostility by the black-hatted veterans of the brigade, the Twenty-Fourth swore it would win their respect…and so they did with a vengeance. At Fredericksburg, in “artillery hell” and under a murderous crossfire from the guns of “Stonewall” Jackson and “Jeb” Stuart, they performed the manual of arms to stead the line. The first day at Gettysburg they sparked this remark from the confederate ranks…”That ain’t no milishy, there’s those damn black hats again.” With the immortal First Corps they were ordered west of the town to hold long enough for the army to occupy the strategic heights behind them. They held, and by evening they had lost more men than any of the 400-odd Union regiments engaged in the battle. Still later they marched down “that crimson strip across the maps,” which marked Grant’s Wilderness Campaign; they bled at Petersburg and then, their ranks almost decimated, were sent to guard bounty jumpers. The last tribute to their gallant service came as they were chosen the Guard of Honor for Lincoln’s funeral. In a little more than two years of bloody fighting they found their way to nineteenth place on the list of “300 Fighting Regiments.” To read this book is to consort with heroes who, 100 years ago, stood watching their world writhe in agony. It gives hope that in matching their courage, our country will emerge from the cauldron triumphant.

In this elegant book, the Pulitzer Prize-winning writer explores the manifold ways in which the Civil War changed the United States forever. He confronts its costs, not only human (six hundred thousand men killed) and economic (beyond reckoning) but social and psychological. He touches on popular misconceptions, including some concerning Abraham Lincoln and the issue of slavery. The war in all its facets "grows in our consciousness," arousing complex emotions and leaving "a gallery of great human images for our contemplation."

The second episode in this award-winning trilogy impressively shows how the Union and Confederacy, slowly and inexorably, reconciled themselves to an all-out war—an epic struggle for freedom. In Terrible Swift Sword, Bruce Catton tells the story of the Civil War as never before—of two turning points which changed the scope and meaning of the war. First, he describes how the war slowly but steadily got out of control. This would not be the neat, short, “limited” war both sides had envisioned. And then the author reveals how the sweeping force of all-out conflict changed the war’s purpose, in turning it into a war for human freedom. It was not initially a war against slavery. Instead, this was, Mr. Lincoln kept insisting, a fight to reunite the United States. At first, it was not even much of a fight. Cautious generals; inexperienced, incompetent, or jealous administrators; shortages of good people and supplies; excess of both gloom and optimism, kept each side from swinging into decisive action. As the buildup began, there were maddening delays. The earliest engagements were halting and inconclusive. After these first tests at arms, reputations began to crumble. Buell, Halleck, Beauregard Albert Sidney Johnston. Failed to drive ahead—for reasons good and bad. General McClellan (impaled in these pages on the arrogant words of his letters) captured more imaginations than enemies, and continued to accept serious over estimates of Confederate strength while becoming more and more fatally estranged from his own government.