The Cigar Factory

Two women kept apart by segregation at a Southern cigar factory forge a powerful alliance in the labor rights movement in this historical novel. With evocative dialect and remarkable prose, The Cigar Factory tells the story of two entwined families—the white McGonegals and the African American Ravenels—in the storied port city of Charleston, South Carolina, during the World Wars. Moore’s novel follows the parallel lives of family matriarchs working on segregated floors of the massive Charleston cigar factory, where white and black workers remain divided and misinformed about the duties and treatment received by each other. Cassie McGonegal and her niece Brigid work upstairs in the factory rolling cigars by hand. Meliah Amey Ravenel works in the basement, where she stems the tobacco. While both suffer in the harsh working conditions of the factory and endure the sexual harassment of the foremen, segregation keeps them from recognizing their common plight until the Tobacco Workers Strike of 1945. Through the experience of a brutal picket line, the two women discover how much they stand to gain by joining forces, creating a powerful moment in labor history that gives rise to the Civil Rights anthem, “We Shall Overcome.” Moore’s historical research includes interviews with family members who worked at the cigar factory, adding nuance and authenticity to her empowering story of struggle, loss, and redemption. Foreword by New York Times best-selling author Pat Conroy Winner of the 2016 David J. Langum, Sr. Prize

In 1932, Isay Rottenberg, a Jewish paper merchant, bought a cigar factory in Germany: Deutsche Zigarren-Werke. When his competitors, supported by Nazi authorities, tried to shut it down, the headstrong entrepreneur refused to give up the fight. Isay Rottenberg was born into a large Jewish family in Russian Poland in 1889 and grew up in Lodz. He left for Berlin at the age of eighteen to escape military service, moving again in 1917 to Amsterdam on the occasion of his marriage. In 1932 he moved to Germany to take over a bankrupt cigar factory. With newfangled American technology, it was the most modern at the time. The energetic and ambitious Rottenberg was certain he could bring it back to life, and with newly hired staff of 670 workers, the cigar factory was soon back in business. Six months later, Hitler came to power and the Nazi government forbade the use of machines in the cigar industry so that traditional hand-rollers could be re-employed. That was when the real struggle began. More than six hundred qualified machine workers and engineers would lose their jobs if the factory had to close down. Supported by the local authorities he managed to keep the factory going, but in 1935 he was imprisoned following accusations of fraud. The factory was expropriated by the Deutsche Bank. When he was released six months later thanks to the efforts of the Dutch consul, he brought a lawsuit of his own. His fight for rehabilitation and restitution of his property would continue until Kristallnacht in 1938. The Cigar Factory of Isay Rottenberg is written by two of Rottenberg’s granddaughters, who knew little of their grandfather’s past growing up in Amsterdam until a call for claims for stolen or confiscated property started them on a journey of discovery. It includes an afterword by Robert Rotenberg, criminal defense lawyer and author of bestselling legal thrillers.

"El Lector will find a broad and appreciative audience and will become a landmark in the study of Cuban and Latin American cultures." —Roberto González Echevarría, Yale University The practice of reading aloud has a long history, And The tradition still survives in Cuba as a hard-won right deeply embedded in cigar factory workers' culture. InEl Lector, Araceli Tinajero deftly traces the evolution of the reader from nineteenth-century Cuba To The present and its eventual dissemination to Tampa, Key West, Puerto Rico, and Mexico. In interviews with present-day and retired readers, she records testimonies that otherwise would have been lost forever, creating a valuable archive for future historians. Through a close examination of journals, newspapers, and personal interviews, Tinajero relates how the reading was organized, how the readers and readings were selected, and how the process affected the relationship between workers and factory owners. Because of the reader, cigar factory workers were far more cultured and in touch with the political currents of the day than other workers. But it was not only the reading material, which provided political and literary information that yielded self-education, that influenced the workers; the act of being read to increased the discipline and timing of the artisan's job.

Winner of the 2003 Pulitzer Prize for Drama, this lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new ''lector (who reads Tolstoys Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.

The practice of reading aloud has a long history, and the tradition still survives in Cuba as a hard-won right deeply embedded in cigar factory workers' culture. In El Lector, Araceli Tinajero deftly traces the evolution of the reader from nineteenth-century Cuba to the present and its eventual dissemination to Tampa, Key West, Puerto Rico, and Mexico. In interviews with present-day and retired readers, she records testimonies that otherwise would have been lost forever, creating a valuable archive for future historians. Through a close examination of journals, newspapers, and personal interviews, Tinajero relates how the reading was organized, how the readers and readings were selected, and how the process affected the relationship between workers and factory owners. Because of the reader, cigar factory workers were far more cultured and in touch with the political currents of the day than other workers. But it was not only the reading material, which provided political and literary information that yielded self-education, that influenced the workers; the act of being read to increased the discipline and timing of the artisan's job.

Florida Historical Society Harry T. and Harriette V. Moore Award From the founding of Ybor City in 1886 to the dispersal of Tampa's Latin population in the years following World War II, Tampa's Cigar Workers documents the history of the Cuban, Spanish, and Italian immigrants who created the cigar industry in Tampa and the extraordinary multi-ethnic community that flourished around it. More than 200 photos capture this community's personalities and way of life while commentary drawn from newspaper accounts, oral histories, and archival documents identifies and explains each photograph's historical place and significance. In linking the photographs with historical text, the authors allow the cigar workers to tell their own story, in the language of their day.  The rich photographic record around which the book is organized communicates the lives of these workers not only in the workplace but also in their vibrant Ybor City and West Tampa neighborhoods. The book depicts the making of cigars, the work culture, local support for the Cuban War of Independence (1895-1898), unions and strikes, community institutions such as mutual aid clubs, leisure activities, and social practices surrounding courtship, marriage, and death. Highlighting the diversity of the cigar workers' community, the authors present an inspiring and deeply moving story of how these immigrants carved out their space in Tampa while struggling to survive economically and defending their ideals and way of life.

Rose Pastor arrived in New York City in 1903, a Jewish refugee from Russia who had worked in cigar factories since the age of eleven. Two years later, she captured headlines across the globe when she married James Graham Phelps Stokes, scion of one of the legendary 400 families of New York high society. Together, this unusual couple joined the burgeoning Socialist Party and, over the next dozen years, moved among the liveliest group of activists and dreamers this country has ever seen. Their friends and houseguests included Emma Goldman, Big Bill Haywood, Eugene V. Debs, John Reed, Margaret Sanger, Jack London, and W.E.B. Du Bois. Rose stirred audiences to tears and led strikes of restaurant waiters and garment workers. She campaigned alongside the country's earliest feminists to publicly defy laws against distributing information about birth control, earning her notoriety as "one of the dangerous influences of the country" from President Woodrow Wilson. But in a way no one foresaw, her too-short life would end in the same abject poverty with which it began.

When the Soviet Union dissolved, so did the easy credit, cheap oil, and subsidies it had provided to Cuba. The bottom fell out of the Cuban economy, and many expected that Castro’s revolution—the one that had inspired the Left throughout Latin America and elsewhere—would soon be gone as well. More than a decade later, the revolution lives on, albeit in a modified form. Following the collapse of Soviet communism, Castro legalized the dollar, opened the island to tourism, and allowed foreign investment, small-scale private enterprise, and remittances from exiles in Miami. Capitalism, God, and a Good Cigar describes what the changes implemented since the early 1990s have meant for ordinary Cubans: hotel workers, teachers, priests, factory workers, rap artists, writers, homemakers, and others. Based on reporting by journalists, writers, and documentary filmmakers since 2001, each of the essays collected here covers a particular dimension of contemporary Cuban society, revealing what it is like to have lived, for more than a decade, suspended between communism and capitalism. There are pieces on hip hop musicians, fiction writing and censorship, the state of ballet and the performing arts, and the role of computers and the Internet. Other essays address the shrinking yet still sizeable numbers of true believers in the promise of socialist revolution, the legendary cigar industry, the changing state of religion, the significance of the recent influx of money and people from Spain, and the tensions between recent Cuban emigrants and previous generations of exiles. Including more than seventy striking documentary photographs of Cuba’s people, countryside, and city streets, this richly illustrated collection offers keen, even-handed insights into the abundant ironies of life in Cuba today. Contributors. Juliana Barbassa, Ana Campoy, Mimi Chakarova, Lydia Chávez, John Coté, Julian Foley, Angel González, Megan Lardner, Ezequiel Minaya, Daniela Mohor, Archana Pyati, Alicia Roca, Olga R. Rodríguez, Bret Sigler, Annelise Wunderlich

In 1885, Vincent Martinez Ybor, a Spanish entrepreneur, purchased forty acres east of Tampa and built a company town of tall red-brick factories and small wood-frame houses for the workers. Over the next forty years, this community of cigar-makers from Cuba, Spain, and Italy grew into a thriving industry that made Tampa the Cigar Capital of the World. The urban renewal of the 1960s, however, struck a deathblow to Ybor City; thousands of cigar-makers homes and businesses were leveled by bulldozers, and an interstate highway stormed through the dying neighborhood. The narratives, reflecting a coming-of-age in this colorful community that no longer exists, speak of a kidnapping, a hold-up, a shark attack, a deadly duel, and a murder. A teenager comes to grips with his sexual identity, an activist mother resists Jim Crow laws, and an unexpected baby changes everyones life. In Cigar City Stories, author Emilio Gonzalez-Llanes presents a collection of short stories that provides a snapshot of this lost island in time. Julian stood on that raised platform in the middle of the factory floor, reading to the workers: Anna Karenina, War and Peace, Les Miserables, writings of Cervantes, newspapers, and the poems of Jos Marti. He didnt just read the words; he took on the voice and mannerisms of the characters in the novels, like an actor in the theater. Good performances were followed by the sustained thumping roar of two hundred chavetas, or tobacco knives, repeatedly striking the workers tobacco-cutting boards. from El Lector

AN INSTANT NEW YORK TIMES BESTSELLER THE WASHINGTON POST NOTABLE BOOK OF 2021 A GOOD MORNING AMERICA BOOK CLUB PICK WINNER of the Isabel Allende Most Inspirational Fiction Award, She Reads Best of 2021 Awards • FINALIST for the 2022 Southern Book Prize • LONGLISTED for Crook’s Corner Book Prize • NOMINEE for 2021 GoodReads Choice Award in Debut Novel and Historical Fiction A sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt. From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia's Of Women and Salt is a kaleidoscopic portrait of betrayals—personal and political, self-inflicted and those done by others—that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots.