The Christ Child In Devotional Images In Italy During The Xiv Century

Equally in God's Image: Women in the Middle Ages is a volume of essays presenting the argument that with the coming of the universities women were excluded, in an apartheid of gender, from education and power. It discusses the resulting paradigm shift from Romanesque to Gothic, describing the images which women had of themselves and which the dominant male society had of them. We meet, in the pages of this book, medieval women in their roles as writers, pilgrims, wives, anchoresses and nuns, at court, on pilgrimage, in households and convents. The volume, as a «Distant Mirror» for ourselves today, seeks to present ways in which women then fulfilled the roles society expected of them and the ways in which they also subverted - through entering into textuality - the expectations of the dominating culture in order to quest identity and equality.

The cult of the Christ Child flourished in late medieval Europe across lay and religious, as well as geographic and cultural boundaries. Depictions of Christ's boyhood are found throughout popular culture, visual art, and literature. The Christ Child in Medieval Culture is the first interdisciplinary investigation of how representations of the Christ Child were conceptualized and employed in this period. The contributors to this unique volume analyse depictions of the Christ Child through a variety of frameworks, including the interplay of mortality and divinity, the medieval conceit of a suffering Christ Child, and the interrelationships between Christ and other figures, including saints and ordinary children. The Christ Child in Medieval Culture synthesizes various approaches to interpreting the cultural meaning of medieval religious imagery and illuminates the significance of its most central figure.

Section 3, Vol. 3.

The cult of the Christ Child flourished in late medieval Europe across lay and religious, as well as geographic and cultural boundaries. Depictions of Christ's boyhood are found throughout popular culture, visual art, and literature. The Christ Child in Medieval Culture is the first interdisciplinary investigation of how representations of the Christ Child were conceptualized and employed in this period. The contributors to this unique volume analyse depictions of the Christ Child through a variety of frameworks, including the interplay of mortality and divinity, the medieval conceit of a suffering Christ Child, and the interrelationships between Christ and other figures, including saints and ordinary children. The Christ Child in Medieval Culture synthesizes various approaches to interpreting the cultural meaning of medieval religious imagery and illuminates the significance of its most central figure.