The Chicago Renaissance in American Letters
Author | : Bernard Duffey |
Publisher | : |
Total Pages | : |
Release | : 1956 |
Genre | : |
ISBN | : |
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Author | : Bernard Duffey |
Publisher | : |
Total Pages | : |
Release | : 1956 |
Genre | : |
ISBN | : |
Author | : Bernard I. Duffey |
Publisher | : Greenwood |
Total Pages | : 304 |
Release | : 1972 |
Genre | : History |
ISBN | : |
Author | : Bernard Ingersoll DUFFEY |
Publisher | : |
Total Pages | : 285 |
Release | : 1954 |
Genre | : American literature |
ISBN | : |
Author | : Bernard I 1917-1994 Duffey |
Publisher | : Hassell Street Press |
Total Pages | : 304 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781013378997 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : B. Duffey |
Publisher | : |
Total Pages | : 0 |
Release | : 1956 |
Genre | : American literature |
ISBN | : |
Author | : Bernard I. Duffey |
Publisher | : |
Total Pages | : 285 |
Release | : 1972 |
Genre | : |
ISBN | : |
Author | : Bernard Duffey |
Publisher | : |
Total Pages | : 285 |
Release | : 1954 |
Genre | : |
ISBN | : |
Author | : Jan Pinkerton |
Publisher | : Infobase Publishing |
Total Pages | : 433 |
Release | : 2009 |
Genre | : American literature |
ISBN | : 1438109148 |
The Chicago Renaissance began in the early 1900s and lasted until approximately 1930. The leading writers of the period, including Theodore Dreiser ("Sister Carrie)
Author | : Mary Hricko |
Publisher | : Routledge |
Total Pages | : 250 |
Release | : 2013-09-05 |
Genre | : Literary Criticism |
ISBN | : 1136085467 |
This study examines the genesis of Chicago's two identified literary renaissance periods (1890-1920 and 1930-1950) through the writings of Dreiser, Hughes, Wright, and Farrell. The relationship of these four writers demonstrates a continuity of thought between the two renaissance periods. By noting the affinities of these writers, patterns such as the rise of the city novel, the development of urban realism, and the shift to modernism are identified as significant connections between the two periods. Although Dreiser, Wright, and Farrell are more commonly thought of as Chicago writers, this study argues that Langston Hughes is a transitional, pivotal figure between the two periods. Through close readings and contextualization, the influence of Chicago writing on American literature--in such areas as realism and naturalism, as well as proletarian and ethnic fiction--becomes apparent.
Author | : Lisa Woolley |
Publisher | : |
Total Pages | : 178 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780875802589 |
Sherwood Anderson's plain spoken language typifies the spirit of the Chicago Renaissance, a movement that expressed the new tone and pace of American life in the twentieth century. Challenging established English usage by boldly experimenting with a variety of dialects, Chicago authors created a modern urban idiom. Woolley expands the story of the Chicago Renaissance to encompass women and African American writers, including reformers Jane Addams and Ida B. Wells, magazine founders Harriet Monroe and Margaret Anderson, and Bronzeville poet Fenton Johnson, in addition to famous writers such as Carl Sandburg and Vachel Lindsay. These newly recognized authors probed the boundaries of language to convey simplicity, democracy, and Americanness--qualities that have come to be associated with the Chicago Renaissance. Known primarily as journalists by profession, most of these Chicago writers learned the language of common folk through social work, oratory, editing, live performance, and the creation of an African American literary aesthetic. These experiences helped to teach them how American literature should sound. Shedding fresh light on a critical period in the history of American letters, Woolley's groundbreaking study illuminates the distinctly American character of Chicago writing and shows us how to listen to the diversity of its voices.