The Cantigas De Santa Maria

In the "Cantigas de Santa Maria," a collection of about four hundred poems written in Galician, Alfonso X, el Sabio, king of Castile-Leon, has left us a kind of poetic biography. This volume explicates the historical circumstances surrounding the stories that the king tells about himself and his kingdom. As Mary's troubadour, he appeals to her as his advocate and consoler.

A selection of the 13th-century Galician Cantigas de Santa Maria commissioned by Alfonso X of Castile in a new edition produced by the Oxford CSM Critical Edition project, with critical apparatus. The order of poems will replicate the distinctive internal structure of the main compilations and the edition will make these texts available in a form suitable as a set text for student use, with an introduction placing them in their historical, cultural and linguistic context, and with English translations.

Few truly masterly works in literature, music, and graphic arts have been as sadly neglected as the thirteenth-century Cantigas de Santa Maria of King Alfonso X, "el Sabio" (1221 1284). This collection of 420 poems and songs was written not in Castilian but in Galician-Portuguese, an important spoken and literary language in the Middle Ages that is little understood today. Kulp-Hill's text is the first English translation of this important work. In the poems, a colorful panorama of medieval life unfolds, reflecting a vast array of historical, cultural, linguistic, folklorist, and aesthetic interests and information. The Cantigas contribute to the well-established medieval verse genre relating miraculous events attributed to Mary.--Publisher.

The hundreds of illuminated miniatures found in the Cantigas de Santa Maria, sponsored by King Alfonso X (1252–84), reveal many vistas of daily life in thirteenth century Spain. No other source provides such an encyclopedic view of all classes of medieval European society, from kings and popes to the lowest peasants. Men and women are seen farming, hunting, on pilgrimage, watching bullfights, in gambling dens, making love, tending silkworms, eating, cooking, and writing poetry, to name only a few of the human activities represented here. Combining keen observation of detail with years of experience in the field, John Keller and Annette Grant Cash bring to life a world previously little explored.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Alfonso X (1221--1284) reigned as king of Castile and León from 1252 until his death. Known to history as El Sabio, the Wise, or the Learned, his appreciation for science and the arts led him to sponsor a number of books on the history of Spain since its Roman settlement. Among them were the Cantigas de Santa Maria, a collection of over four hundred poems exalting his favorite patron saint, Mary, and chronicles of all the kings of Castile and León, Navarre, Aragón, and Portugal. Alfonso X died before his own life could be written. His was a reign fraught with political intrigue and double crosses, almost constant war and equally constant diplomacy, royal largesse and economic instability -- all of which led to open revolt and efforts by Alfonso's own son to depose the king. It would be another sixty-some years before King Alfonso XI would commission Fernán Sánchez de Valladolid to write Cronica de Alfonso X to memorialize his great-grandfather. As Alfonso XI's trusted counselor, ambassador, diplomat, and legist, Fernán was an understandable choice, but in the centuries since, his convoluted prose has proven extremely difficult extremely difficult for scholars. Chronicle of Alfonso X is the first and only translation of the king's history. The original "clumsy Castilian" of Fernán Sánchez has now been transformed into literate and engaging English.

Medieval music in its cultural, social, and intellectual contexts. Margot Fassler's Music in the Medieval West imaginatively reconstructs the repertoire of the Middle Ages by drawing on a wide range of sources. In addition to highlighting the ceremonial and dramatic functions of medieval music (both sacred and secular), she pays special attention to the exchange of musical ideas, the development of musical notation and other methods of transmission, and the role of women in musical culture. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents.

Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. Their significance as sources for the study of medieval history and culture is today widely recognised not only by historians, but also by students of medieval literature and linguistics and by art historians. The series The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds.

An illuminating biography of Alfonso X, the 13th-century philosopher-king whose affinity for Islamic culture left an indelible mark on Western civilization "If I had been present at the Creation," the thirteenth-century Spanish philosopher-king Alfonso X is said to have stated, "Many faults in the universe would have been avoided." Known as El Sabio, "the Wise," Alfonso was renowned by friends and enemies alike for his sparkling intellect and extraordinary cultural achievements. In The Wise King, celebrated historian Simon R. Doubleday traces the story of the king's life and times, leading us deep into his emotional world and showing how his intense admiration for Spain's rich Islamic culture paved the way for the European Renaissance. In 1252, when Alfonso replaced his more militaristic father on the throne of Castile and Leóthe battle to reconquer Muslim territory on the Iberian Peninsula was raging fiercely. But even as he led his Christian soldiers onto the battlefield, Alfonso was seduced by the glories of Muslim Spain. His engagement with the Arabic-speaking culture of the South shaped his pursuit of astronomy, for which he was famed for centuries, and his profoundly humane vision of the world, which Dante, Petrarch, and later Italian humanists would inherit. A composer of lyric verses, and patron of works on board games, hunting, and the properties of stones, Alfonso is best known today for his Cantigas de Santa Marí/i> (Songs of Holy Mary), which offer a remarkable window onto his world. His ongoing struggles as a king and as a man were distilled-in art, music, literature, and architecture-into something sublime that speaks to us powerfully across the centuries. An intimate biography of the Spanish ruler in whom two cultures converged, The Wise King introduces readers to a Renaissance man before his time, whose creative energy in the face of personal turmoil and existential threats to his kingdom would transform the course of Western history.