The Canadian Fantastic In Focus

Bringing together papers presented at the Academic Conference on Canadian Science Fiction and Fantasy from 2005 to 2013, this collection of essays includes Veronica Hollinger's keynote address, "The Body on the Slab," and Robert Runte's Aurora Award-winning paper, "Why I Read Canadian Speculative Fiction," along with 15 other contributions on science fiction and fantasy literature, television and music by Canadian creators. Authors discussed include Charles de Lint, Nalo Hopkinson, Tanya Huff, Esther Rochon, Peter Watts and Robert Charles Wilson. Essays on the television show Supernatural and the Scott Pilgrim comics series are also included.

Bringing together papers presented at the Academic Conference on Canadian Science Fiction and Fantasy from 2005 to 2013, this collection of essays includes Veronica Hollinger's keynote address, "The Body on the Slab," and Robert Runte's Aurora Award-winning paper, "Why I Read Canadian Speculative Fiction," along with 15 other contributions on science fiction and fantasy literature, television and music by Canadian creators. Authors discussed include Charles de Lint, Nalo Hopkinson, Tanya Huff, Esther Rochon, Peter Watts and Robert Charles Wilson. Essays on the television show Supernatural and the Scott Pilgrim comics series are also included.

This study introduces the history, themes, and critical responses to Canadian fantastic literature. Taking a chronological approach, this volume covers the main periods of Canadian science fiction and fantasy from the early nineteenth century to the first decades of the twenty-first century. The book examines both the texts and the contexts of Canadian writing in the fantastic, analyzing themes and techniques in novels and short stories, and looking at both national and international contexts of the literature’s history. This introduction will offer a coherent narrative of Canadian fantastic literature through analysis of the major texts and authors in the field and through relating the authors’ work to the world around them.

Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.

Most accounts of Canada and the First World War either ignore or merely mention in passing the churches' experience. Such neglect does not do justice to the remarkable influence of the wartime churches nor to the religious identity of the young Dominion. The churches' support for the war was often wholehearted, but just as often nuanced and critical, shaped by either the classic just war paradigm or pacifism's outright rejection of violence. The war heightened issues of Canadianization, attitudes to violence, and ministry to the bereaved and the disillusioned. It also exacerbated ethnic tensions within and between denominations, and challenged notions of national and imperial identity. The authors of this volume provide a detailed summary of various Christian traditions and the war, both synthesizing and furthering previous research. In addition to examining the experience of Roman Catholics (English and French speaking), Anglicans, Presbyterians, Methodists, Baptists, Lutherans, Mennonites, and Quakers, there are chapters on precedents formed during the South African War, the work of military chaplains, and the roles of church women on the home front.