The Byrds On Track

The Byrds were just a little bit ahead of their time. By releasing six genre-defining albums in three years, their transformative powers took electric guitars to traditional folk music, brought jazz into psychedelic pop and helped introduce what we now know as Americana, being the first major rock band to embrace the sound of Nashville. They were heralded as the pioneers of folk rock, acid rock and country rock, not to mention space rock, abstract electronics and all the inter-genre crossover material that defines most of their albums. They influenced so many of the musical movements that followed as they constantly progressed, hungry to push the boundaries of popular music. This book examines each one of the band’s 12 studio albums, highlighting the many high points, especially from their mercurial 1965 – 1968 era, and the less successful later years when the law of diminishing returns took over. Also discussed within the ‘Connected Flights’ part of each chapter, are the band’s contemporaneous non-album singles and B-sides. Previously unreleased tracks that were later released as part of their extensive reissue campaigns will also be covered, making this book one of the most extensive guides to The Byrds’ music yet produced. Andy McArthur is a retired teacher, who, in a previous life, worked in finance. He now works part-time in the education charity sector. Having always loved writing, he previously contributed to a national newspaper’s football fanzine section. This is his first book. He lives in Edinburgh with his wife, Karen, and daughters, Amy and Zoe. When not walking Mojo the dog up the Braid Hills, Andy loves listening to music, watching Ayr Utd and drinking zesty ales in pubs (where he bores people by telling them how The Byrds changed popular music three times in the space of three years).

Formed in 1964 and still going strong in 2020, the Who are one of the most popular and enduring bands in the history of rock. The legendary debut album My Generation and a string of hit singles paved the way for Live At Leeds, hailed as the best live rock album of all time, and the best selling Who's Next. Powered by the phenomenal rhythm section of Keith Moon and John Entwistle, they earned a reputation as a premier live act and pioneered festival and arena performances. The rock operas Tommy and Quadrophenia took popular music into uncharted territories and both inspired hit films. Despite regular infighting, breakups and the death of two key members, the band continued into the 21st century with the well received Endless Wire album and original members Roger Daltrey and Pete Townshend stage spectacular live shows to this day. This book examines each one of the band's studio albums, including the latest Who released in December 2019. Non-album tracks are also included and the book traces the band's long and diverse history. Compilations, live albums and soundtracks are also discussed, making this the most comprehensive guide to the music of the Who yet published. Whether the reader is a diehard fan or someone curious to see what lies beyond Tommy, this is essential reading.

Hailing from Muswell Hill in London, The Kinks were one of the top British bands of the sixties, with over twenty hit singles including a trio of number ones (including the famous paean to their home city 'Waterloo Sunset'). They had over a dozen top ten's, thanks to the clever and sometimes sardonic songwriting of Ray Davies, who dominated the band and deservedly went on to be knighted. When the seventies came along, they recorded a number of critically acclaimed concept albums, and their live shows became more theatrical with the band shifting focus to become pioneers of arena rock in America. Following a resurgence of commercial popularity in the late seventies and early eighties, the band continued to record interesting and lyrically insightful albums. They last performed together in 1996. The combination of Ray's songs and the musicianship of the band - including his brother Dave Davies, with whom Ray had a rather tempestuous relationship, has resulted in The Kinks being named as a major influence for many bands. This book examines all the tracks released by The Kinks, both singles and albums, and provides a valuable insight into one of music's greatest groups.

Requiem For The Timeless, Volume 2 explores more literally the remit of its title by focusing attention on the deceased. The Work also complements the previous volume, which was specifically a group biography. Each one of the chapters is a mini-book in itself, delving into the lives and tragedies of the band members. This book and its sister title ......

By the time Roger McGuinn, David Crosby, Chris Hillman, and Michael Clarke entered the studio to begin work on this album, they were basically falling apart at the seams. "Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

In her long career, Canadian songstress Joni Mitchell has been hailed as everything from 1960s folk icon to 20th century cultural figure, artistic iconoclast to musical heroine, extreme romantic confessor to outspoken commentator and lyrical painter. While some criticised what they viewed as her seeming dismissal of commercial considerations, she simply viewed her trajectory as that of any artist serious about the integrity of their work. But whatever musical position she took, she was always one step ahead of the game, making eclectic and innovative music. Albums like The Ladies Of The Canyon, Blue, Hejira and Mingus helped define each era of the 1970s, as she moved from exquisitely pitched singer songwriter material towards jazz. Her past influence was obvious in the 1980s when hoards of assuming successors (some highly respectable) gathered her exotic breadcrumbs with a view to distilling their illusive compounds, while Joni simultaneously forged ahead. This book revisits her studio albums in detail from 1968's Song to a Seagull to 2007's Shine, providing anecdote and insight into the recording sessions, an in depth analysis along with a complimentary level of lyrical and instrumental examination.

Brings together a diverse collection of voices to explore a broad spectrum of popular music