The Brotherhood Of The Grape

Henry Molise, a 50 year old, successful writer, returns to the family home to help with the latest drama; his aging parents want to divorce. Henry's tyrannical, brick laying father, Nick, though weak and alcoholic, can still strike fear into the hearts of his sons. His mother, though ill and devout to her Catholicism, still has the power to comfort and confuse her children. This is typical of Fante's novels, it's autobiographical, and brimming with love, death, violence and religion. Writing with great passion Fante powerfully hits home the damage family can wreck upon us all.

Henry Molise, a 50 year old, successful writer, returns to the family home to help with the latest drama; his aging parents want to divorce. Henry's tyrannical, brick laying father, Nick, though weak and alcoholic, can still strike fear into the hearts of his sons. His mother, though ill and devout to her Catholicism, still has the power to comfort and confuse her children. This is typical of Fante's novels, it's autobiographical, and brimming with love, death, violence and religion. Writing with great passion Fante powerfully hits home the damage family can wreck upon us all.

John Fante, an important figure in the history of the Italian-American novel, is proving to be fascinating to contemporary readers. Richard Collins has caught Fante's spirit from several crucial angles: as an ethnic writer; as a comic novelist; as a serious writer struggling to remain so in Hollywood. Intelligent, balanced, informative, and empathetic, this book combines criticism with scholarship, and biography with history to make what Henry James would have called a perfect 'literary portrait,' for it gives life to an interesting subject.

Over the span of a half-century - from the early 1930s to the early 1980s - the Italian-American Fante (1909-1983) wrote short stories and novels that drew on his own life from his Catholic childhood in Colorado through his down-and-out days in Los Angeles, to his adventures as a screenwriter in Hollywood. He writes about all these things with gusto, humor, directness, and an honesty tinged with the irony of a true modernist."--BOOK JACKET.

Fante's depiction of the Italian American experience in California, in novels and novellas like Full of Life and My Dog Stupid, has been recognized as part of the national drama of assimilation and ethnicity. Kordich looks at the life and works of Fante, whose long underground fame has evolved into a mainstream literary readership.

In Queen Calafia's Paradise, Ken Scambray explains that California offers Italian American protagonists a unique cultural landscape in which to define what it means to be an American and how Italian American protagonists embark on a voyage to reconcile their Old World heritage with modern American society. In Pasinetti's From the Academy Bridge (1970), Scambray analyzes the influence of Pasinetti's diverse California landscape upon his protagonist. Scambray argues that any reading of Madalena's Confetti for Gino (1959), set in San Diego's Little Italy, must take into account Madalena's homosexuality and his little known homosexual World War II novel, The Invisible Glass (1950). In his chapters covering John Fante's Los Angeles fiction, Scambray explores the Italian American's quest to locate a home in Southern California. Ken Scambray teaches courses in North American Italian literature and Los Angeles fiction at the University of La Verne.

By all appearances, Anko is no more than a sixteen-year-old kid; but looks can be deceiving. Created by the ancient gods, he has lived since the beginning of time; and his true desire is to join them as an equal. In order to do so, however, he must complete a specific set of tasks; so Anko sets out in his quest to climb nine hundred and ninety-nine steps. Each level represents a new challenge and exposes him to unseen dangers placed before him by the jealous god Osiris. Sack Fitzpatrick has lived a sad and isolated existence since the death of his wife and daughters. The last things on his mind are gods and supernatural beings; but a devastating earthquake changes all that when it swallows his house and forces a meeting with Anko. When Anko receives his first task—return to the world of man and rescue three children from the Caucas, despicable spirits created by Osiris but expelled from the underworld by Horus more than a millennium ago—the quest begins. Together, they enter a battle where failure of any sort will have a devastating impact on all mankind. The Brotherhood of Valcourange is book one in Solrac's nine hundred and ninety-nine steps trilogy and will take readers on a mysterious and fantastic journey from the depths of the underworld to the heights of heaven and everywhere else you can imagine.

For 150 years, America has been controlled by a dangerous group of men--the Brotherhood. Using the legal masterminds of a corrupt law firm, the Brotherhood has crafted a complex system of dummy corporations to hide their illegal activity, but their fears are realized when an unsuspecting young attorney exposes their future plans.

This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante’s 1939 classic, Ask the Dust, a true testament to the work’s present and future impact. The contributors to this work—writers, critics, fans, scholars, screenwriters, directors, and others—analyze the provocative set of diaspora tensions informing Fante’s masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante’s “Ask the Dust”: A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel’s evolving intertextualities and intersectionalities. Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J’aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams

John Fante's work has consistently delved into profound themes, including the elusive American Dream, the delicate psychology of immigrants, and the intricate dynamics of Italian American families. This study reveals the ingenious manner in which Fante employs humor and satire as powerful rhetorical devices to breathe life into his Italian, Italian American, and American characters. Drawing inspiration from literary giants such as Luigi Pirandello and René Girard, the author embarks on a fascinating journey into Fante's rich literary landscape. When We Were Bandini also offers an engaging comparison between Fante's works and those of other authors like Cervantes, Hamsun, Bukowski, and even his own son, Dan Fante. This comparative analysis sheds light on the possible reasons behind Fante's unique status: he is a cult writer in Europe, relatively underappreciated in his home country, the United States. Challenging the conventional notions of Fante as a strictly autobiographical and confessional writer, the author urges readers to look beyond the surface and unravel the layers of his literary genius.