The Brave And The Bold 1955 28

Featuring the first appearance of the Justice League of America! When Starro the Conqueror arrives on Earth intent on enslaving humanity, it's up to the superheroes of the world to band together and defeat the evil alien! Also featuring the first appearance of Lucas 'Snapper' Carr.

Superman! Batman! Wonder Woman! The Flash! Green Lantern! Aquaman! The Martian Manhunter! The Justice League of America in its very own series! But will their first adventure be their last? Featuring the first appearance of the mind-controlling villain Despero!

ÒTHE THREE WAVES OF DOOM!Ó Featuring the first appearance of the Suicide Squad! When a mysterious wave emitting an ungodly amount of heat heads toward shore, the military is all out of options, so they decide to bring in a new team to handle the situation: the Suicide Squad!

After finding Wonder Woman's diary in the future, the criminal Xotar decides to travel to the past to face the Justice League! Using the information from the diary, Xotar prepares for battle and challenges each member in turn. Will the Justice League be able to defeat Xotar's ultimate weapon?

The late ’60s marked the height of Batmania, when fans of the Batman television series and the comic books couldn’t get enough of the Caped Crusader. His appearances on covers meant higher sales, so it was decreed Batman would take up permanent residence in THE BRAVE AND THE BOLD. His courage was never questioned, and he fearlessly teamed up with the most daring partners from across the DC Universe at a time when such crossovers were rare. These groundbreaking stories featured some of Batman’s greatest team-ups with such legendary characters as Wonder Woman, the Flash, Deadman, Green Arrow, Green Lantern, the Teen Titans and others, all by some of the foremost comics talent of the Bronze Age—Neal Adams, Jim Aparo, Bob Haney, Dick Giordano and Dennis O’Neil, to name a few. BATMAN: THE BRAVE AND THE BOLD: THE BRONZE AGE OMNIBUS VOL. 1 collects the first stories of Batman’s epic run on the series—THE BRAVE AND THE BOLD #74-109—and includes a foreword by comics editor Robert Greenberger.

A graphic novel which offers a collection of fantasy fiction from the 1950s, featuring various superheroes.

This collection of new essays focuses on The CW network's hit television series Arrow--based on DC Comic's Green Arrow--and its spin-offs The Flash, DC's Legends of Tomorrow and Supergirl. Comic book adaptations have been big business for film studios since Superman (1978) and in recent years have dominated at the box office--five of the 11 highest grossing films of 2016 were adapted from comics. Superheroes have battled across the small screen for considerably longer, beginning with The Adventures of Superman (1952-1958), though with mixed results. The contributors explore the reasons behind Arrow's success, its representation of bodies, its portrayal of women, its shifting political ideologies, and audience reception and influence on storylines.

2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and “freaks” soon came to embody the social and political aspirations of America’s most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women’s and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants—alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.