The Boy Detectives

The Washington Post hailed Roger Rosenblatt's Making Toast as "a textbook on what constitutes perfect writing," and People lauded Kayak Morning as "intimate, expansive and profoundly moving." Classic tales of love and grief, the New York Times bestselling memoirs are also original literary works that carve out new territory at the intersection of poetry and prose. Now comes The Boy Detective, a story of the author's childhood in New York City, suffused with the same mixture of acute observation and bracing humor, lyricism and wit. Resisting the deadening silence of his family home in the elegant yet stiflingly safe neighborhood of Gramercy Park, nine-year-old Roger imagines himself a private eye in pursuit of criminals. With the dreamlike mystery of the city before him, he sets off alone, out into the streets of Manhattan, thrilling to a life of unsolved cases. Six decades later, Rosenblatt finds himself again patrolling the territory of his youth: The writing class he teaches has just wrapped up, releasing him into the winter night and the very neighborhood in which he grew up. A grown man now, he investigates his own life and the life of the city as he walks, exploring the New York of the 1950s; the lives of the writers who walked these streets before him, such as Poe and Melville; the great detectives of fiction and the essence of detective work; and the monuments of his childhood, such as the New York Public Library, once the site of an immense reservoir that nourished the city with water before it nourished it with books, and the Empire State Building, which, in Rosenblatt's imagination, vibrates sympathetically with the oversize loneliness of King Kong: "If you must fall, fall from me." As he walks, he is returned to himself, the boy detective on the case. Just as Rosenblatt invented a world for himself as a child, he creates one on this night—the writer a detective still, the chief suspect in the case of his own life, a case that discloses the shared mysteries of all our lives. A masterly evocation of the city and a meditation on memory as an act of faith, The Boy Detective treads the line between a novel and a poem, displaying a world at once dangerous and beautiful.

In this “charming” and melancholic novel, a former child sleuth “investigates the hard-to-crack case of Lost Innocence” (Entertainment Weekly). A Chicago Tribune, Kirkus Reviews, and Booklist Book of the Year In the twilight of a mysterious childhood full of wonder, Billy Argo, boy detective, is brokenhearted to find that his younger sister and crime-solving partner, Caroline, has committed suicide. Ten years later, Billy, age thirty, returns from an extended stay at St. Vitus’ Hospital for the Mentally Ill to discover the world full of unimaginable strangeness: office buildings vanish without reason, small animals turn up without their heads, and cruel villains ride city buses to complete their evil schemes. Lost within this unwelcoming place, Billy befriends two lonely, extraordinary children—one a science fair genius, the other a charming, silent bully. With a nearly forgotten bravery, he experiences the unendurable boredom of a telemarketing job; encounters a beautiful, desperate pickpocket; and confronts the nearly impossible solution to his sister’s case. Along a path laden with hidden clues and codes, the boy detective may learn the greatest secret of all: the necessity of the unknown. “Haunted by the mystery of his sister’s death and feeling that a lapse in his sleuthing may be to blame, Billy is determined to find out the reason for her suicide and to punish those responsible . . . The story of Billy’s search for truth, love and redemption is surprising and absorbing. Swaddled in melancholy and gentle humor, it builds in power as the clues pile up.” —Publishers Weekly “The author gives Billy a gallery of rogues to combat and even sends him to investigate the Convocation of Evil at a local hotel (‘Featured Panel: To Wear a Mask?’). Meno sets himself a complicated task, marooning his straight-arrow, pulp-fiction protagonist in a world uglier than the Bobbsey Twins ever faced but refusing to go for satire. Instead, the author takes his compulsive investigator at face value.” —Kirkus Reviews, starred review “Comedic, imaginative, empathic . . . investigates the precincts of grief [and] our longing to combat chaos with reason.” —Booklist

The year is 1953. The Korean War is winding down. The Cold War is heating up. UFOs are appearing all over the world. Five flying saucers zoom across the skies of Tokyo. Then Ichiro Hirano's next-door neighbor is kidnapped by an alien lizard creature. That same creature is now stalking Ichiro's own sister. What do these space aliens hope to accomplish? Here again is the kind of mystery that only Kogoro Akechi and the Boy Detectives Club can hope to solve.

"Dead boy detectives created by Neil Gaiman."

Rowland and Paine, the dead British teenagers who first appeared in Neil Gaiman's The Sandman: Season of Mists, travel stateside to investigate a strange missing persons case at a posh International Academy for Girls.

In an effort to save a boy wrongly accused, a group of young friends living in ancient Rome search for the culprit who scrawled graffiti on the temple wall.

A killer is on the loose in the Arizona Territory. One by one, Tonto Basin ranchers are being murdered for their livestock. And the Cattle Raisers Association has hired two range detectives to catch the culprit. From the looks of them, Stovepipe Stewart and Wilbur Coleman are just another pair of high plains drifters. But with their razor-sharp detective skills and rare talent for trouble, they're the last remaining hope for one young cowboy who's been arrested for the murders.

Much has been written about the girl sleuth in fiction, a feminist figure embodying all the potential wit and drive of girlhood. Her male counterpart, however, has received much less critical attention despite his popularity in the wider culture. This collection of 11 essays examines the boy detective and his genre from a number of critical perspectives, addressing the issues of these young characters, heirs to the patriarchy yet still concerned with first crushes and soda shop romances. Series explored include the Hardy Boys, Tow Swift, the Three Investigators, Christopher Cool and Tim Murphy, as well as works by Astrid Lindgren, Mark Haddon and Joe Meno.

12 tales featuring boy detectives, from Mark Twain's "Tom Sawyer, Dective" to entries in the Mercer Boys, Ken Holt, Hal Keene, and Skippy Dare series, and lots more -- over 1,400 pages of great reading! Here are: THE MERCER BOYS AT WOODCREST, by Capwell Wyckoff THE MYSTERY OF THE IRON BOX, by Bruce Campbell THE AIR MYSTERY OF ISLE LA MOTTE, by E. J. Craine THE LOST MINE OF THE AMAZON, by Hugh Lloyd PRISONERS IN DEVIL’S BOG, by Hugh Lloyd BOB DEXTER AND THE STORM MOUNTAIN MYSTERY, by Willard F. Baker THE MYSTERY HUNTERS AT THE HAUNTED LODGE, by Capwell Wyckoff TRIPLE SPIES, by Roy G. Snell DETECTIVES, INC., by William Heyliger TOM SAWYER, DETECTIVE, by Mark Twain If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 260+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!