The Boy And The Outlaw

The Hardy Boys are given clues which send them in search of the treasure hidden by the Outlaw of the Pine Barrens.

A “ripsnorting western . . . With plenty of twists and turns—and a cameo appearance by Doc Holliday—it’s a real cowgirl triumph” (Kirkus Reviews). In 1887, twelve-year-old Eliza Yates—disguised as a boy—sets out with her faithful dog Caesar to search for her missing father. Along the way, she falls in with gentleman outlaw Calvin Featherbone. “Together, they make their way to Tinville, Colorado, where, coincidentally, Calvin’s father was killed by a certain Sheriff Yates. Calvin plans to avenge the murder, but he gets himself and Eliza in so much trouble with his amateurish schemes that the pair arrives in town ready to be hanged as horse thieves. Hahn’s writing crackles like gunshot in the Ol’ West, and Eliza and Calvin make a lovable team. The plotting is . . . tight and fast paced, and Hahn does a fine job of recreating the atmosphere of the days of cowboys and miners” (Booklist). “Hahn has obviously done her research, and succeeds in bringing the ambiance of the Old West to her novel. The result is a fast, funny, and entertaining adventure that’s just the thing for fans of Dr. Quinn, Medicine Woman.”—School Library Journal “An amusing comedy of errors that derives much of its humor from Calvin’s speech and manners and Eliza’s wry asides alluding to her true identity as a girl.”—Kirkus Reviews

Can the right woman really make a bad boy change? Janelle and Outlaw's love story was birthed through struggles that neither one of them ever saw coming but just when they thought they’d reached their happily ever after, their picture-perfect love story comes crumbling down. Janelle's dreams are all set to come true when she gets the chance to become the District Attorney of New York City. The only thing making her have second thoughts is the fact that she’s married to the city’s ultimate bad boy, Luke ‘Outlaw’ Murray. With no one around who understands her ambitious goals, she finds a friend in a woman who truly only wants to bring her down. The saying ‘keep your friends close and your enemies closer’ always rings true but once Janelle finally realizes that her enemy is right in front of her, will it be too late? Luke ‘Outlaw’ Murray is the bad boy who no one ever imagined could be tamed. Now that he’s a family man, his reckless lifestyle has changed, but the savage in him is very much alive. With Janelle focused on her own dreams, he turns his attention back to running the streets... only to meet someone he would have never expected: Chloe Harvarty, the sister of Chris Harvarty, a man whose life he ended in order to protect the woman he loved. His guilt plagues him when he sees the way that his actions have utterly devastated her life and, against his better nature, he’s caught up—feeling obligated to help a woman he begins to feel responsible for. When a simple friendship begins to cross the line over into a lane that he knows he shouldn’t explore, will Outlaw stand strong or will he turn back into his old self and fall back into his womanizing ways?

A small town lives in terror of the Outlaw, but one day, he disappears—and a mysterious stranger rides into town ... In this spare and powerful story set in the Old West, people in a small town live in constant worry of another visit from the Outlaw. Then the Outlaw suddenly and mysteriously disappears. Time passes, and one day a stranger rides into town. He takes it upon himself to fix everything that is in disrepair — the clapboard schoolhouse, the train station platform. He even builds a horse trough. But when someone recognizes him as the Outlaw, the crowd turns on the stranger. It takes the courage of a small boy to change the course of events ... The subtle, beautiful mixed-media art with its nineteenth-century textural references perfectly complements this original story from debut author and illustrator Nancy Vo. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.2 Retell stories, including key details, and demonstrate understanding of their central message or lesson. CCSS.ELA-LITERACY.RL.1.3 Describe characters, settings, and major events in a story, using key details. CCSS.ELA-LITERACY.RL.3.6 Distinguish their own point of view from that of the narrator or those of the characters. CCSS.ELA-LITERACY.RL.3.7 Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)

A VITAL NEXT CHAPTER IN THE ONGOING CONVERSATION ABOUT RACE AND SOCIAL JUSTICE IN AMERICA When he was in his early twenties, William Juneboy Outlaw iii was sentenced to eighty-five years in prison for homicide and armed assault. The sentence brought his brief but prolific criminal career as the head of a forty-member cocaine gang in New Haven, Connecticut, to a close. But behind bars, Outlaw quickly became a feared prison “shot caller” with 100 men under his sway. Then everything changed: His original sentence was reduced by sixty years. At the same time, he was shipped to a series of America’s most notorious federal prisons, where he endured long stints in solitary confinement—and where transformational relationships with a fellow inmate and with a prison therapist made him realize that he wanted more for himself. Upon his release, Outlaw took a job at Dunkin’ Donuts, began volunteering in New Haven, and started to rebuild his life. Now an award-winning community advocate, he leads a team of former felons in negotiating truces between gangs on the very streets that he once terrorized. The homicide rate in New Haven has decreased by 70 percent in the decade that he’s run the team—a drop as dramatic as in any city in the country. Written with exclusive access to Outlaw himself, Charles Barber’s Citizen Outlaw is the unforgettable story of how a gangleader became the catalyst for one of the greatest civic crime reductions in America, and an inspiring argument for love and compassion in the face of insurmountable odds.

This book is a feminist reading of gender performance and construction of the female role players, onnogata, of the Kabuki theatre. It is not limited to a 'theatre arts' focus, rather it is a mapping and close analysis of transformative genders through several historical periods in Japan (the seventeenth through the twentieth centuries).

Includes excerpt from Diary of a 5th grade outlaw: The friend thief.

This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."

The Old West was coming to an end. Two legendary outlaws refused to go with it. As leaders of the Wild Bunch, Butch Cassidy and the Sundance Kid executed the most daring bank and train robberies of their day. For several years at the end of the 1890s, the two friends, along with a revolving band of thieves, eluded law enforcement while stealing from the rich bankers and Eastern railroad corporations who exploited Western land…until they rode headlong into the twentieth century. In The Last Outlaws, Thom Hatch brings these memorable characters to life like never before. From their early holdup attempts to that fateful day in Bolivia, Hatch draws on a wealth of fresh research to go beyond the myth and provide a compelling new look at these legends of the Wild West. Includes Photographs