The Bostons

New York Times bestseller! An unforgettable novel about a young Jewish woman growing up in Boston in the early twentieth century, told “with humor and optimism…through the eyes of an irresistible heroine” (People)—from the acclaimed author of The Red Tent. Anita Diamant’s “vivid, affectionate portrait of American womanhood” (Los Angeles Times), follows the life of one woman, Addie Baum, through a period of dramatic change. Addie is The Boston Girl, the spirited daughter of an immigrant Jewish family, born in 1900 to parents who were unprepared for America and its effect on their three daughters. Growing up in the North End of Boston, then a teeming multicultural neighborhood, Addie’s intelligence and curiosity take her to a world her parents can’t imagine—a world of short skirts, movies, celebrity culture, and new opportunities for women. Addie wants to finish high school and dreams of going to college. She wants a career and to find true love. From the one-room tenement apartment she shared with her parents and two sisters, to the library group for girls she joins at a neighborhood settlement house, to her first, disastrous love affair, to finding the love of her life, eighty-five-year-old Addie recounts her adventures with humor and compassion for the naïve girl she once was. Written with the same attention to historical detail and emotional resonance that made Diamant’s previous novels bestsellers, The Boston Girl is a moving portrait of one woman’s complicated life in twentieth century America, and a fascinating look at a generation of women finding their places in a changing world. “Diamant brings to life a piece of feminism’s forgotten history” (Good Housekeeping) in this “inspirational…page-turning portrait of immigrant life in the early twentieth century” (Booklist).

A history of sports in Boston told through its parks and arenas.

117 years Strong…and Counting! This all-new edition, which follows the Boston Marathon into the 21st century and through the tragedy of the 2013 race, is a colorful and moving portrait of what it feels like to run the world’s oldest annual marathon, escorting the reader through the past, present, and bright future of the race. 26.2 Miles to Boston is a rich, vibrant, and inspiring history of the Boston Marathon and of the men and women of varying abilities whose struggles and triumphs have colored this historic event for over a century. From suburban Hopkinton, Massachusetts, to the center of metropolitan Boston, the author takes readers through the mile-by-mile sights, sounds, and traditions that make the race what it is.

George Washington Prize Finalist Winner of the Society of the Cincinnati Prize “Fascinating... Hinderaker’s meticulous research shows that the Boston Massacre was contested from the beginning... [Its] meanings have plenty to tell us about America’s identity, past and present.” —Wall Street Journal On the night of March 5, 1770, British soldiers fired into a crowd gathered in front of Boston’s Custom House, killing five people. Denounced as an act of unprovoked violence and villainy, the event that came to be known as the Boston Massacre is one of the most famous and least understood incidents in American history. Eric Hinderaker revisits this dramatic confrontation, examining in forensic detail the facts of that fateful night, the competing narratives that molded public perceptions at the time, and the long campaign to transform the tragedy into a touchstone of American identity. “Hinderaker brilliantly unpacks the creation of competing narratives around a traumatic and confusing episode of violence. With deft insight, careful research, and lucid writing, he shows how the bloodshed in one Boston street became pivotal to making and remembering a revolution that created a nation.” —Alan Taylor, author of American Revolutions “Seldom does a book appear that compels its readers to rethink a signal event in American history. It’s even rarer...to accomplish so formidable a feat in prose of sparkling clarity and grace. Boston’s Massacre is a gem.” —Fred Anderson, author of Crucible of War

A fascinating look at the people, politics, and technology behind the massive landfill project that filled Boston's Back Bay

Offering the real inside scoop, Whitey Bulger's #2 man in Boston's Irish mob tells where the bodies are buried.

There has always been more to music in Boston than the Boston Symphony Orchestra. Jazz, for example, dates to the early 1900s, but it was in the 1940s and 1950s that it truly sparkled. The Boston Jazz Chronicles: Faces, Places, and Nightlife 1937-1962 is the first book to document that city's active jazz scene at mid-century. Boston jazz came into its own during the World War II years, when the big bands supplied America with its popular music, and Boston's Charlie and Cy Shribman were among the kingmakers of the big-band era. The city produced such talents as pianist and bandleader Sabby Lewis, the multi-instrumentalist Ray Perry, and bassist Lloyd Trotman. The scene benefited from the extended wartime presence of established stars, including trumpeter Frankie Newton and trombonist Vic Dickenson, and from the start of a Sunday afternoon jam session tradition that brought the nation's best jazzmen into regular contact with local players. There were opportunities for musicians, particularly young musicians, to gain valuable experience by filling in for the older men serving in the military. The end of the war introduced new jazz sounds to Boston, and reintroduced a few older ones as well. Alongside those musicians like Lewis still playing swing, there were others looking to the past for inspiration, sparking a Dixieland revival, and still others looking forward, spreading the new sound of bebop. There were big-band survivors in downsized groups playing jump blues, and others organizing new big bands along modern lines. The end of the war also brought a surge of talented musicians, many of them veterans and beneficiaries of the GI Bill. They were attracted by the city's music conservatories and the new Schillinger House, soon to be renamed the Berklee School of Music. Boston became a destination for musicians seeking new musical direction. Here they joined with Boston's own contingent of formidable musicians to form a new, more modern scene, led by such luminaries as Jaki Byard, Joe Gordon, Nat Pierce, Charlie Mariano, Herb Pomeroy, Sam Rivers, Alan Dawson, and Dick Twardzik. They would carry Boston jazz to a creative peak in the mid-to-late 1950s that still remains unequaled. The music was splendid, but there was more. Boston was home to influential jazz journalists George Frazier and Nat Hentoff; Berklee College of Music founder Lawrence Berk; Father Norman O'Connor, the Jazz Priest; record company executive and producer Tom Wilson; and Storyville nightclub proprietor George Wein, organizer of the Newport Jazz Festival. And through it all was the music, at the Ken Club, the Savoy Cafe, the Hi-Hat, the Stable, and other rooms both rowdy and refined. The Boston Jazz Chronicles relates this story in reportage and personal anecdotes, and through dozens of photographs, advertisements, and period maps. This complete study also includes extensive notes, a bibliography, discography, and comprehensive index. Author Richard Vacca is a writer and editor with a lifelong interest in cultural history, and he writes and speaks regularly about Boston's jazz and nightlife. He spent seven years researching and writing The Boston Jazz Chronicles, his first book. He is now writing the second volume of the Chronicles, taking the story into the late 1980s. Vacca blogs about Boston, jazz, and history at his website, troystreet.com.

As featured in "The Best American Short Stories" and "Prize Stories: The O. Henry Awards", these lively works depict people struggling within the constraints of history, society and the divisions of class.