The Book Of Snuff And Snuff Boxes

Chinese Snuff Bottles is invaluable document for all interested in the history of Chinese art. It is also a lucid and fascinating guidebook for the collector or would be collector, both of snuff bottles and other products of Chinese craftsmanship. All the skills and ingenuity of the Chinese artisans were lavished upon the production of these tiny bottles, making them pre-eminent representatives of the best in Chinese craftsmanship. This classic art history book is the first full account in any language of this facet of Chinese art. It includes a comprehensive treatment of the origins and development of the snuff bottle in China as well as over 150 actual-size reproductions, the majority in full color. It is a fascinating story by an enthusiastic collector, who captivated by the beauty and ingenuity found in these bottles, had the interest to delve into the historical background techniques of manufacture, kind and quality of materials, classification and organization of types, and the like, as well as a delightfully informal style with which to communicate her wide knowledge and enthusiasm to the reader.

Describes types of snuff boxes made during the period inculding: gold, silver and other metals; hardstone, porcelain, enamel, lacquer, tortoiseshell, horn, ivory, and wood.

Powdered tobacco, originally used in Europe as a medicine, became a fashionable stimulant in high society during the eighteenth century. Precious little containers, known as tabatieres (snuffboxes), were important accessories for elegant ladies and gentlemen. The publication presents 121 of the finest snuffboxes. Essays by S.-K. Acevedo, B. Beaucamp-Markowsky, H. Ottomeyer, U. Pietsch, J. Weber"

Imperial Court of the Manchus (Qing Dynasty 1642-1911). Powdered snuff was regarded as having medicinal qualities and with Court patronage, rapidly grew in popularity. Ornate and intricate bottles to hold and dispense the "medicinal" snuff were designed by Chinese craftsmen using a bewildering array of materials: porcelain, enamel, metal, wood, jadeite, ivory and glass, often employing techniques known only in China at the time. Snuff bottles are elaborately decorated, invariably miniature and admired for their tactile qualities. The surviving examples are highly prized by collectors and students of the history of arts and crafts in China. This book is the third catalogue of the vast Denis Low collection of snuff bottles, which numbers more than 1000. Its publication coincides with an exhibition of 355 snuff bottles from this world-renowned collection at the Asian Civilisations Museum of Singapore from July to November 2007. Largely organised by the material of fabrication, each snuff bottle is carefully described and provenance details are given. Although this book is not meant to be a scholarly study of snuff bottles, much research has been done by Denis Low, the results of which can be seen from the notes he presents on the style, design, decoration, use or uniqueness of each example featured here.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.