The Blue Collar Sun

'The world is hard to find once you start looking for it' -- from its beginning, this book activates such a search (and sometimes wants to walk away from it) in such a startling way that by the breath-taking final section the poet finds himself searching for his relationship to a fish hook. Which of all objects looks most like a question mark, so the search becomes not one for answers but for the questions themselves, that Rilkean stance. Questions carry with them the obligation to go on, to carry on in any direction they may take us, and for the sake of the art of poetry Lucas Farrell does just that. His is a mind that never stops moving.

This book of poems is called Blue Collar Poet because Rhoads is not a highbrow poet. Her writings are based on everyday happenings and the humor she finds in life, as well as the sadness that comes to us all. She writes about the beauty of Colorado and the joy she takes from the creatures that reside in this lovely space. Her writing is very personal and can easily take the reader from laughter to tears. The reader is apt to be amazed at how openly the author shares her deepest feelings on one page and shifts to fun and self-deprecation on the next. Her wish for this book is that it be enjoyed.

In this nuanced look at white working-class life and politics in twentieth-century America, Kenneth Durr takes readers into the neighborhoods, workplaces, and community institutions of blue-collar Baltimore in the decades after World War II. Challenging notions that the "white backlash" of the 1960s and 1970s was driven by increasing race resentment, Durr details the rise of a working-class populism shaped by mistrust of the means and ends of postwar liberalism in the face of urban decline. Exploring the effects of desegregation, deindustrialization, recession, and the rise of urban crime, Durr shows how legitimate economic, social, and political grievances convinced white working-class Baltimoreans that they were threatened more by the actions of liberal policymakers than by the incursions of urban blacks. While acknowledging the parochialism and racial exclusivity of white working-class life, Durr adopts an empathetic view of workers and their institutions. Behind the Backlash melds ethnic, labor, and political history to paint a rich portrait of urban life--and the sweeping social and economic changes that reshaped America's cities and politics in the late twentieth century.

No matter how ambitious they may be, most novice journalists don't get their start at the New York Times. They get their first jobs at smaller local community newspapers that require a different style of reporting than the detached, impersonal approach expected of major international publications. As the primary textbook and sourcebook for the teaching and practice of local journalism and newspaper publishing in the United States, Community Journalism addresses the issues a small-town newspaper writer or publisher is likely to face. Jock Lauterer covers topics ranging from why community journalism is important and distinctive; to hints for reporting and writing with a "community spin"; to design, production, photojournalism, and staff management. This third edition introduces new chapters on adjusting to changing demographics in the community and "best practices" for community papers. Updated with fresh examples throughout and considering the newest technologies in editing and photography, this edition of Community Journalism provides the very latest of what every person working at a small newspaper needs to know.

From the Indianapolis 500 Motor Speedway to the dirt oval tracks in small Indiana towns, thousands of Hoosiers frequent the raceway of their choice each year. Today, there are an estimated 40 asphalt, clay, and dirt-covered oval tracks in Indiana where race fans cheer local drivers, often navigating jalopies pieced together from junkyard parts, to victory lane. Though many racetracks remain in operation throughout the state, dozens have fallen to the wayside over the past 100 years. Forever in remembrance are the famous and not so famous Indiana-born drivers who thrilled fans at those now defunct tracks. Evansville native Charlie Wiggins won the Gold and Glory Sweepstakes four times. Bob Kinser from Bloomington raced over 40 years and is an inductee of the National Sprint Car Hall of Fame, and Tom Cherry of Muncie won the Little 500 four times.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.