The Blackwell Guide To Theology And Popular Culture

The Blackwell Guide to Theology of Popular Culture outlines various general theories of popular culture, identifies theologians and theological concepts that are conducive to analyzing popular culture, and explores religious themes that are asserting themselves through popular movies, novels, music, television shows and advertising. A timely examination and contribution to the rapidly expanding field of theology and popular culture Locates the theological analysis of culture alongside political, sociological, economic, aesthetic and psychological analyses Surveys the work of religious and theological scholars who have turned their attention to popular culture Considers classic Christian thinkers who have wrestled with culture, such as St. Paul, Tertullian, Augustine, Schleiermacher, Tillich, and Ricoeur Proposes a method for analysing culture to discern its religious content Identifies religious themes in popular culture Uses illustrations, ranging from the fiction of Nick Hornby to Six Feet Under An appendix provides lists of films, novels, television series, consumer products, architectural works, cultural events, and corporate icons that lend themselves to theological analysis.

The gospel of Jesus Christ is always situated within a particular cultural context: but how should Christians approach the complex relationship between their faith and the surrounding culture? Should we simply retreat from culture? Should we embrace our cultural practices and mindset? How important is it for us to be engaged with our culture and mindset? How might we do that with discernment and faithfulness? William Edgar offers a biblical theology in the light of our contemporary culture that contends that Christians should -- and indeed, must -- engage with the surrounding culture. By exploring what Scripture has to say about the role of culture and gleaning insights from a variety of theologians -- including Abraham Kuyper, T. S. Eliot, H. Richard Niebuhr and C. S. Lewis -- Edgar contends that cultural engagement is a fundamental aspect of human existence. He does not shy away from those passages that emphasize the distinction between Christians and the world. Yet he finds, shining through the biblical witness, evidence that supports a robust defence of the cultural mandate to 'be fruitful and multiply, and fill the earth and subdue it' (Genesis 1:28). With clarity and wisdom, Edgar argues that we are most faithful to our calling as God's creatures when we participate in creating culture. Introduction Part 1: Parameters of culture Part 2: Challenges from Scripture Part 3: The cultural mandate Epilogue

Bringing together a collection of essays by prominent scholars, The Blackwell Companion to Nineteenth Century Theology presents a comprehensive account of the most significant theological figures, movements, and developments of thought that emerged in Europe and America during the nineteenth century. Representing the most up-to-date theological research, this new reference work offers an engaging and illuminating overview of a period whose forceful ideas continue to live on in contemporary theology A new reference work providing a comprehensive account of the most significant theological figures and developments of thought that emerged in Europe and America during the nineteenth century Brings together newly-commissioned research from prominent international Biblical scholars, historians, and theologians, covering the key thinkers, confessional traditions, and major religious movements of the period Ensures a balanced, ecumenical viewpoint, with essays covering Catholic, Russian, and Protestant theologies Includes analysis of such prominent thinkers as Kant and Kierkegaard, the influence and authority of Darwin and the natural sciences on theology, and debates the role and enduring influence of the nineteenth century “anti-theologians”

This two-volume companion brings together a team of contemporary theologians and writers to provide substantial introductions to the key people who shaped the Christian story and tradition. A substantial two-volume reference work, bringing together over 75 entries on the most important and influential theologians in the history of Christianity Structured accessibly around five periods: early centuries, middle ages, reformation period, the Enlightenment, and the twentieth-century to the present A to Z entries range from substantial essays to shorter overviews, each of which locates the theologian in their immediate context, summarizes the themes of their work, and explains their significance Covers a broad span of theologians, from Augustine to Thomas Aquinas, through to C. S. Lewis, James Cone, and Rosemary Radford Reuther Provides profiles of key Catholic, protestant, evangelical, and progressive theologians Includes a useful timeline to orientate the reader, reading lists, and a glossary of key terms

In René Girard, Theology, and Popular Culture, fifteen contributors consider how Girard’s mimetic theory can be used to uncover and probe the theological depths of popular culture. Creative and critical engagement with Girard’s theory enables the contributors to offer fresh and exciting interpretations of movies (The Devil Wears Prada, Mean Girls, Star Wars), television (Hoarders, Cobra Kai), classical literature and graphic novels, and issues ranging from anorexia to social media. The result is a volume that establishes Girard as an innovative interpreter of culture and shows him as an invaluable guide for theologically reflecting on desire, violence, redemption, and forgiveness. Written in fresh and lively prose, the contributors demonstrate not only that Girard provides a powerful lens through which to view culture but also—and more provocatively—challenge readers to consider what popular culture reveals about them. Readers looking for an accessible introduction to mimetic theory and exploring its theological application will find this a welcome resource.

This book offers a critical analysis and reinterpretation of Karl Barth's theology of culture-the least studied aspect of his work-revealing his significance for contemporary work in theology of culture by applying his approach to the study of popular culture and entertainment. Grounding the study in Barth's eschatology, which proves more amenable to secular culture than other models, DeCou shows that Barth's approach recognized that the freedom of theology is qualified by the freedom of the Word and the freedom of secular culture. Barth therefore offers a "middle way" for evaluating and analyzing culture and religious forms. This book thus opens up a new avenue of interpretation of Barth and applies the insights of Barth's theology in fresh ways to the structures of contemporary culture and its products.

Twenty years after the fall of Communism in Central and East Europe is an ocassion to reevaluate the cultural and theological contribution from that region to the secularization - post-secularization debate. Czech theologian Ivana Noble develops a Trinitarian theology through a close dialogue with literature, music and film, which formed not only alternatives to totalitarian ideologies, but also followed the loss and reappeareance of belief in God. Noble explains that, by listening to the artists, the churches and theologians can deal with questions about the nature of the world, memory and ultimate fulfilment in a more nuanced way. Then, as partakers in the search undertaken by their secular and post-secular contemporaries, theologians can penetrate a new depth of meaning, sending out shoots from the stump of Christian symbolism. Drawing on the rich cultures of Central and East Europe and both Western and Eastern theological traditions, this book presents a theological reading of contemporary culture which is important not just for post-Communist countries but for all who are engaged in the debate on the boundaries between theology, politics and arts.

In his sweeping indictment of contemporary culture and religion, Staub concludes that American popular culture is superficial and soulless and that American Christianity has devolved into its own superficiality--and only a renaissance of faith can restore the balance.

Music, by its indeterminate levels of meaning, poses a necessary challenge to a theology bound up in words. Its distinctive nature as temporal and embodied allows a unique point of access to theological understanding. Yet music does not exist in a cultural vacuum, conveying universal truths, but is a part of the complex nature of human lives. This understanding of music as theology stems from a conviction that music is a theological means of knowing: knowing something indeterminate, yet meaningful. This is an exploration of the means by which music might say something otherwise unsayable, and in doing so, allow for an encounter with the mystery of God.

The connection between theology and film is a hot topic in the academy and the church. But research and writing on methodology and hermeneutics is lacking. This comprehensive collection identifies the overlooked or undervalued areas in the current discussions of film and theology. Including contributions from the leaders in the field, Reframing Theology and Film helps deepen the conversation while bringing it to a new level of prominence. Professors and students of theology and film, libraries, pastors, and film buffs will benefit from this much-needed resource.