The Bhakti Movement And The Status Of Women

The Indigenous Protest Movement Called Bhakti Movement, Comprising Bhakti Cults Of Many Hues And Colours, Had An Impact On The Status Of Women In India. Many Of Them Tried To Do Away With The Manifold Taboos, Pollutions And Rituals With Which, Hindu Religion Was Cluttered. While Some Accepted The Equality Of Men And Women, Others Reinforced The Inequalities In Practice. The Present Case Study Of Virasaivism, A Populous Sect In Karnataka, Deals With Ther Impact Of This Movement On The Status Of Women. After A Careful Research On A Hundred Families With First And Second-Generation Women, The Author Finds That Precepts And Practices Meet Here In A Unique Way. Child-Training Practices, The Institution Of Marriage, The Family And Kinship System And The Economic And Socio-Religious Life Of Virasaiva Women Enable Them To Enjoy A Comparatively High Status.

The present era of complexity, anxiety and moral turpitude is in need of spiritual solace and God's grace more than ever before. The established frameworks of religion have not entirely been successful in streamlining the rapport between the maker and the creation. The emergence and progression of bhakti saints is a significant power in this direction. Living exemplary, realised lives on their own terms mostly in opposition to the given frame of life, the bhakti saints heralded a new possibility of the egalitarian order without any bigotry or dogmatism. The book undertakes a probe into the specific contributions made by two hitherto neglected sections of the Indian society, namely women and Sudras. The precepts and lives of these subaltern saints reiterate the possibility of personal salvation and social regeneration, having transformative potential for breaking the barriers of iniquitous, hierarchical structures.

Between the third centuries BC and AD were written thousands of verses in Tamil that have collectively come to be known as Sangam literature. The expressions of love between a man and a woman in these love poems gave way to passionate expressions of devotional love, where the heroine became the devotee and the hero became God. Through the centuries of patriarchy, women negotiated varied levels of existence and largely went unnoticed until they found a path for self-expression through bhakti or devotion. While the dominant form of worship was to prostrate before God, women found innovative ways of personal expression, often seeing the lord as a lover, friend, husband, or even son. The individual outpourings and the unfettered voices of these women refused to be drowned in the din of patriarchy gathering momentum until this became a pan India movement. In For the Love of God, Sandhya Mulchandani delves deep into historical accounts of these women who fell in love with God.

Recent years have seen a sea change in the way history is written and also in the way our conceptions of the past are being rewritten. In traditional historiography, women’s articulation is often marginalized and dominated by male voices. Through centuries of patriarchal control, women negotiated many layers and levels of existence working out different forms of resistance which have often gone unnoticed. Bhakti was one such medium. Religion provided the space in the medieval period and women saints embraced bhakti to define their own truths in voices that question society, family and relationships. For all these women bhaktas, the rejection of the male power that they were tied to in subordinate relationship became the terrain for struggle, self assertion and alternative seeking. Most of these women lived during the period from 12th to 17th Century. While the dominant mode of worship in bhakti was prostration to a deity like a feudal lord, the women bhaktas’ idea of God as a lover, a husband and a friend came as a breath of fresh air. The individual outpourings and the voices of these women, who had the courage to sing unfettered in their own voices, refused to melt in the din of the feudal scene which was largely patriarchal. This book will be useful to scholars interested in Feminist History, Comparative Religion and Asian Studies. The sensitive and rigorous research will be of great help to young scholars interested in embarking on a journey to discover religious history, especially with regards to women’s history in the South Asian context.

Recent years have seen a sea change in the way history is written and also in the way our conceptions of the past are being rewritten. In traditional historiography, womenâ (TM)s articulation is often marginalized and dominated by male voices. Through centuries of patriarchal control, women negotiated many layers and levels of existence working out different forms of resistance which have often gone unnoticed. Bhakti was one such medium. Religion provided the space in the medieval period and women saints embraced bhakti to define their own truths in voices that question society, family and relationships. For all these women bhaktas, the rejection of the male power that they were tied to in subordinate relationship became the terrain for struggle, self assertion and alternative seeking. Most of these women lived during the period from 12th to 17th Century. While the dominant mode of worship in bhakti was prostration to a deity like a feudal lord, the women bhaktasâ (TM) idea of God as a lover, a husband and a friend came as a breath of fresh air. The individual outpourings and the voices of these women, who had the courage to sing unfettered in their own voices, refused to melt in the din of the feudal scene which was largely patriarchal. This book will be useful to scholars interested in Feminist History, Comparative Religion and Asian Studies. The sensitive and rigorous research will be of great help to young scholars interested in embarking on a journey to discover religious history, especially with regards to womenâ (TM)s history in the South Asian context.

Bhakti, a term ubiquitous in the religious life of South Asia, has meanings that shift dramatically according to context and sentiment. Sometimes translated as "personal devotion," bhakti nonetheless implies and fosters public interaction. It is often associated with the marginalized voices of women and lower castes, yet it has also played a role in perpetuating injustice. Barriers have been torn down in the name of bhakti, while others have been built simultaneously. Bhakti and Power provides an accessible entry into key debates around issues such as these, presenting voices and vignettes from the sixth century to the present and from many parts of India's cultural landscape. Written by a wide range of engaged scholars, this volume showcases one of the most influential concepts in Indian history--still a major force in the present day.

History as a social science is arguably more self-reflective than associated disciplines in that family. Other social scientists seem to see little reason to look beyond the paradigm they are developing in the present times. Historians on the other hand, tend to depend on the cumulative process of the development of their craft and the fund of accumulated knowledge. Yet, while this is acknowledged in the practice of research, Historiography in itself as a subject of study has rarely found its place in the syllabi of Indian universities. Knowledge of Historiography is taken for granted when a scholar plunges into research. In an attempt to address this lacuna, the Indian Council of Historical Research (ICHR) has planned a series of volumes on Historiography comprising articles by subject specialists commissioned by the ICHR. The first volume in the series, Approaches to History: Essays in Indian Historiography brings to the readers the first fruits of that endeavour. While the essays encompass areas of research presently at the frontiers of new research, scholars will also find the bibliographies accompanying the essays of significant appeal.

Women have always been an object of gross and severe violence at the hands of man. The biological weakness of a woman makes her an easy prey particularly to whom it may concern; physical domination. She is often victim of physical and mental violence not only outside her home but also inside the home. Every society accepting the importance of equality of sexes has therefore, made affirmative provisions against gender discrimination.1 However, in spite of the enactment of these provisions, equality between men and women continues to be an elusive goal.

The goal of this thesis is to show, through the figure of the female bhakti saint and poetess, Karaikkal Ammaiyar, how the feminine was able to gain autonomy, power, and prestige in the medieval bhakti movement in India. Karaikkal Ammaiyar's life and work is explored through her poetry and imagery, through her connections with the god Shiva and the dark goddesses, and through related historical and legendary figures of the feminine in Indian history. Karaikkal Ammaiyar, arguably the first female saint and poetess of the bhakti movement, implemented various techniques and advocated certain practices that manipulated and ultimately subverted the patriarchal systems of her day. In so doing, she was able to attain a heightened status of autonomy, power, and prestige as a female leader within the bhakti movement.