The Beryozka

An encyclopedic and richly detailed history of everyday life in the Soviet Union The Soviet Union is gone, but its ghostly traces remain, not least in the material vestiges left behind in its turbulent wake. What was it really like to live in the USSR? What did it look, feel, smell, and sound like? In The Soviet Century, Karl Schlögel, one of the world’s leading historians of the Soviet Union, presents a spellbinding epic that brings to life the everyday world of a unique lost civilization. A museum of—and travel guide to—the Soviet past, The Soviet Century explores in evocative detail both the largest and smallest aspects of life in the USSR, from the Gulag, the planned economy, the railway system, and the steel city of Magnitogorsk to cookbooks, military medals, prison camp tattoos, and the ubiquitous perfume Red Moscow. The book examines iconic aspects of Soviet life, including long queues outside shops, cramped communal apartments, parades, and the Lenin mausoleum, as well as less famous but important parts of the USSR, including the Great Soviet Encyclopedia, the voice of Radio Moscow, graffiti, and even the typical toilet, which became a pervasive social and cultural topic. Throughout, the book shows how Soviet life simultaneously combined utopian fantasies, humdrum routine, and a pervasive terror symbolized by the Lubyanka, then as now the headquarters of the secret police. Drawing on Schlögel’s decades of travel in the Soviet and post-Soviet world, and featuring more than eighty illustrations, The Soviet Century is vivid, immediate, and grounded in firsthand encounters with the places and objects it describes. The result is an unforgettable account of the Soviet Century.

Rossiya: Voices from the Brezhnev Era is a poignant sketch of the Soviet Union prior to its disastrous invasion of Afghanistan. It is also a bittersweet tale of an American coming to terms with his Russian roots. One summer in the late 1970s, author Alex Shishin travels through the USSR on the Rossiya, the Trans-Siberian train that runs between Vladivostok and Moscow and that twice carries him across the vastness of Siberia. Fluent in Russian, the young Russian American converses with countless citizens from every strata of Soviet society. An extended side trip to Poland brings him in contact with a simmering revolution. Everywhere he goes, Shishin meets ordinary people imbued with a generosity that transcends all political systems and times. "Alex's readiness to accept people without judging them enables his fellow travelers to open up to him and talk about things that affect their lives: politics, economics, their harsh memories of war, and their deep desires for peace. His vivid portraits of the people he meets make you feel as if you are sitting together with him, hearing the voices, enjoying the food and drinks, and feeling the motion of the train traveling over the tracks.. This is a moving account of the writer's pilgrimage to know himself through human encounters." -Peter Sano, author of 1,000 Days in Siberia: The Odyssey of a Japanese-American POW

Modern events sometime demand the reissue of a book published several years ago. Hirsh's internationally acclaimed 1986 novel, Kabul, provides an almost miraculous window into a country and its people that now have captured the world's attention. When the last Afghan king is deposed in the summer of 1973, the family of Omar Anwari, his loyal cabinet minister, is torn apart along with their country. Over seven turbulent years while Catherine, their American mother, struggles to hold them together, Mangal, the eldest son, breaks with his father to follow his own political conscience; daughter Saira in New York is torn between two cultures; and Tor, the youngest, most passionate of the three grows up to become perhaps the bravest of them all. An epic tale of civil war, political intrigue, and family tragedy, Kabul is a moving, insightful portrayal of a proud nation brought to chaos.

"Fragile, gritty, and vital to an extraordinary degree, St Petersburg is one of the world's most alluring cities - a place in which the past is at once ubiquitous and inescapably controversial. This book shows how creative engagement with the past has always been fundamental to St Petersburg's residents"--From front jacket flap.

This book is extraordinary. It introduces the reader to the behind-the-scenes world of the ballet dancers of the famous Beryozka Dance Ensemble. He tells about the difficult preparation of that lyrically beautiful, and sometimes enchanting dance festival, which is seen by spectators who come to the concert of the ensemble in any country. Moreover, this book talks about the unusual situations that the artists of the Ensemble found themselves in when traveling across different countries and continents. And there were many such situations, because the Beryozka Ensemble performed in more than 60 countries around the world. The author of the book, a dancer himself, a dance teacher and a participant in the events described in the book, seeks to bring the impressions of foreign trips and convey the unique atmosphere of each country, consciously or unconsciously drawing comparisons with his native country. The book is based on real, non-fictional events and undoubtedly has cognitive and educational value for the inquisitive reader. The book is richly illustrated with photographs by the author.

Marx and Engels invented it; Lenin volunteered Russia for the honour of trying it; the Soviet people had to live with it.. This tongue-in-cheek travel guide is a cherishably witty insight into the chaotic, bewildering and sometimes scary society that resulted from this heroically doomed effort to "build Communism". It teaches you basic Soviet survival skills including how to queue for useless products, bribe your way into empty restaurants and contravene anti-alcohol measures. 'The authors' pen is driven not only by a blind hatred of socialism but also a genuine pathological medical condition.' Young Communists' Pravda (1986). 'In 1986 USSR was a prescient, hilarious and inspirational take on the evil empire. For Soviet totalitarianism ridicule was a deadly foe. To Polonsky and Taylor, the thanks of all those who were once captive and are now free.' Edward Lucas, International Editor, Economist

American–Soviet Cultural Diplomacy: The Bolshoi Ballet’s American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize the Bolshoi Ballet’s planned 1959 American tour to awe audiences with Soviet choreographers’ great accomplishments and Soviet performers’ superb abilities. Relying on extensive research, Cadra Peterson McDaniel examines whether the objectives behind Soviet cultural exchange and the specific aims of the Bolshoi Ballet’s 1959 American tour provided evidence of a thaw in American-Soviet relations. Interwoven throughout this study is an examination of the Soviets’ competing efforts to create ballets encapsulating Communist ideas while simultaneously reinterpreting pre-revolutionary ballets so that these works were ideologically acceptable. McDaniel investigates the rationale behind the creation of the Bolshoi’s repertoire and the Soviet leadership’s objectives and interpretation of the tour’s success as well as American response to the tour. The repertoire included the four ballets, Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and two Highlights Programs, which included excerpts from various pre- and post-revolutionary ballets, operas, and dance suites. How the Americans and the Soviets understood the Bolshoi’s success provides insight into how each side conceptualized the role of the arts in society and in political transformation. American–Soviet Cultural Diplomacy: The Bolshoi Ballet’s American Premiere demonstrates the ballet’s role in Soviet foreign policy, a shift to "artful warfare," and thus emphasizes the significance of studying cultural exchange as a key aspect of Soviet foreign policy and analyzes the continued importance of the arts in twenty-first century Russian politics.