The Bachelors Stand In Wife

Tycoon David Falcon needed a wife. Not someone to actually marry, but a superefficient, multitasking woman who'd keep his household humming along smoothly. Single mother Valerie Sinclair seemed the ideal candidate. Until an evening out led to an unexpected kiss. Organizing the businessman's hectic life was one thing. Wanting to share his life wasn't part of the deal. But once Valerie got a taste of being David's girlfriend—even for just one night—how could she go back to being his stand-in spouse?

Everybody's talking about the hot new app rating New York's most eligible bachelors. But why focus on Prince Charming when you can read the latest dirt on the lowest-ranked "Bad Bachelors"—NYC's most notorious bad boys. He says... If one more person mentions Bad Bachelors to me, someone's gonna get hurt. Who thought this app would be a good idea? Like dating isn't hard enough without being critiqued for every little misstep. My name is Reed McMahon and I'm supposedly a PR whiz and "image fixer," but now I need some help cleaning up my own image. She says... When Reed strolls into my workplace offering to help save the struggling library, I'm not buying his story. I'm Darcy Greer, a no-nonsense Brooklynite who knows Reed is exactly the kind of guy to be avoided. I've seen the app, and Bad Bachelor #1 has no place in my life. However, the library does need his help, and this guy needs to make some serious amends, so who am I to stop him? If only he didn't work so hard to find redemption... "Delightfully fresh. Stefanie London delivers all the feels in this exceptional opposites-attract love story. Bad Bachelor is an absolute must-read."—LAUREN LAYNE, New York Times bestselling author "Original, witty, and sexy. My #1 romance read of the year!"—JENNIFER BLACKWOOD, USA Today bestselling author

To Marco (No, I’m not going to add Polo), Last night was a mistake. A big mistake. Or should I say small? I don’t want to hurt your ego. I should have listened to your sister. You’re insufferable and rude and far too cocky. Don’t worry. I won’t be telling anyone what happened because as far as I’m concerned it never did. Please stop calling me. I do not need to come and collect my bra from you. Or the t-shirt you lent me to sleep in when I got cold. And no, that one act doesn’t make you a gentleman. Far from it. Also, I do not need to have your smell near me to fall asleep. In fact, your shirt does the opposite. It gives me nightmares. Millie P.S. No, I do not want a repeat of last night at my office. I don’t care if that’s your fantasy or not. Stop texting me your fantasies, by the way. P.P.S. The texts I sent you this morning were drunk texts. I was still hungover. Do not construe them as anything else. P.P.P.S. Could you have given me any more love bites? There was no need to “mark your territory” because I am not yours!

A memoir in essays that expands on the viral sensation “The Crane Wife” with a frank and funny look at love, intimacy, and self in the twenty-first century. From friends and lovers to blood family and chosen family, this “elegant masterpiece” (Roxane Gay, New York Times bestselling author of Hunger) asks what more expansive definitions of love might offer ​us all. A BEST BOOK OF THE YEAR: TIME, THE GUARDIAN, GARDEN & GUN "Hauser builds their life's inventory out of deconstructed personal narratives, resulting in a reading experience that's rich like a complicated dessert—not for wolfing down but for savoring in small bites." —The New York Times “Clever, heartfelt, and wrenching.” —Time “Brilliant.” —Oprah Daily Ten days after calling off their wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, they realized they'd almost signed up to live someone else's life. What if you released yourself from traditional narratives of happiness? What if you looked for ways to leave room for the unexpected? In Hauser’s case, this meant dissecting pop culture touchstone, from The Philadelphia Story to The X Files, to learn how not to lose yourself in a relationship. They attended a robot convention, contemplated grief at John Belushi’s gravesite, and officiated a wedding. Most importantly, they mapped the difference between the stories we’re asked to hold versus those we choose to carry. Told with the late-night barstool directness of your wisest, most bighearted friend, The Crane Wife is a book for everyone whose path doesn't look the way they thought it would; for everyone learning to find joy in the not-knowing and to build a new sort of life story, a new sort of family, a new sort of home to live in.

THE STORY: Margaret Turner is a happy and successful woman, with few regrets that she has chosen a legal career in place of marriage and a family. She occupies a respected judgeship; provides a good home for her teenaged sister, Susan; and enjoys t

Perfect for fans of Bachelor Nation and Seinfeldia, an illuminating deep dive into the most successful reality TV franchise of all time—The Bachelor. Since its premiere in 2002, ABC’s The Bachelor has become a staple of American television. Now, discover the fascinating history of the show, uncover the ins and outs of the phenomenon that has become Bachelor Nation, and take a deeper look at what separates the winners from the losers. From how best to exit the limo on Night One, to strategies for making a run for the all-important First Impression Rose, to how to avoid being labeled a villain, this clear-eyed guide illustrates the rules and strategies any would-be contestant should know. The ultimate must-read for every fan, How to Win the Bachelor gives you an “entertaining” (Publishers Weekly) inside look at the franchise where The Rose holds all the power.

For fans of Regency romance in the vein of Sanditon or Bridgerton comes a marriage of convenience story that will keep you smiling long after the last page. Housemaid Anne Webster will stop at nothing to save her family from their dire circumstances. Even if it means accepting the proposal of the roguish Marquess of Blackthorne, who just returned to England from the Americas under a veil of mystery. Both have their own agenda--she to use his riches and he to use her lace-making skills--but neither could have dreamed what they would discover on the other side of their scheming. As always, society tattler Miss Pickworth has a thing or two to say about this scandalous union. Unless they want their plans aired in her column, Ruel and Anne must keep their banter to a minimum and play the role of the happy couple. He's handsome and arrogant; she's smart and obstinate. But can Anne and Ruel put their differences aside to fend off an unexpected foe?

This two-in-one features "The Bachelor's Fool" in which Ken tries to maintain his relationship with his daughter, despite his ex-wife's crazy drama; and "Life, Nothing but Drama," which highlights the struggles five friends have to deal with.

In 1755 Benjamin Franklin observed "a man without a wife is but half a man" and since then historians have taken Franklin at his word. In Citizen Bachelors, John Gilbert McCurdy demonstrates that Franklin's comment was only one side of a much larger conversation. Early Americans vigorously debated the status of unmarried men and this debate was instrumental in the creation of American citizenship. In a sweeping examination of the bachelor in early America, McCurdy fleshes out a largely unexamined aspect of the history of gender. Single men were instrumental to the settlement of the United States and for most of the seventeenth century their presence was not particularly problematic. However, as the colonies matured, Americans began to worry about those who stood outside the family. Lawmakers began to limit the freedoms of single men with laws requiring bachelors to pay higher taxes and face harsher penalties for crimes than married men, while moralists began to decry the sexual immorality of unmarried men. But many resisted these new tactics, including single men who reveled in their hedonistic reputations by delighting in sexual horseplay without marital consequences. At the time of the Revolution, these conflicting views were confronted head-on. As the incipient American state needed men to stand at the forefront of the fight for independence, the bachelor came to be seen as possessing just the sort of political, social, and economic agency associated with citizenship in a democratic society. When the war was won, these men demanded an end to their unequal treatment, sometimes grudgingly, and the citizen bachelor was welcomed into American society. Drawing on sources as varied as laws, diaries, political manifestos, and newspapers, McCurdy shows that in the course of the seventeenth and eighteenth centuries the bachelor was a simultaneously suspicious and desirable figure: suspicious because he was not tethered to family and household obligations yet desirable because he was free to study, devote himself to political office, and fight and die in battle. He suggests that this dichotomy remains with us to this day and thus it is in early America that we find the origins of the modern-day identity of the bachelor as a symbol of masculine independence. McCurdy also observes that by extending citizenship to bachelors, the founders affirmed their commitment to individual freedom, a commitment that has subsequently come to define the very essence of American citizenship.