The Art And History Of Popeye

When cartoonist Elzie Segar created Popeye, as a minor character ten years into the run of the Thimble Theatre strip in 1929, little did he know that the world's most famous sailor would still be around over ninety years later and still being offered as a Sunday feature. To celebrate Popeye, the character, the comic strip and his universe, a feature cartoonist Charles M. Schulz described as "perfect... consistent in drawing and humor," Hermes Press is publishing the definitive art monograph on the subject. This 300 plus page book features a comprehensive essay written by pop culture historian R.C. Harvey accompanied by over 350 illustrations of original strip and comic book art, animation art, illustrations, advertising art, products, the Robert Altman film, and everything Popeye. Every aspect of Popeye is explored, from Olive Oyl and Eugene the Jeep to Wimpy and Bluto. So, if you've ever read the strip, watched the cartoons, seen the movie, or ever eaten spinach and wondered if you'll have super-powers, this new comprehensive history is a must.

It's a rare comic character who can make audiences laugh for well over half a century--but then again, it's a pretty rare cartoon hero who can boast of forearms thicker than his waist, who can down a can of spinach in a single gulp, or who generally faces the world with one eye squinted completely shut. When E.C. Segar's gruff but lovable sailor man first tooted his pipe to the public on January 7, 1929, it was not in the animated cartoon format for which he is best known today (and which would become the longest running series in film history). Instead it was on the comics page of the New York Journal, as Segar's Thimble Theatre strip. Over the decades to come, Popeye was to appear on radio, television, stage, and even in a live-action feature film. This comprehensive and lavishly illustrated history is a thoroughly updated and revised edition of the highly acclaimed 1994 work. Animated series and films are examined, noting the different directions each studio took and the changing character designs of the Popeye family. Popeye in other media--comics, books, radio, and a stage play--is thoroughly covered, as are Robert Altman's 1980 live-action film, and Popeye memorabilia.

Well, blow me down! This new four-volume series collects the complete run of the original Popeye Sunday newspaper page adventures in an accessible and affordable slipcased paperback format!

Re-presenting the classic Popeye comic book series that debuted in 1948 by Bud Sagendorf, the long-time assistant to creator E.C. Segar! Carefully reproduced from the original comic books and lovingly restored, Volume 1 contains issues #1-4, with stories such as "That's What I Yam," "Ghost Island," and "Dead Valley." Also includes all of Sagendorf's gloriously funny one-pagers.

More than a decade before creating the world's most famous cartoon sailor, Elzie Crisler Segar drew the Charlie Chaplin comic strip, a daily strip about Chicago entertainment, and then Thimble Theatre, where Popeye was to be born. This volume features examples of all of Segar's early comics and over 100 pre-Popeye Thimble Theatre Sunday pages, including the complete run of the famed Western desert saga, a series that rivals his later work in art, storytelling and humor. These comics, most of which have never been reprinted before, are now here for the whole popeyed world to see.

Molly has real-world problems; Bear has problems with the realworld! It can be tough being a tween. You want to do big things, changethe world, and right some wrongs. But you also have to deal with math homework,getting enough sleep and the drama between your dad and pet bear. This isMolly's world. Being a tween is so much easier when your BFF is an800 pound bear. Bear is no ordinary bear. He sheds like a normal bear, hesnores like a normal bear, but he is afraid of absolutely everything. Plus, heis allergic to fur. His own. But with Molly holding his paw, he can muddlethrough.

A compilation of classic comic strips from the creator of the original Popeye cartoons follows the picaresque adventures of Popeye and his cohorts--Olive Oyl, Wimpy, Eugene the Jeep, the Sea Hag, and Alice the Goon.

The history of animated cartoons has for decades been dominated by the accomplishments of Walt Disney, giving the impression that he invented the medium. In reality, it was the work of several pioneers. Max Fleischer--inventor of the Rotoscope technique of tracing animation frame by frame over live-action footage--was one of the most prominent. By the 1930s, Fleischer and Disney were the leading producers of animated films but took opposite approaches. Where Disney reflected a Midwestern sentimentality, Fleischer presented a sophisticated urban attitude with elements of German Expressionism and organic progression. In contrast to Disney's naturalistic animation, Fleischer's violated physical laws, supporting his maxim: "If it can be done in real life, it isn't animation." As a result, Fleischer's cartoons were rough rather than refined, commercial rather than consciously artistic--yet attained a distinctive artistry through Fleischer's innovations. This book covers his life and work and the history of the studio that bore his name, with previously unpublished artwork and photographs.