The Art And Business Of Story Writing

What are the secrets to writing online? Why do some writers accumulate hundreds of thousands, even millions of views on their content-and others write and write, only to go unnoticed?Nicolas Cole, one of the most viral columnists on the internet with more than 100 million views on his writing, is pulling back the curtain. After becoming the #1 most-read writer on all of Quora in 2015, and a Top 10 contributing writer for Inc Magazine from 2016 to 2018, Cole went on to build a multi-million-dollar ghostwriting company publishing thousands of articles on the internet for more than 300 different Silicon Valley entrepreneurs, C-level executives, New York Times best-selling authors, Olympic athletes, Grammy-winning producers, and renowned industry leaders. How?By using his own personal toolkit of writing strategies, headline structures, formats, and proven styles, all of which were mastered over a 10-year period."This book contains everything I know about online writing," says Cole. "From going viral, to building a massive library of content that will continue to pay you dividends well into the future."In this book you will learn:- Why you should NOT start a blog-and where you should be writing online instead.- How to beat "the game" of internet publishing-and the 7 levels of success.- How "going viral" on social platforms works (and how to not give up in the process).- The Endless Idea Generator: How to never run out of things to write about.- The Perfect Post: How to write headlines people can't help but want to read.- How to create your own "Content Roadmap," and position yourself as an influential voice in your industry or niche.- How to turn proven online writing into longer, more valuable assets (books, ebooks, physical products, paid newsletters, companies, etc.).- And the 1 habit very single writer today needs to master in order to become successful.This book is the Ultimate Guide to writing in the digital age.

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Excerpt from The Art and the Business of Story Writing This book is an outgrowth of the belief that fiction has a technique no less definite, though much less rigid, than the technique of perspective drawing or of harmony and counterpoint in music. Such a conviction is not easily reached, for the laws of story construction elude their many searchers with a persistence most exasperating. The long-discouraged investigator naturally falls into the thought that pure anarchy reigns in the domain of fantasy; and he disguises the absurdity of this thought under the hypothesis that a story is the free creation of mind, spontaneous in origin and in manner of outworking. Unfortunately for the development of fictional technique, the half-truth of the hypothesis helps to conceal the flaw in his argument. There is no doubt that, in some sense, a story is a free creation and spontaneous; and freedom seems to connote a certain emancipation from law: hence the plausibility of saying that the fiction writer works without rule or principle, following only the caprice of his imagination. The inference, however, is only plausible. There is no soundness in it; and, were we here discussing ethics or metaphysics, we might demonstrate this assertion by pointing out that free creation and spontaneity do not involve unpatterned behavior nor blind, impulsive fashioning. If chaos lurks anywhere in the whole performance, it lurks only in the primitive uprush of fleeting, disjointed imageries which precede, suggest, and inspire the work of art. The work of art, as Poe and many another have said, is a piece of cunning and calculation no less deliberate than the selling-price of umbrellas; and, once more like this computation, the artistry of the fiction writer is regulated by two elemental factors, his own purposes and his material. If he has not discovered the principles in these which direct his choice, it is because they are prodigiously intricate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Art And The Business Of Story Writing Walter B. Pitkin The Macmillan company, 1922 Short story