The Arrogant Artist

A quandary for John Mannering (aka ‘The Baron’). A young brash artist is found half-dead, with a noose around his neck, on the same day he had attempted to get Mannering to finance his career. The artist's terrified girlfriend desperately seeks help. Has the man tried to kill himself, or is it a case of attempted murder?

Louis Marchant--artist of our generation. More like the most arrogant artist of our generation. The man looks like Michelago has carved him with his bare hands. Kissable soft lips. The perfect amount of five o'clock shadow stretched across his square jaw. Add in that delicious French accent and oh là là. And then there's his giant... Um, never mind, it's still connected to him. No amount of magnificence can take away the fact that he's the most arrogant man in the history of France--no, the world. He also happens to be my new boss.** Previously released as Love in Colour **

L’artiste au double visage, l’amant aux mille talents ! Anticonformiste et sexy à en mourir, Dante ne passe pas inaperçu et ne se laisse pas approcher facilement. Mais Jane, qu’il a croisée au mariage de son meilleur ami, réveille en lui des envies et des désirs enfouis. Pétillante et lumineuse, la jeune femme lui offre des nuits torrides et des étreintes brûlantes. Mais les ombres du passé de Dante ne sont jamais loin et menacent ce bonheur tout neuf… Arrogant Artist de Phoebe Campbell, histoire intégrale. Ce roman a précédemment été publié sous les titres Oui, je le veux ! et Sexy Player.

A comprehensive reinterpretation of the pioneering and media-savvy artist The modern artist strives to be independent of the public's taste—and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell—and not only make—his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists.

This book offers a clear and alternative route to releasing one's creativity, that is, by embracing absurdity, rejecting the practical approach and refusing didactic platitudes. Feel like an artist the artist's way by Francis Rubbra is a collection of over 1001 hard-hitting and thought-provoking, often amusing, never-published-before, doses of original raw satirical art aphorism sourced from the art school discourse. The author occasionally resorts to sentence dichotomy, phrasing that from a Dada perspective makes sense and nonsense simultaneously. Picasso said that the enemy of art was good sense, well this book is a companion and a safe house for artists of all shapes and sizes, the mad ones, the thin ones and the extremely annoying ones, they are all invited. An inspirational quotes book with surrealist undertones that explores the nuances of a life lived at arts behest. Ever wondered where to learn the art school secrets? Feel Like an Artist the artist's way brims full of them. A refreshingly new take on books typically written in the self-help genre. A book that entertains without falling into a pit of sentimentality and cliché. The author uses satire for serious ends as he rampages through the art school discourse making bold pronouncements on art along the way. Essential reading for artists, Feel Like an Artist the artist's way also over-flows with insightful pearls of sound practical art advice and humorous slights at the artist's expense. A serious book, its deliberations cut through the often-unpassable sludge of art academia. A book that gives you the feeling it's trying to tell you something and which will leave the reader feeling uplifted and inspired and certainly not indifferent.

Written in the form of letters to an aspiring artist, 'Letters to a Young Artist' includes Julia Cameron's hints on how to become an artist and encourage the creative flow. Full of exercises - she suggests, for example, writing 14 pages on anything every morning - and advice on an artist's approach to many aspects of life, including work and play, rest and exercise, adventure and security, relationships and sex, personal appearance. There are inspiring ideas on what to write about and invaluable encouragement in dealing with creative blocks and temporary failure.

"Austrian artist Egon Schiele comes to life in a narrative that defies convention, history, and identity. A self-professed genius and student of August Klimt, Scott's Schiele repeatedly challenges the boundaries of early twentieth-century Europe. Thrown in jail on charges of immorality, Schiele's Mephistophelean reputation only grows in stature until at the age of twenty-eight, the artist dies in the Great Flu Pandemic. Told from a crosscurrent of voices, viewpoints and times."--page 4 of cover.

“Oddly beautiful and impossible to look away from”​ (Los Angeles Times), the stories in The Fat Artist are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair. In prose alternately stark, lush and hallucinatory, occasionally nightmarish and often absurd, the voices in Benjamin Hale’s The Fat Artist and Other Stories speak from the margins: a dominatrix whose longtime client, a US congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippy in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives that form the vast tapestry of American life. “A steadily growing…talent” (Kirkus Reviews), Hale’s prize-winning fiction abounds with a love of language and a wild joy for storytelling, earning accolades from writers such as novelist Jonathan Ames, who compared discovering his work to watching Mickey Mantle play ball for the first time; Washington Post critic Ron Charles, who declared him “fully evolved as a writer,” and bestselling author Jodi Picoult, who simply called him “brilliant.” Pairing absurdity with philosophical musings on the unnerving intersections between life and death, art and ridicule, consumption and creation, “the audacious imagination evident in Hale’s acclaimed debut, The Evolution of Bruno Littlemore, shines again in this…provocative collection that takes a unique view of the human condition” (Booklist).