The Arrogance Of Man

Douglas Miller lives in a world of booze, drugs, and life on the edge. Yet he wants a better way of life, and he begs God to give him a quest. When God reaches into his heart, he shows Douglas a much different world of good and evil, light and darkness, happiness and sadness. As shown in this book, Douglas realizes that his whole life has been a quest. Like others, he ran to try and escape from himself and his unhappy life, but he could not outrun himself or his purpose. He finds his purpose and learns that no one needs to travel very far to be on a quest. God asks Douglas to share his new knowledge in life lessons. These life lessons are the foundation of this book. As Douglas shares the valuable life lessons, he helps others who are lost. He wants to help other travelers find their way back to God. Are you ready for the journey? This book contains the edited version of how I found God, in an easy to understand language.

Titanic was the greatest ship of the era. It was a testament of wealth and showed the extent of mankind's creativity and intelligence, but suddenly, on 14th April 1912, it struck an iceberg and sank, leaving 1500 people in the icy Atlantic water to die.Titanic: A Tribute To Man's Arrogance, shows the attitudes of the public towards technology at the time, and specifically Titanic, before, during, and after the catastrophic disaster, and the lessons mankind learnt that fateful night.

A comprehensive reinterpretation of the pioneering and media-savvy artist The modern artist strives to be independent of the public's taste—and yet depends on the public for a living. Petra Chu argues that the French Realist Gustave Courbet (1819-1877) understood this dilemma perhaps better than any painter before him. In The Most Arrogant Man in France, Chu tells the fascinating story of how, in the initial age of mass media and popular high art, this important artist managed to achieve an unprecedented measure of artistic and financial independence by promoting his work and himself through the popular press. The Courbet who emerges in Chu's account is a sophisticated artist and entrepreneur who understood that the modern artist must sell—and not only make—his art. Responding to this reality, Courbet found new ways to "package," exhibit, and publicize his work and himself. Chu shows that Courbet was one of the first artists to recognize and take advantage of the publicity potential of newspapers, using them to create acceptance of his work and to spread an image of himself as a radical outsider. Courbet introduced the independent show by displaying his art in popular venues outside the Salon, and he courted new audiences, including women. And for a time Courbet succeeded, achieving a rare freedom for a nineteenth-century French artist. If his strategy eventually backfired and he was forced into exile, his pioneering vision of the artist's career in the modern world nevertheless makes him an intriguing forerunner to all later media-savvy artists.

The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon

The controversial New York Times–bestselling biography of America’s most infamous president written by a master of investigative political reporting. Anthony Summers’s towering biography of Richard Nixon reveals a tormented figure whose criminal behavior did not begin with Watergate. Drawing on more than a thousand interviews and five years of research, Summers traces Nixon’s entire career, revealing a man driven by addiction to power and intrigue. His subversion of democracy during Watergate was the culmination of years of cynical political manipulation. Evidence suggests the former president had problems with alcohol and prescription drugs, was mentally unstable, and was abusive to his wife, Pat. Summers discloses previously unrevealed facts about Nixon’s role in the plots against Fidel Castro and Salvador Allende, his sabotage of the Vietnam peace talks in 1968, and his acceptance of funds from dubious sources. The Arrogance of Power shows how the actions of one tormented man influenced 50 years of American history, in ways still reverberating today. “Summers has done an enormous service. . . . The inescapable conclusion, well body-guarded by meticulous research and footnotes, is that in the Nixon era the United States was in essence a ‘rogue state.’ It had a ruthless, paranoid and unstable leader who did not hesitate to break the laws of his own country.”—Christopher Hitchens, The New York Times Book Review “A superbly researched and documented account—the last word on this dark and devious man.”—Paul Theroux

Attacks nothing less than the currently prevailing world philosophy--humanism, which the author feels is exceedingly dangerous in its hidden assumptions.

Winner • National Council of Teachers of English - George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language The “philosopher of truth” (Jill Lepore, The New Yorker) returns with a clear-eyed and timely critique of our culture’s narcissistic obsession with thinking that “we” know and “they” don’t. Taking stock of our fragmented political landscape, Michael Patrick Lynch delivers a trenchant philosophical take on digital culture and its tendency to make us into dogmatic know-it-alls. The internet—where most shared news stories are not even read by the person posting them—has contributed to the rampant spread of “intellectual arrogance.” In this culture, we have come to think that we have nothing to learn from one another; we are rewarded for emotional outrage over reflective thought; and we glorify a defensive rejection of those different from us. Interweaving the works of classic philosophers such as Hannah Arendt and Bertrand Russell and imposing them on a cybernetic future they could not have possibly even imagined, Lynch delves deeply into three core ideas that explain how we’ve gotten to the way we are: • our natural tendency to be overconfident in our knowledge; • the tribal politics that feed off our tendency; • and the way the outrage factory of social media spreads those politics of arrogance and blind conviction. In addition to identifying an ascendant “know-it-all-ism” in our culture, Lynch offers practical solutions for how we might start reversing this dangerous trend—from rejecting the banality of emoticons that rarely reveal insight to embracing the tenets of Socrates, who exemplified the humility of admitting how little we often know about the world, to the importance of dialogue if we want to know more. With bracing and deeply original analysis, Lynch holds a mirror up to American culture to reveal that the sources of our fragmentation start with our attitudes toward truth. Ultimately, Know-It-All Society makes a powerful new argument for the indispensable value of truth and humility in democracy.

The Arrogance of Distance outlines major stages of humanity's exertions to advance from a simple tribe to the modern state based on the rule of law and individual freedom. It traces the main stages of the rise of the West from tribalism through ancient Israel, Greek city-states, Rome, Christianity, European feudalism, the Renaissance, the Reformation and Counter-reformation, the Enlightenment, capitalism to modernity. The book resonates those features of the West that are considered decisive in the West's success in the competition among civilizations. It recalls the values, customs, laws and institutions that have contributed to the emergence of the long economic, scientific and, in many cases, cultural distance between the West and the Rest. However, that very distance made the West arrogant as it has, more recently, been eroding the very principle of balance among human values and institutions. "Nothing too much" warned the ancient Greeks. It adumbrates the main symptoms and mechanisms of its XX century decadence reflected, among other things, in the rise of totalitarian states in the I half of the XX century and the establishment of counter-cultures, extreme individualism, multiculturalism and affirmative actions of unlimited duration in the II half of the last century. Finally, it outlines the possible measures that could check the progress of moral hazard, recover West's self-confidence and help restore the culture of freedom, individual responsibility and economic prosperity as well as to better equip the West in its fight against the scourge of terrorism.

The Orthodoxy of Arrogance is a fictional account of historical events and the subsequent personal and familial conflicts they can create. The main character, Mordichai Lebenschitz, is a moyl from Dachau, Germany. As the Nazi regime rises, he changes his name to the more German Moritz. He is pompous, self-centered, and oblivious to the world and its proposed effects on him. He is charming, manipulative and self-indulgent. He and his wife Hannah elude the Nazis from 1941-1944 in the city of Dachau. My novel suggests possible scenarios of events in history. It weaves them with personal, familial, and societal conflicts they affect. It borders on the least likely outcomes of historical events. They are often endured by arrogant and self-indulgent attitudes. The Orthodoxy of Arrogance is the story of sheer will. It is a fictional account of one believing in oneself to the point of selfishness. It is the conflict of ego and how it can work to disrupt human emotions.