The Argonauts A Memoir

An intrepid voyage out to the frontiers of the latest thinking about love, language, and family Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender, and "family." An insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book.

‘A superb exploration of the risk and the excitement of change...An exceptional portrait both of a romantic partnership and of the collaboration between Nelson’s mind and heart.’ New Yorker Winner, 2016 National Book Critics Circle Award for Criticism Maggie Nelson’s The Argonauts is a genre-bending memoir, a work of ‘autotheory’ offering fresh, fierce and timely thinking about desire, identity and the limitations and possibilities of love and language. At its centre is a romance: the story of the author’s relationship with the artist Harry Dodge. This story, which includes the author’s account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, is an intimate portrayal of the complexities and joys of (queer) family making. Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson’s insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book. Maggie Nelson is a poet, a critic, and the author of several nonfiction books, including The Red Parts, The Art of Cruelty: A Reckoning, Bluets, and Jane: A Murder. She teaches in the School of Critical Studies at CalArts and lives in Los Angeles, California. ‘Maggie Nelson slays entrenched notions of gender, marriage and sexuality with lyricism, intellectual brass and soul-ringing honesty.’ Vanity Fair ‘Nelson’s writing is fluid—to read her story is to drift dreamily among her thoughts...She masterfully analyzes the way we talk about sex and gender.’ Huffington Post ‘One of the most intelligent, generous and moving books of the year.’ STARRED review Publishers Weekly ‘A book that will challenge readers as much as the author has challenged herself.’ STARRED review Kirkus Reviews ‘It might require a bit of work but The Argonauts rewards us with an expansive way of considering identity, caretaking, and freedom. Maybe it will change the way think and speak about others and ourselves?’ Emma Watson ‘So much writing about motherhood makes the world seem smaller after the child arrives, more circumscribed, as if in tacit fealty to the larger cultural assumptions about moms and domesticity; Nelson’s book does the opposite.’ New York Times Book Review ‘A thought-provoking and fascinating read.’ Otago Daily Times ‘A wonderful genre-disregarding beast...Nelson has created a work that lets the reader into the intimate world of her love partnership and family, as well as engaging the intellect.’ Readings ‘I thought about copying down whole passages...Nelson’s writing about gender is pretty wonderful. The reflexivity and circularity of her work resists over-simplifications.’ Lifted Brow ‘A song of praise for everyday, ordinary suburban life and simple pleasures.’ Herald Sun ‘An extraordinary record of a life that could only have been written in the early 21st century...[Nelson] is thoughtful, provoking and concise.’ Stuff NZ ‘Remarkable...Nelson has succeeded in combining self-expression and thinking through in a way that is as fundamental as it is compelling.’ Age/Sydney Morning Herald ‘Nelson is an electrifying writer, and The Argonauts is an intensely personal, fiercely intelligent reflection on marriage, motherhood, desire and family.’ Best Non-Fiction Books of 2016, Readings ‘I found Maggie Nelson’s The Argonauts electrifying: a book that invites creative engagement on a level I’ve not encountered in a long time.’ Favourite Feminist Reads of 2016, Feminist Writers Festival ‘Nelson’s language teeters artfully on the edge of the sayable.’ Sydney Morning Herald ‘If the teen years are for experimentation, the twenties are a time for reflection...It’s the kind of book that makes a chaotic, unstable life feel a little more normal.’ Business Insider ‘Folding queer history and the path of rainbow families into a joyous celebration of language and intellectual thought, it’s the perfect antidote to Trump.’ SBS ‘It looks at life from a feminist perspective. It is about love and marriage, motherhood, pregnancy, birth and family-making, and is fascinating.’ Lily Cole, Hello ‘The Argonauts is a book of borrowing and sharing...an exhilarating tour de force drawing on queer and feminist theory as well as the personal narrative of Nelson’s family.’ New York Magazine ‘A magnificent achievement of thought, care and art.’ Los Angeles Times

A groundbreaking memoir that offers fresh and fierce reflections on motherhood, desire, gender, identity and feminism. At the centre of The Argonauts is the love story between Maggie Nelson and the artist Harry Dodge, who is fluidly gendered. As Nelson undergoes the transformations of pregnancy, she explores the challenges and complexities of mothering and queer family making. Writing in the tradition of public intellectuals like Susan Sontag, Nelson uses arresting prose even as she questions the limits of language. The Argonauts is an intrepid voyage out to the frontiers of love, language, and family.

Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours. Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche. Exploring the nature of this haunting incident via a collage of poetry, prose, dream-accounts, and documentary sources, including local and national newspapers, related “true crime” books such as The Michigan Murders and Killer Among Us, and fragments from Jane’s own diaries written when she was 13 and 21, its eight sections cover Jane’s childhood and early adulthood, her murder and its investigation, the direct and diffuse effect of her death on Nelson’s girlhood and sisterhood, and a trip to Michigan Nelson took with her mother (Jane’s sister) to retrace the path of Jane’s final hours. Each piece in Jane has its own form, and the movement from each piece to the next--along with the white space that surrounds each fragment--serve as important fissures, disrupting the tabloid, “page-turner” quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Equal parts a meditation on violence (serial, sexual violence in particular), and a conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, shows its readers what poetry is capable of--what kind of stories it can tell, and how it can tell them.

Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.

Late in 2004, Maggie Nelson was looking forward to the publication of her book Jane: A Murder, a narrative in verse about the life and death of her aunt, who had been murdered thirty-five years before. The case remained unsolved, but Jane was assumed to have been the victim of an infamous serial killer in Michigan in 1969. Then, one November afternoon, Nelson received a call from her mother, who announced that the case had been reopened; a new suspect would be arrested and tried on the basis of a DNA match. Over the months that followed, Nelson found herself attending the trial with her mother and reflecting anew on the aura of dread and fear that hung over her family and childhood--an aura that derived not only from the terrible facts of her aunt's murder but also from her own complicated journey through sisterhood, daughterhood, and girlhood. The Red Parts is a memoir, an account of a trial, and a provocative essay that interrogates the American obsession with violence and missing white women, and that scrupulously explores the nature of grief, justice, and empathy.

Before Maggie Nelson’s name became synonymous with such genre-defying, binary-slaying writing as The Argonauts and The Art of Cruelty, this collection of poetry introduced readers to a singular voice in the making: exhilarating, fiercely vulnerable, intellectually curious, and one of a kind. These days/the world seems to split up/into those who need to dredge/and those who shrug their shoulders/and say, It’s just something/that happened. While Maggie Nelson refers here to a polluted urban waterway, the Gowanus Canal, these words could just as easily describe Nelson’s incisive approach to desire, heartbreak, and emotional excavation in Something Bright, Then Holes. Whether writing from the debris-strewn shores of a contaminated canal or from the hospital room of a friend, Nelson charts each emotional landscape she encounters with unparalleled precision and empathy. Since its publication in 2007, the collection has proven itself to be both a record of a singular vision in the making as well as a timeless meditation on love, loss, and―perhaps most frightening of all―freedom.

'One of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation' OLIVIA LAING What can freedom really mean? In this invigorating, essential book, Maggie Nelson explores how we might think, experience or talk about the concept in ways that are responsive to our divided world. Drawing on pop culture, theory and the intimacies and plain exchanges of daily life, she follows freedom - with all its complexities - through four realms: art, sex, drugs and climate. On Freedom offers a bold new perspective on the challenging times in which we live. 'Tremendously energising' Guardian 'This provocative meditation...shows Nelson at her most original and brilliant' New York Times 'Nelson is such a friend to her reader, such brilliant company... Exhilarating' Literary Review * A New York Times Notable Book * * A Guardian and TLS 'Books of 2021' Pick *

A New York Times Book Review Editors' Choice One of LitHub's Most Anticipated Books of 2020 An expansive, radiant, and genre-defying investigation into bonding—and how we are shaped by forces we cannot fully know Is love a force akin to gravity? A kind of invisible fabric which enables communications through space and time? Artist Harry Dodge finds himself contemplating such questions as his father declines from dementia and he rekindles a bewildering but powerful relationship with his birth mother. A meteorite Dodge orders on eBay becomes a mysterious catalyst for a reckoning with the vital forces of matter, the nature of consciousness, and the bafflements of belonging. Structured around a series of formative, formidable coincidences in Dodge’s life, My Meteorite journeys with stylistic bravura from Barthes to Blade Runner, from punk to Pale Fire. It is a wild, incandescent book that creates a literary universe of its own. Blending the personal and the philosophical, the raw and the surreal, the transgressive and the heartbreaking, Harry Dodge revitalizes our world, illuminating the magic just under the surface of daily life.

"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.