The Architecture Of Imperialism

This volume utilizes both archaeological and textual data pertaining to Egyptian military bases to examine the evolution of Egypt's foreign policy in the New Kingdom. The types of structures erected to house soldiers and administrators in Syria-Palestine, Nubia, and Libya differed in ways that do much to illuminate the nature of imperial aims in these subject territories.

This volume studies the architecture and urbanism of modern-era Italian colonialism (1869-1943) as it sought to build colonies in North and East Africa and the eastern Mediterranean. Mia Fuller follows, not only the design of the physical architecture, but also the development of colonial design theory, based on the assumptions made about the colonized, and also the application of modernist theory to both Italian architecture and that of its colonies. Moderns Abroad is the first book to present an overview of Italian colonial architecture and city planning. In chronicling Italian architects' attempts to define a distinctly Italian colonial architecture that would set Italy apart from Britain and France, it provides a uniquely comparative study of Italian colonialism and architecture that will be of interest to specialists in modern architecture, colonial studies, and Italian studies alike.

Over the course of the nineteenth century, drastic social and political changes, technological innovations, and exposure to non-Western cultures affected Germany's built environment in profound ways. The economic challenges of Germany's colonial project forced architects designing for the colonies to abandon a centuries-long, highly ornamental architectural style in favor of structural technologies and building materials that catered to the local contexts of its remote colonies, such as prefabricated systems. As German architects gathered information about the regions under their influence in Africa, Asia, and the Pacific—during expeditions, at international exhibitions, and from colonial entrepreneurs and officials—they published their findings in books and articles and organized lectures and exhibits that stimulated progressive architectural thinking and shaped the emerging modern language of architecture within Germany itself. Offering in-depth interpretations across the fields of architectural history and postcolonial studies, Itohan Osayimwese considers the effects of colonialism, travel, and globalization on the development of modern architecture in Germany from the 1850s until the 1930s. Since architectural developments in nineteenth-century Germany are typically understood as crucial to the evolution of architecture worldwide in the twentieth century, this book globalizes the history of modern architecture at its founding moment.

Offers a broad and unique look at Ancient Egypt during its long age of imperialism Written for enthusiasts and scholars of pharaonic Egypt, as well as for those interested in comparative imperialism, this book provides a look at some of the most intriguing evidence for grand strategy, low-level insurgencies, back-room deals, and complex colonial dynamics that exists for the Bronze Age world. It explores the actions of a variety of Egypt’s imperial governments from the dawn of the state until 1069 BCE as they endeavored to control fiercely independent mountain dwellers in Lebanon, urban populations in Canaan and Nubia, highly mobile Nilotic pastoralists, and predatory desert raiders. The book is especially valuable as it foregrounds the reactions of local populations and their active roles in shaping the trajectory of empire. With its emphasis on the experimental nature of imperialism and its attention to cross-cultural comparison and social history, this book offers a fresh perspective on a fascinating subject. Organized around central imperial themes—which are explored in depth at particular places and times in Egypt’s history—Ancient Egyptian Imperialism covers: Trade Before Empire—Empire Before the State (c. 3500-2686); Settler Colonialism (c. 2400-2160); Military Occupation (c. 2055-1775); Creolization, Collaboration, Colonization (c. 1775-1295); Motivation, Intimidation, Enticement (c. 1550-1295); Organization and Infrastructure (c. 1458-1295); Outwitting the State (c. 1362-1332); Conversions and Contractions in Egypt’s Northern Empire (c. 1295-1136); and Conversions and Contractions in Egypt’s Southern Empire (c. 1550-1069). Offers a wider focus of Egypt’s experimentation with empire than is covered by general Egyptologists Draws analogies to tactics employed by imperial governments and by dominated peoples in a variety of historically documented empires, both old world and new Answers questions such as “how often and to what degree did imperial blueprints undergo revisions?” Ancient Egyptian Imperialism is an excellent text for students and scholars of history, comparative history, and ancient history, as well for those interested in political science, anthropology, and the Biblical World.

One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.

This study explores the subject of New Kingdom foreign policy via a comprehensive examination of the fortresses and administrative headquarters that the Egyptians erected on their borders and in foreign territory. The topic is approached through a gathering and synthesis of both textual and archaeological data as it exists for the early, middle, and late Eighteenth Dynasty, as well as for the Nineteenth and Twentieth Dynasties. Such a chronological division affords a clear insight into the evolution of Egypt's imperial priorities and tactics. Further, the frontiers of Syria-Palestine, Nubia, and Libya are all considered within this work to compose a more comprehensive picture and to allow for an examination as to how the imperial policies practiced on one frontier influenced policies later enacted in another.From this study it can be seen that the Egyptians employed four major types of military base. (1) At the points at which the Nile Valley could be easily penetrated, they erected htm-fortresses. These entities served largely to monitor and regulate the passage of people and goods across Egypt's border. (2) On the coastal road to Libya and in Nubia, the Egyptians constructed fortress-towns (mnnw or dmiw)-abiding by the philosophy that a potential enemy, like a crocodile, can snatch from a lonely road but cannot seize from a populous town. (3) The construction of modestly sized forts is limited to the highway along the Ways of Horus. These structures served to protect wells and foodstuffs, but were of little utility against a truly threatening foe. (4) In the Eastern Sinai and in Syria-Palestine, the Egyptians occupied administrative headquarters. These unfortified enclaves were generally commandeered from vassals in the Eighteenth Dynasty. It was only in the Nineteenth Dynasty, then, that the Egyptians began in earnest to sponsor the construction of permanent bases in Palestine. This policy shift, it is argued, stemmed from a post-Amarna administrative reform that affected both Egypt and its foreign territories equally.

In 1904, renowned architect Daniel Burnham, the Progressive Era urban planner who famously “Made No Little Plans,” set off for the Philippines, the new US colonial acquisition. Charged with designing environments for the occupation government, Burnham set out to convey the ambitions and the dominance of the regime, drawing on neo-classical formalism for the Pacific colony. The spaces he created, most notably in the summer capital of Baguio, gave physical form to American rule and its contradictions. In American Imperial Pastoral, Rebecca Tinio McKenna examines the design, construction, and use of Baguio, making visible the physical shape, labor, and sustaining practices of the US’s new empire—especially the dispossessions that underwrote market expansion. In the process, she demonstrates how colonialists conducted market-making through state-building and vice-versa. Where much has been made of the racial dynamics of US colonialism in the region, McKenna emphasizes capitalist practices and design ideals—giving us a fresh and nuanced understanding of the American occupation of the Philippines.

This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism, Mark Crinson looks at the architecture of the last years of the British Empire, and during its prolonged dissolution and aftermath. Taking a number of case studies from Britain, Ghana, Hong Kong, Iran, India and Malaysia, he investigates the ambitions of the people who commissioned the buildings, the training and role of architects, and the interaction of the architecture and its changing social and cultural contexts. This book raises questions about the nature of modernism and its roles that look far beyond empire and towards the post-imperial.