The Arabic Novel

This edition includes new material on the Arabic novel up to 1993. It is a survey of the Arabic novel and its development from its beginnings in the 19th century until today. It traces the origin, early cultivation and the mature period after World War II of the Arabic novel.

Traces how the novel germinated in the classical Arabic narrative tradition, developed into the modern genre before World War II and has evolved since then. Updated from the 1982 edition to include examples of novels published since then, emerging trends, and new critical perspectives. Considers only novels written in the Arabic language. Annotation copyright by Book News, Inc., Portland, OR

"I could not believe that human beings could forget so easily. . . ." Love and life, sex and death, childhood and oppression are Inside the Night. Vivid moments of remembrance, disparate yet interconnected, come together to form the body torn but not broken of this novel. Beginning with a scene of departure, the two nameless narrators roam back and forth in time, veering from childhood mischief to a Palestinian refugee camp massacre; from ardent first love to necessary migration to an Arab oil country for employment; from spirited adolescent fantasies to the grim reality of life in an Arab country whose claims to progress are mounted on the bent backs of its people. A forest of interwoven tales and strange destinies, Ibrahim Nasrallah's novel carves the history of a people over half a century into fragments that are poetic, multi-sensory, and richly evocative. Inside the Night's self-contained freedom is a refreshing development in the corpus of Palestinian, and human, literature.

A young man's dreams for a better future as a student in the Teachers' Institute are shattered after he assaults one of his instructors for discriminating against him. From then on, he begins his descent into the underworld. This novel takes on epic dimensions as the narrator escorts us on a journey to this underworld.

With its Sufistic parables of the human condition, rendered in a style redolent of both the austere meditations of Borges and the dark engorged ruminations of Arthur C. Clark, Pyramid Texts engages the mind and beguiles the imagination. In a series of chapters each shorter than the last so that, like their subjects, they taper ultimately into nothingness the author evokes the obsessions that have drawn men over the centuries to the brooding presence of mankind's most ancient and mysterious monuments. Among others in a procession of exotic characters, a Moroccan seeker after knowledge spends years contemplating the pyramids in the hope that one day he will understand the mysterious writing that fitfully appears on their sides. Another waits patiently for the moment when the shadow of one will diverge from its accustomed path and bestow immortality, and the Sphinx performs a celestial dance. Pyramid Texts leads us into a world of endless passages and mysterious sighing winds, a world whose claustrophobic and shadowy spaces may be illuminated by flashes of ecstasy leading to scintillating transfigurations and dizzying annihilations.

This book introduces Western readers to some of the most significant novels written in Arabic since 1979. Relying on literary theory and referring to comparative examples from other literatures, this study places its findings within a wider framework, defining what is meant by innovation in the Arabic novel, and the particular socio-political context in which it appears.

This dazzling anthology features the work of seventy-nine outstanding writers from all over the Arab-speaking world, from Morocco in the west to Iraq in the east, Syria in the north to Sudan in the south. Edited by Denys Johnson-Davies, called by Edward Said “the leading Arabic-to-English translator of our time,” this treasury of Arab voices is diverse in styles and concerns, but united by a common language. It spans the full history of modern Arabic literature, from its roots in western cultural influence at the end of the nineteenth century to the present-day flowering of Naguib Mahfouz’s literary sons and daughters. Among the Egyptian writers who laid the foundation for the Arabic literary renaissance are the great Tawfik al-Hakim; the short story pioneer Mahmoud Teymour; and Yusuf Idris, who embraced Egypt’s vibrant spoken vernacular. An excerpt from the Sudanese writer Tayeb Salih’s novel Season of Migration to the North, one of the Arab world’s finest, appears alongside the Libyan writer Ibrahim al-Koni’s tales of the Tuaregs of North Africa, the Iraqi writer Mohamed Khudayir’s masterly story “Clocks Like Horses,” and the work of such women writers as Lebanon’s Hanan al-Shaykh and Morocco’s Leila Abouzeid.

An introduction to Modern Arabic Literature, from the beginning of the nineteenth century to the present

Was Nirvana's near-fatal accident at sea simply a case of bad timing, or was it attempted suicide? And what was so important about an unread email that made her jump recklessly into the Mediterranean? As Leila tries to make sense of her aunt's fate, Nirvana embarks on a journey through memories and secrets. Leila guiltily questions her own fears and failures, bearing the blame of a family that curses the day she was born. Lying in a coma, Nirvana's story of choices made and roads not taken paint a colorful picture of her struggle against expectations in 1980s Egypt. The two voices are skillfully woven together to create an intricate narrative about breaking free from family tradition and the dreams that come back to haunt us. From the sunny beaches of Alexandria to the Bavarian Alps, author Mai Khaled explores the subtleties of family relationships and individual choices.

This award-winning historical novel deals with the stormy life of the outstanding Arab philosopher Ibn Khaldun, using historical sources, and particularly material from the writer's works, to construct the personal and intellectual universe of a fourteenth-century genius. The dominant concern of the novel the uneasy relationship between intellectuals and political power, between scholars and authority addresses our times through the transparent veil of history. In the first part of the novel, we are introduced to the mind of Ibn Khaldun as he dictates his work to his scribe and interlocutor. The second part delves into the heart of the man and his retrieval of a measure of happiness and affection in a remarriage, after the drowning of his first wife and their children at sea. Finally we see Ibn Khaldun as a man of action, trying to minimize the imminent horrors of invading armies and averting the sack of Damascus by Tamerlane, only to spend his last years lonely and destitute, having been fired from his post as qadi, his wife having gone to Morocco, and his attempts at saving the political situation having come to nil. "The elusive simplicity and fluency of style manage to entertain and instruct at once. We learn as we read about Ibn Khaldun: his insights into history and historiography, his views of the rise and fall of civilizations, the principles of his sociological thinking, along with intimate aspects of his life, including his tragic losses and his attitude toward women. We also learn of his response to the major crisis of his time, the Tatar invasion of the Mashriq. In short, Ibn Khaldun, the distant and formidable figure, is humanized thanks to this novel." Naguib Mahfouz Medal Award Committee