The American War In Contemporary Vietnam

Christina Schwenkel's absorbing study explores how the "American War" is remembered and commemorated in Vietnam today -- in official and unofficial histories and in everyday life. Schwenkel analyzes visual representations found in monuments and martyrs' cemeteries, museums, photography and art exhibits, battlefield tours, and related sites of "trauma tourism." In these transnational spaces, American and Vietnamese memories of the war intersect in ways profoundly shaped by global economic liberalization and the return of American citizens as tourists, pilgrims, and philanthropists.

As suggested by the title, this collection of essays focuses upon American involvement in the Vietnamese War. These essays were originally written for a symposium in 1988 in which (for the first time since 1975) scholars from both the U.S. and Vietnam met to discuss and debate the war and its impact on their respective nations. Thus, these works (by American authors) though alternately probing and guarded, are always thought-provoking. They display the mind at work in its search for answers, explanations, and meaning. Questions of politics and history (diplomacy, the Tet offensive, Chinese involvement, U.S. war veterans) are considered and reconsidered by such authors as Allen Whiting, Jayne Werner, Nyo Vinh Long, and Paul Comacho.

The first major synthesis of the war since 2001, drawing upon a host of newly declassified documents, presidential tapes, and overlooked foreign sources to give the most comprehensive look to date of the war that still haunts America.

The American war in Vietnam was so much more than the sum of its battles. To make sense of it, we must look beyond the conflict itself. We must understand its context and, above all, the formative experiences, worldview, and motivations of those who devised communist strategies and tactics. Vietnam's American War, now in its second edition, remains a story of how and why Hanoi won. However, this revised and expanded edition offers more extensive and nuanced insights into Southern Vietnamese history, politics, and society. It puts to rest the myth of Vietnamese national unity by documenting the myriad, profound local fractures exacerbated by US intervention. It also includes over thirty-five new images intended to highlight that the Vietnam War was, fundamentally, a Vietnamese civil war and tragedy. This new edition is as richly detailed as it is original, eye-opening, and absorbing.

In this anthology, Vietnamese writers describe their experience of what they call the American War and its lasting legacy through the lens of their own vital artistic visions. A North Vietnamese soldier forms a bond with an abandoned puppy. Cousins find their lives upended by the revelation that their fathers fought on opposite sides of the war. Two lonely veterans in Hanoi meet years after the war has ended through a newspaper dating service. A psychic assists the search for the body of a long-vanished soldier. The father of a girl suffering from dioxin poisoning struggles with corrupt local officials. The twenty short stories collected in Other Moons range from the intensely personal to narratives that deal with larger questions of remembrance, trauma, and healing. By a diverse set of authors, including many veterans, they span styles from social realism to tales of the fantastic. Yet whether describing the effects of Agent Orange exposure or telling ghost stories, all speak to the unresolved legacy of a conflict that still haunts Vietnam. Among the most widely anthologized and popular pieces of short fiction about the war in Vietnam, these works appear here for the first time in English. Other Moons offers Anglophone audiences an unparalleled opportunity to experience how the Vietnamese think and write about the conflict that consumed their country from 1954 to 1975—a perspective still largely missing from American narratives.

Publisher's description: "This book presents new perspectives on the Vietnam War, its global repercussions, and the role of this war in modern history. The volume reveals 'America's War' as an international event that reverberated all over the world: in domestic settings of numerous nation-states, combatants and non-combatants alike, as well as in transnational relations and alliance systems. The volume thereby covers a wide geographical range-from Berkeley and Berlin to Cambodia and Canberra. The essays address political, military, and diplomatic issues no less than cultural and intellectual consequences of 'Vietnam'. The authors also set the Vietnam War in comparison to other major conflicts in world history; they cover over three centuries, and develop general insights into the tragedies and trajectories of military conflicts as phenomena of modern societies in general. For the first time, 'America's War' is thus depicted as a truly global event whose origins and characteristics deserve an interdisciplinary treatment."

This controversial and timely book about the American experience in Vietnam provides the first full exploration of the perspectives of the North Vietnamese leadership before, during, and after the war. Herbert Y. Schandler offers unique insights into the mindsets of the North Vietnamese and their response to diplomatic and military actions of the Americans, laying out the full scale of the disastrous U.S. political and military misunderstandings of Vietnamese history and motivations. Including frank quotes from Vietnamese leaders, the book offers important new knowledge that allows us to learn invaluable lessons from the perspective of a victorious enemy. Unlike most military officers who served in Vietnam, Schandler is convinced the war was unwinnable, no matter how long America stayed the course or how many resources were devoted to it. He is remarkably qualified to make these judgments as an infantry commander during the Vietnam War, a Pentagon policymaker, and a scholar who taught at West Point and National Defense University. His extensive personal interviews with North Vietnamese are drawn from his many trips to Hanoi after the war. Schandler provides not only a definitive analysis of the American failure in Vietnam but a crucial foundation for exploring the potential for success in the current guerrilla wars the United States is fighting in Iraq and Afghanistan.

A Companion to the Vietnam War contains twenty-four definitive essays on America's longest and most divisive foreign conflict. It represents the best current scholarship on this controversial and influential episode in modern American history. Highlights issues of nationalism, culture, gender, and race. Covers the breadth of Vietnam War history, including American war policies, the Vietnamese perspective, the antiwar movement, and the American home front. Surveys and evaluates the best scholarship on every important era and topic. Includes a select bibliography to guide further research.

After more than four decades, the Vietnam War continues to haunt our national memory, culture, politics, and military actions. In this probing interdisciplinary study, Susan Lyn Eastman examines a range of cultural production that have tried to grapple with the psychic afterlife of traumatic violence resulting from the ill-fated conflict in Southeast Asia. Underpinning the book is the notion of "prosthetic memory," which involves memories acquired by those with no direct experience of the war, such as readers and filmgoers. Prosthetic memories, Eastman argues, refuse to relegate the war to the forgotten past and challenge the authenticity of experience, thus ensuring its continued relevance to debated over America's self-conception, specifically her coinage of the "New Vietnam Syndrome" and the country's role in world affairs when it comes to contemporary military interventions. With the notable expectation of the Veterans' memorial in Washington, Eastman's focus is on works produced from the Persian Gulf War (1990-91) through the post-9/11 "war on Terror." The experiences of women figure prominently in the book: Eastman devotes a chapter to the Vietnam Women's Memorial and another to Sandie Frazier's novel I Married Vietnam and Olive Stone's film Heaven and Earth. By examining Jessica Hagedorn's Dream Jungle, she considers how the war's repercussions were felt in other countries. Her investigation of Vietnamese American authors Lan Cao Andrew I am, and GB Tran adds a transnational dimension to the study. With its up-to-date perspective on recent works, this book offers new ways of thinking about one of the most polemic chapters in U.S. history. Book jacket.

On May 25, 2012, President Obama announced that the United States would spend the next thirteen years – through November 11, 2025 – commemorating the 50th Anniversary of the Vietnam War, and the American soldiers, “more than 58,000 patriots,” who died in Vietnam. The fact that at least 2.1 million Vietnamese – soldiers, parents, grandparents, children – also died in that war will be largely unknown and entirely uncommemorated. And U.S. history barely stops to record the millions of Vietnamese who lived on after being displaced, tortured, maimed, raped, or born with birth defects, the result of devastating chemicals wreaked on the land by the U.S. military. The reason for this appalling disconnect of consciousness lies in an unremitting public relations campaign waged by top American politicians, military leaders, business people, and scholars who have spent the last sixty years justifying the U.S. presence in Vietnam. It is a campaign of patriotic conceit superbly chronicled by John Marciano in The American War in Vietnam: Crime or Commemoration?. A devastating follow-up to Marciano’s 1979 classic Teaching the Vietnam War (written with William L. Griffen), Marciano’s book seeks not to commemorate the Vietnam War, but to stop the ongoing U.S. war on actual history. Marciano reveals the grandiose flag-waving that stems from the “Noble Cause principle,” the notion that America is “chosen by God” to bring democracy to the world. Marciano writes of the Noble Cause being invoked unsparingly by presidents – from Jimmy Carter, in his observation that, regarding Vietnam, “the destruction was mutual,” to Barack Obama, who continues the flow of romantic media propaganda: “The United States of America … will remain the greatest force for freedom the world has ever known.” The result is critical writing and teaching at its best. This book will find a home in classrooms where teachers seek to do more than repeat the trite glorifications of U.S. empire. It will provide students everywhere with insights that can prepare them to change the world.