The Aids Trilogy

The AIDS Trilogy is a compilation of three plays by Walter de Jesus Fitzwater. The first, Between Me and My Virus, takes place during the late part of 1988. We see the fears and confusion of an individual who discovers that he is infected with the HIV virus. Later, during a support group he identifies with the struggles and confrontations of others who are infected. Finally, we see him take a closer look at himself and his nemesis and how to overcome the uncertainties within him. In the second, The Cure, the year is 2046. A couple of rebel students from the university, Shandra and Antonio have stolen a valuable piece of experimental equipment. With this apparatus, the resuscitator, they bring back to life, Roger who in the year 1994 was a hero. Because the peculiar nature of this man's blood the scientists discovered the cure for AIDS. The students also need this hero's unique bloods idiosyncrasy to help end their dilemma but malevolent forces kidnap Roger and keep them from achieving their goal. He is recaptured by the "good" doctor and there is an opportunity for this resurrected man to help society once again. Later Roger finds refuge with the elders of the town and to his surprise, they supply the answer that allows him to understand why he had to return to live again and embark on a new course in his new life. Finally, in the third play, Embargo, two brothers, Carlos and Lorenzo whose parents were born in Cuba are living in Miami, Florida. Their parents brought them up to grow in a land known as the "land of opportunity." The boys grew up together with every amenity their parents could afford: good schools, football games, even a scholarship to the university, yet today their political opinion is as different as freedom is from oppression. The play takes place after Elian Gonzalez has been sent back to Cuba, Nov. 2000. Carlos believes the embargo should be maintained and enforced and Lorenzo feels it should be lifted and a new relationships between the US and Cuba can be born from this.

In this addition to the New York Times bestselling series, learn how incredible activists made the public aware of AIDS and spurred medical breakthroughs. In the early 1980s, the first cases of a devastating and fatal new disease appeared, a disease that at first struck only gay men and was later identified as HIV/AIDS. It was the beginning of what became a worldwide health crisis that the US government ignored for years and that unfairly heightened prejudice against the LGBTQ+ community. To this day, the AIDS Crisis continues to disproportionately affect both the LGBTQ+ community and people of color. Nico Medina has written an accurate and affecting history of a terrible time, spotlighting the heroic efforts of AIDS activists who fought for medical research and new medicines, for proper health care for patients, and for compassionate recognition of people with AIDS.

Groundbreaking narrative nonfiction for teens that tells the story of the AIDS crisis in America. Thirty-five years ago, it was a modern-day, mysterious plague. Its earliest victims were mostly gay men, some of the most marginalized people in the country; at its peak in America, it killed tens of thousands of people. The losses were staggering, the science frightening, and the government's inaction unforgivable. The AIDS Crisis fundamentally changed the fabric of the United States. Viral presents the history of the AIDS crisis through the lens of the brave victims and activists who demanded action and literally fought for their lives. This compassionate but unflinching text explores everything from the disease's origins and how it spread to the activism it inspired and how the world confronts HIV and AIDS today.

Through Positive Eyes features photographs and stories from ten cities around the world by 130 HIV-positive "artivists," many using cameras for the first time. Originated as part of the global MAKE ART/STOP AIDS initiative, this project paints a vivid picture of the AIDS epidemic--after its initial outbreak, and as treatment becomes more widely available. It testifies to the resilient spirit of those facing the challenges of HIV.

In this first book to bring both establishment and dissenting views of the AIDS crisis into one volume, Gary Null unravels the halftruths that many argue have marred the study of this disease from the start. In clear, jargon-free prose, the book offers an unbiased, unflinching discussion of all sides of each issue. AIDS: A Second Opinion argues that the AIDS drama has exposed problematic issues having to do with the functioning of U.S. medical institutions. Null explores a new type of health care, grounded in patients' own choices and dispositions, that poses a challenge to the top-down, expert-controlled medical systems favored by the establishment. Drawing from Null's many years of study of alternative, traditional, and orthodox medicine as well as from interviews with many long-term survivors, the book dissects the claims of the AZT and drug-cocktail approach to treating AIDS and offers a trilogy of treatment strategies based on wide views of how to enhance the immune system and improve overall functioning.

NEW YORK TIMES bestseller • 2005: Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California. The millennium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pickpocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich—or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart of DatAmerica, where pure information is the greatest high. And a mind can be a terrible thing to crash. . . . Praise for Virtual Light “Both exhilarating and terrifying . . . Although considered the master of 'cyberpunk' science fiction, William Gibson is also one fine suspense writer.”—People “A stunner . . . A terrifically stylish burst of kick-butt imagination.”—Entertainment Weekly “Convincing . . . frightening . . . Virtual Light is written with a sense of craft, a sense of humor and a sense of the ultimate seriousness of the problems it explores.”—Chicago Tribune “In the emerging pop culture of the information age, Gibson is the brightest star.”—The San Diego Union-Tribune

... a book of three novels and one translation. In their original form the novels were sent through the mail as a postcard series ...

The Face of AIDS film archive at Karolinska Institutet, Sweden, consists of more than 700 hours of unedited and edited footage, shot over a period of more than thirty years and all over the world by filmmaker and journalist Staffan Hildebrand. The material documents the HIV/AIDS pandemic and includes scenes from conferences and rallies, and interviews with activists, physicians, people with the infection, and researchers. It represents a global historical development from the early years of the AIDS crisis to a situation in which it is possible to live a normal life with the HIV virus. This volume brings together a range of academic perspectives – from media and film studies, medical history, gender studies, history, and cultural studies – to bear on the archive, shedding light on memories, discourses, trauma, and activism. Using a medical humanities framework, the editors explore the influence of historical representations of HIV/AIDS and stigma in a world where antiretroviral treatment has fundamentally altered the conditions under which many people diagnosed with HIV live. Organized into four sections, this book begins by introducing the archive and its role, setting it in a global context. The first part looks at methodological, legal and ethical issues around archiving memories of the present which are then used to construct histories of the past; something that can be particularly controversial when dealing with a socially stigmatized epidemic such as HIV/AIDS. The second section is devoted to analyses of particular films from the archive, looking at the portrayal of people living with HIV/AIDS, the narrative of HIV as a chronic illness and the contemporary context of particular films. The third section looks at how stigma and trauma are negotiated in the material in the Face of AIDS film archive, discussing ideas about suffering and culpability. The final section contributes perspectives on and by the filmmaker as activist and auteur. This interdisciplinary collection is placed at the intersection of medical humanities, sexuality studies and film and media studies, continuing a tradition of studies on the cultural and social understandings of HIV/AIDS.