The Afterimage And The Afterlife

The mass media make it possible for fame to be enhanced and transformed posthumously. What does it mean to fans when a celebrity dies, and how can death change the way that celebrities are perceived and celebrated? How do we mourn and remember? What can different forms of communication reveal about the role of media in our lives? Through a provocative look at the lives and legacy of popular musicians from Elvis to Tupac and from Louis Prima to John Lennon, Afterlife as Afterimage analyzes the process of posthumous fame to give us new insights into the consequences of mediation, and it illuminates the complex nature of fandom, community formation, and identity construction.

Ivan Albright's (1897-1983) rejection of the idealized figure and exposure of the frailty of the human form pushed his work to the edge of contemporaneous practices of art in North America and into the realm of medical illustration, disturbing both the critics and the public. Albright's representation of the metaphysical through the flesh on the canvas was definitively derived from his experience as a medical draftsman in World War I. His use of the skin of his subjects to speak to the trauma and the inevitable death of the human body can be seen throughout his oeuvre, beginning with his drawings in his medical sketchbooks completed during the war. To assist in his metaphysical and spiritual goals for the viewer of his works, Albright developed a painting tool, his color wands. Either through motion or prolonged staring, he hoped the afterimage colors on the canvas would activate the viewer's "subconscious." Spurred on by the growing public awareness of the changing scientific vision at the turn of the century, Albright equipped himself with the ability to reveal larger truths about our world, and worked to uncover the mystery that is color.

The Gallup Poll reports that 1 in 25 people has had a near-death experience. Their heart stopped beating, their brain waves ceased, yet they claim they were more alive than ever. With improved medical resuscitation, more and more verifiable evidence indicates that life doesn't end with our last breath--it's just beginning. Drawing out the similarities found by studying over 1,000 accounts of near-death experiences around the globe, John Burke unfolds a compelling and comforting vision of a world where - we are free from pain - we feel fully known and accepted - we are greeted by loved ones - we encounter indescribable beauty - we discover a God of unconditional love If you've lost a loved one, if you've received a frightening diagnosis, or if you're just curious about what happens after death, this concise look at the life to come will bring you hope and reassurance. Content derived from the New York Times bestseller Imagine Heaven.

A magisterial work of social history, Life After Death illuminates the many different ways ancient civilizations grappled with the question of what exactly happens to us after we die. In a masterful exploration of how Western civilizations have defined the afterlife, Alan F. Segal weaves together biblical and literary scholarship, sociology, history, and philosophy. A renowned scholar, Segal examines the maps of the afterlife found in Western religious texts and reveals not only what various cultures believed but how their notions reflected their societies’ realities and ideals, and why those beliefs changed over time. He maintains that the afterlife is the mirror in which a society arranges its concept of the self. The composition process for Judaism, Christianity, and Islam begins in grief and ends in the victory of the self over death. Arguing that in every religious tradition the afterlife represents the ultimate reward for the good, Segal combines historical and anthropological data with insights gleaned from religious and philosophical writings to explain the following mysteries: why the Egyptians insisted on an afterlife in heaven, while the body was embalmed in a tomb on earth; why the Babylonians viewed the dead as living in underground prisons; why the Hebrews remained silent about life after death during the period of the First Temple, yet embraced it in the Second Temple period (534 B.C.E. –70 C.E.); and why Christianity placed the afterlife in the center of its belief system. He discusses the inner dialogues and arguments within Judaism and Christianity, showing the underlying dynamic behind them, as well as the ideas that mark the differences between the two religions. In a thoughtful examination of the influence of biblical views of heaven and martyrdom on Islamic beliefs, he offers a fascinating perspective on the current troubling rise of Islamic fundamentalism. In tracing the organic, historical relationships between sacred texts and communities of belief and comparing the visions of life after death that have emerged throughout history, Segal sheds a bright, revealing light on the intimate connections between notions of the afterlife, the societies that produced them, and the individual’s search for the ultimate meaning of life on earth.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

A reflection on Federico García Lorca’s life, his haunting death, and the fame that reinvigorated the marvelous in the modern world “A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca’s execution and his unknown resting place, there is not a single book on Lorca like this one.”—Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898–1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously re-imagined since his death. Lorca’s execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet’s afterlives. He is intimately tied to both an individual and a collective identity, as the people’s poet, a gay icon, and fabled member of a dead poets’ society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet’s biography.

Two seasoned experts with decades of experience working with channeled material describe the various stages of life after death Just as life itself has different stages of growth and development, so does the afterlife. In this useful handbook, authors Pamela Rae and Jon Klimo demonstrate how dying and rebirth are, much like life, continuous processes. Beginning with the moment of death itself, progressing through different transitional stages, and ending with the return of spirits to the physical plane, they define the purposes and pitfalls of each stage. They look at the kinds of adjustment problems that occur in each phase, and how spirits can be helped to move forward. Questions of pain and emotional state at the time of death, karma, and reincarnation are sensitively addressed. The book includes practical techniques for opening communication with those who have passed on to the other side. While of interest to anyone seeking a general overview of the subject, Handbook to the Afterlife is particularly useful for those dealing with spirits who have not moved on, such as ghosts.

The Dictionary of Hallucinations, second edition, is an alphabetical listing of issues pertaining to hallucinations and other misperceptions. They can be roughly divided into four categories: 1. Definitions of individual hallucinatory symptoms 2. Medical conditions and substances associated with the mediation of hallucinations 3. Historical figures who are known to have experienced hallucinations 4. Miscellaneous issues Each of the definitions of individual hallucinatory symptoms includes: a definition of the term its etymological origin the year of introduction (if known) a reference to the author or authors who introduced the term (if known) a description of the current use a brief explanation of the etiology and pathophysiology of the symptom at hand (if known) references to related terms references to the literature The second edition of A Dictionary of Hallucinations serves as a reference manual for neuroscientists, psychiatrists, psychiatric residents, psychologists, neurologists, historians of psychiatry, general practitioners, and academics dealing professionally with concepts of hallucinations and other sensory deceptions. This new edition provides updated information and references, and includes newly discovered hallucinations, bringing together contributions by other authorities within the field, with all the entries edited by Prof. Blom.

A fascinating exploration of ideas of life after death ranging from ancient times to the present and from religion and philosophy to literature and science.

Is death the end? Or, to put it another way, do we survive bodily death? Some shrug their shoulders and declare we simply can't know. Others just say no. And a few, flying their philosophical colors, pretentiously profess to not even understand the question. Curiously, the overwhelming majority of human beings throughout the course of history have taken it for granted that death is not the end, that there is a life after death. This striking and seemingly instinctive belief has been embodied in the religious traditions and philosophical reflections of most cultures. There Is Life After Death is the first of its kind in that it assembles and analyzes a comprehensive range of data on life after death and then provides the framework needed to understand the data. No previous book has presented such concrete evidenceevidence based on the accounts of eyewitnesses as well as on data derived from diverse sources through out the world and historysupporting the exi