The 1950s

Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This exhibition surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages and met Ada del Moro, his wife and muse. The author's contextualise Katz's painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be astonished by the radicalism of his early work, and those being introduced to the artist will be struck by its freshness and relevance. Published in association with the Colby Museum of Art, Waterville, ME. AUTHOR: Diana Tuite is the Katz Curator at the Colby Museum of Art, Waterville, ME. 150 colour illustrations

America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we looked--mattered, a decade of design that comes to vibrant life in As Seen on TV. From the painting-by-numbers fad to the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze newly trained by TV. A study in style, in material culture, in art history at eye level, this book shows us as never before those artful everyday objects that stood for American life in the 1950s, as seen on TV.

This book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events - from Invisible Man to West Side Story, from Disneyland to the Seattle World's Fair, from Rear Window to The Americans - the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of 'the 1950s'. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments.

This re-assessment of 1950s American horror films relates them to the cultural debates of the period and to other examples of the horror genre: novels and comics.

Outlines the important social, political, economic, cultural, and technological events that happened in the United States from 1950 to 1959.

This volume serves as an invaluable guide to key political, social, and cultural concepts of the 1950s. This volume covers the entire decade of the 1950s, from the uneasy peace following World War II to the beginnings of cultural discontent that would explode in the 1960s. It highlights key historical, social, and cultural elements of the period, including the Cold War and perceived communist threat; the birth of the middle class and establishment of consumer culture; the emergence of the civil rights movement; and the normalization of youth rebellion and rock and roll. An introduction presents the historical themes of the period, and an alphabetical encyclopedic entries relating to period-specific themes comprises the core reference material in the book. The book also contains a range of primary documents with introductions and a sample Documents Based Essay Question. Other features are a list of "Top Tips" for answering Documents Based Essay Questions, a thematically tagged chronology, and a list of specific learning objectives readers can use to gauge their working knowledge and understanding of the period.

Francis Bacon was one of the most powerful and enigmatic creative geniuses of the twentieth century. Immediately recognizable, his paintings continue to challenge interpretations and provoke controversy. Bacon was also an extraordinary personality. Generous but cruel, forthright yet manipulative, ebullient but in despair: He was the sum of his contradictions. This life, lived at extremes, was filled with achievement and triumph, misfortune and personal tragedy. In his revised and updated edition of an already brilliant biography, Michael Peppiatt has drawn on fresh material that has become available in the sixteen years since the artist’s death. Most important, he includes confidential material given to him by Bacon but omitted from the first edition. Francis Bacon derives from the hundreds of occasions Bacon and Peppiatt sat conversing, often late into the night, over many years, and particularly when Bacon was working in Paris. We are also given insight into Bacon’s intimate relationships, his artistic convictions and views on life, as well as his often acerbic comments on his contemporaries.

Wedged between two dramatically different extended families, she tries to make sense of the social signifiers that crosscut even this tiny village in New Castle County - differences between blacks and whites, men and women, Presbyterians and Methodists, migrants from Appalachia and migrants from New England, and members of the business class and working class.".

Moment of Grace tells the story of the American city in its remarkable heyday. Never before or after the 1950s were downtowns so exciting, neighborhoods so settled, or suburban dwellers so optimistic. Urban culture was at its peak: it was vital, urbane, conformist, and generating rebellion all at once. Capturing the mood of the '50s in superb historical photographs and mining delightfully varied sources—including urban critics, interviews with city residents, novels, songs, magazines, and newspapers—Moment of Grace brings alive the downtowns, the neighborhoods, and the suburbs of the era. A rich historical reflection on a singular decade, the book also portrays the '50s as a critical turning point in American culture and economy. Michael Johns shows us exactly why city life never could or would be the same again. Giving a vivid sense of the lived experience of the day, Johns explores the '50s in cities such as New York, San Francisco, Philadelphia, Chicago, and Oakland, writing about fashion (which demanded the highest heels and pointiest breasts in history), nightlife, architecture, literature, business and economic trends, and teenage culture. He tells us what was for sale in the stores, who lived in the neighborhoods, what life was like for women in the brand-new suburbs, and much more. And he confronts difficult issues head-on. What did the loss of city jobs and the simultaneous success of the civil rights movement mean for black neighborhoods? What were the profound consequences of the rise of the suburbs for family life? In contrast to the vibrant cities of the '50s, the streets of today's downtowns are often empty if not suffused with melancholy. Johns uncovers the seeds of the transformation from the '50s to today, and at the same time, he paints a memorable picture of the American past.

Modern living began with the homes of the 1950s. Casting aside the privations of the Second World War, American architects embraced the must-have mod-cons: they wrapped fitted kitchens around fridges, washing machines, dishwashers and electric ovens, gave televisions pride of place in the living room, and built integrated garages for enormous space-age cars. So why was this change so radical? In what ways did life change for people moving into these swanky new homes, and why has the legacy of the 1950s home endured for so long? Diane Boucher answers these questions and more in this colorful introduction to the homes that embody the golden age of modern design.