That Lonely Section Of Hell

Former police detective Lorimer Shenher's “inside account of the Pickton serial murders is both a horrifying and compelling read. "—Peter Vronsky, author of Serial Killers: The Method and Madness of Monsters In this searing personal account, ex-police detective Lori Shenher (who transitioned to in 2015, and is now known as Lorimer) describes his role in Vancouver's infamous Missing Women Investigation and unflinchingly reveals his years-long struggle with Post-Traumatic Stress Disorder as a result of working on the case. From his first assignment, in 1998, to investigate an increase in the number of missing women to the harrowing 2002 interrogation of convicted serial killer Robert Pickton, Shenher tells a story of massive police failure—failure of the police to use the information about Pickton available to them, failure to understand the dark world of drug addiction and sex work, and failure to save more women from their killer. That Lonely Section of Hell passionately pursues the deeper truths behind the causes of this tragedy and the myriad ways the system failed to protect vulnerable people.

From her first assignment in 1998 to explore an increase in the number of missing women to the harrowing 2002 interrogation of convicted serial killer Robert Pickton, Lori Shenher tells a story of massive police failure--failure of the police to use the information about Pickton available to them, failure to understand the dark world of drug addiction and sex work, and failure to save more women from their killer. Shenher explains how police unwillingness to believe the women were missing or murdered, jurisdictional squabbles, and a fear of tunnel vision conspired to leave women unprotected and vulnerable to a serial killer nearly three years after she first received a tip that Pickton could be responsible. She unflinchingly reveals her own pain and psychological distress as a result of these events, which left her unable to work with or trust the police and the criminal justice system. That Lonely Section of Hell reveals the deeper truths behind the causes of this tragedy and the myriad ways the system--and society--failed to protect vulnerable people.

Inspiring and honest, this unique memoir of gender transition and coming-of-age proves it’s never too late to find your true identity. Since he was a small child, Lorimer Shenher knew something for certain: he was a boy. The problem was, he was growing up in a girl’s body. In this candid and thoughtful memoir, Shenher shares the story of his gender journey, from childhood gender dysphoria to teenage sexual experimentation to early-adult denial of his identity—and finally the acceptance that he is trans, culminating in gender reassignment surgery in his fifties. Along the way, he details his childhood in booming Calgary, his struggles with alcohol, and his eventual move to Vancouver, where he became the first detective assigned to the case of serial killer Robert Pickton (the subject of his critically acclaimed book That Lonely Section of Hell). With warmth and openness, This One Looks Like A Boy takes us through one of the most important decisions Shenher will ever make, as he comes into his own and finally discovers acceptance and relief.

A damned man struggles to find meaning in a library, the dimensions of which are measured in light years.

In 2014, the nation was rocked by the brutal violence against young Aboriginal women Loretta Saunders, Tina Fontaine and Rinelle Harper. But tragically, they were not the only Aboriginal women to suffer that year. In fact, an official report revealed that since 1980, 1,200 Canadian Aboriginal women have been murdered or have gone missing. This alarming official figure reveals a national tragedy and the systemic failure of law enforcement and of all levels of government to address the issue. Journalist Emmanuelle Walter spent two years investigating this crisis and has crafted a moving representative account of the disappearance of two young women, Maisy Odjick and Shannon Alexander, teenagers from western Quebec, who have been missing since September 2008. Via personal testimonies, interviews, press clippings and official documents, Walter pieces together the disappearance and loss of these two young lives, revealing these young women to us through the voices of family members and witnesses. Stolen Sisters is a moving and deeply shocking work of investigative journalism that makes the claim that not only is Canada failing its First Nations communities, but that a feminicide is taking place.

“A funny and exceptionally well-wrought romance that starts in disaster, ends in tragedy, and never loses sight of the manic and surreal in life” (Kirkus Reviews). Struggling writer Daniel Linnell is a charming, though hapless, young Londoner until he meets Laura, an unsettlingly feisty American who likes to go skydiving on weekends. In no time at all, Daniel finds himself falling for her. At the same time, he finds a new job as an obituarist, where his editor, Whittington, initiates him into the pecking order of journalists; the annual ritual of the drunken Obituaries Outing; and the secret cache of unexpurgated obits of the less-than-angelic, obits that will never see print—which Whittington keeps in a hollowed-out book in his office. With his editor’s encouragement, Daniel begins to write a Who’s Who in Hell—a mammoth compendium of the evil and damned. Begun for his own amusement, the book takes on a momentum of its own and garners him a publisher’s advance. Meanwhile things with Laura are going so well that he’s accompanying her to Kansas to meet her parents. His life is going swimmingly . . . until it takes a dive. “Thoroughly engaging, delightful and very funny . . . A coming-of-age story set in a post-Thatcherite world.” —The New York Times Book Review

Includes material on Luke Short, Bat Masterson, Wyatt Earp, Doc Holliday, Sam Bass, and Butch Cassiday.

”I Am Nobody is an honest, tragic account of child sexual abuse and a powerful resource for individuals struggling with recovery. Gilhooly clearly highlights the shortcomings of the Canadian justice system’s approach; hopefully, one day, the punishment will fit the crime." —Sheldon Kennedy, former NHL player and author of Why I Didn't Say Anything In this raw, unflinching look at how his dream of playing hockey was stolen from him by charismatic hockey coach and sexual predator Graham James, Greg Gilhooly describes in anguishing detail the mental torment he suffered both during and long after the abuse and the terrible reality behind the sanitized term “sexual assault.” Although James has been convicted of sexually assaulting some of his victims, including Sheldon Kennedy and Theo Fleury, he neither confessed in court nor was convicted of sexually assaulting many of his other victims, including Gilhooly, depriving him of the judicial closure he craved. Gilhooly also provides a valuable legal perspective—as both a victim and a lawyer—missing from other such memoirs, and he delivers a powerful indictment of a legal system that, he argues, does not adequately deal with serial sexual child abuse or allocate enough resources to the rehabilitation of the victim. Most important, Gilhooly offers hope, affirmation, and inspiration for those who have suffered abuse and for their loved ones.

A finalist for the PEN Center USA Award for Nonfiction Welcome to Paradise, Now Go to Hell, is surfer and former war reporter Chas Smith’s wild and unflinching look at the high-stakes world of surfing on Oahu’s North Shore—a riveting, often humorous, account of beauty, greed, danger, and crime. For two months every winter, when Pacific storms make landfall, swarms of mainlanders, Brazilians, Australians, and Europeans flock to Oahu’s paradisiacal North Shore in pursuit of some of the greatest waves on earth for surfing’s Triple Crown competition. Chas Smith reveals how this influx transforms a sleepy, laid-back strip of coast into a lawless, violent, drug-addled, and adrenaline-soaked mecca. Smith captures this exciting and dangerous place where locals, outsiders, the surf industry, and criminal elements clash in a fascinating look at class, race, power, money, and crime, set within one of the most beautiful places on earth. The result is a breathtaking blend of crime and adventure that captures the allure and wickedness of this idyllic golden world.

“A satire of writerly ambition wrapped in a psychological thriller . . . An homage to Patricia Highsmith, Oscar Wilde and Edgar Allan Poe, but its execution is entirely Boyne’s own.”—Ron Charles, The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND MINNEAPOLIS STAR TRIBUNE Maurice Swift is handsome, charming, and hungry for fame. The one thing he doesn’t have is talent—but he’s not about to let a detail like that stand in his way. After all, a would-be writer can find stories anywhere. They don’t need to be his own. Working as a waiter in a West Berlin hotel in 1988, Maurice engineers the perfect opportunity: a chance encounter with celebrated novelist Erich Ackermann. He quickly ingratiates himself with the powerful – but desperately lonely – older man, teasing out of Erich a terrible, long-held secret about his activities during the war. Perfect material for Maurice’s first novel. Once Maurice has had a taste of literary fame, he knows he can stop at nothing in pursuit of that high. Moving from the Amalfi Coast, where he matches wits with Gore Vidal, to Manhattan and London, Maurice hones his talent for deceit and manipulation, preying on the talented and vulnerable in his cold-blooded climb to the top. But the higher he climbs, the further he has to fall. . . . Sweeping across the late twentieth century, A Ladder to the Sky is a fascinating portrait of a relentlessly immoral man, a tour de force of storytelling, and the next great novel from an acclaimed literary virtuoso. Praise for A Ladder to the Sky “Boyne's mastery of perspective, last seen in The Heart's Invisible Furies, works beautifully here. . . . Boyne understands that it's far more interesting and satisfying for a reader to see that narcissist in action than to be told a catchall phrase. Each step Maurice Swift takes skyward reveals a new layer of calumny he's willing to engage in, and the desperation behind it . . . so dark it seems almost impossible to enjoy reading A Ladder to the Sky as much as you definitely will enjoy reading it.”—NPR “Delicious . . . spins out over several decades with thrilling unpredictability, following Maurice as he masters the art of co-opting the stories of others in increasingly dubious ways. And while the book reads as a thriller with a body count that would make Highsmith proud, it is also an exploration of morality and art: Where is the line between inspiration and thievery? To whom does a story belong?”—Vanity Fair