Terrors Of The Table

Terrors of the Table is an absorbing account of the struggle to find the necessary ingredients of a healthy diet, and the fads and quackery that have always waylaid the unwary and the foolish when it comes to the matter of food and health. Walter Gratzer tells the tale of nutrition's heroes, heroines and charlatans with characteristic crispness and verve. We find an array of colourful personalities, from the distinguished but quarrelsome Liebig, to the enterprising Lydia Pinkham. But we also find the slow recognition that the lack of vital ingredients can cause terrible illnesses - scurvy, rickets, beriberi. These diseases stalked the poor in the West even into the 20th century, and scandalously remain in poorer parts of the world today. The narrative stretches from classical times to the modern day and gives a valuable historical perspective to our current understanding. It also highlights some of the problems faced by the developed world regarding health today - in particular diabetes and obesity. And despite our far greater understanding of what our body needs, there are still many who would fall for fads and fancy diets - some dangerous, others just daft. Of course, the story of nutrition does not end there. We have discovered the key vitamins and minerals our body needs, but research continues on the connections between diet, health and disease. The body's biochemistry is complex, and there are no easy answers, no magic formula, that applies to all individuals. The safest and most rational course would seem to be a sensible, moderate, and varied diet, not forgetting that 'a little of what you fancy does you good'.

The horror and psychological denial of our mortality, along with the corruptibility of our flesh, are persistent themes in drama. Body horror films have intensified these themes in increasingly graphic terms. The aesthetic of body horror has its origins in the ideas of the Marquis de Sade and the existential philosophies of Arthur Schopenhauer and Friedrich Nietzsche, all of whom demonstrated that we have just cause to be anxious about our physical reality and its existence in the world. This book examines the relationship between these writers and the various manifestations of body horror in film. The most characteristic examples of this genre are those directed by David Cronenberg, but body horror as a whole includes many variations on the theme by other figures, whose work is charted here through eight categories: copulation, generation, digestion, mutilation, infection, mutation, disintegration and extinction.

Abject Terrors is an expansive study of the most significant films from the prolific horror genre - from its origins in the 1920s and 1930s, to its contemporary representations. This survey brings together close analyses of individual motion pictures, demonstrating the interconnections among these filmic texts and their contribution to defining quintessential aspects of the modern and postmodern horror film.

American eating changed dramatically in the early twentieth century. As food production became more industrialized, nutritionists, home economists, and so-called racial scientists were all pointing Americans toward a newly scientific approach to diet. Food faddists were rewriting the most basic rules surrounding eating, while reformers were working to reshape the diets of immigrants and the poor. And by the time of World War I, the country's first international aid program was bringing moral advice about food conservation into kitchens around the country. In Modern Food, Moral Food, Helen Zoe Veit argues that the twentieth-century food revolution was fueled by a powerful conviction that Americans had a moral obligation to use self-discipline and reason, rather than taste and tradition, in choosing what to eat. Veit weaves together cultural history and the history of science to bring readers into the strange and complex world of the American Progressive Era. The era's emphasis on science and self-control left a profound mark on American eating, one that remains today in everything from the ubiquity of science-based dietary advice to the tenacious idealization of thinness.

Cocteau's novel Les Enfants Terribles, which was first published in 1929, holds an undisputed place among the classics of modern fiction. Written in a French style that long defied successful translation—Cocteau was always a poet no matter what we was writing—the book came into its own for English-language readers in 1955 when this translation was completed by Rosamund Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Lehrmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter because for Paul and Elisabeth a drug too magical to resist. The crime which finally destroys them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

This early adventure novel, originally published in 1910, concerns the dangers of radioactivity.

Since the 1950s, children have provided some of horror's most effective and enduring villains, from dainty psychopath Rhoda Penmark of The Bad Seed (1956) and spectacularly possessed Regan MacNeil of The Exorcist (1973) to psychic ghost-girl Samara of The Ring (2002) and adopted terror Esther of Orphan (2009). Using a variety of critical approaches, including those of cinema studies, cultural studies, gender studies, and psychoanalysis, Bad Seeds and Holy Terrors offers the first full-length study of these child monsters. In doing so, the book highlights horror as a topic of analysis that is especially pertinent socially and politically, exposing the genre as a site of deep ambivalence toward—and even hatred of—children.

Something deadly hides in the dark of night… A health-conscious tenant must battle his apartment’s demonic refrigerator. The shadow of death clings to a woman, as she strives to find a way to escape her fate. And a mysterious runaway wreaks havoc at a secluded motel, when the guests discover the deadly secret that follows in her wake… A new night of terror begins with Scare Street’s latest bone-chilling collection. This pulse-pounding volume contains thirteen new supernatural tales of terror. And each story brings you deeper into the dark realm of nightmares. As the inky black shadows close in, you realize you are not alone. Something stalks you through this strange netherworld. You hear snarls in the distance. The howling grows louder and louder. Death itself has been unleashed from this book of darkness. And it’s too late to return to the light… This volume features the following stories: 1. Leftovers by Warren Benedetto 2. The Refrigerator by Peter Cronsberry 3. Shadow by Jason E. Maddux 4. Painless by Dominick Cancilla 5. Issue 32 by Daniel Comnenus 6. My Daughter's Ghosts by Bradley Walker 7. Waters Take Me by Jim Horlock 8. Walled In by Carl Hughes 9. Collection Day by John Wayne Comunale 10. Sleep Paralysis by Shannon Brady 11. The Road to Hell by Brian Sperl 12. Mother Love by Jon McGoran 13. Beyond the Wall by Ron Ripley

The dark side is waiting… Fish N’ Chips lead a curious traveler to a sinister island, where the residents are more than they seem. Forbidden occult knowledge strands a pair of friends in a terrifying nexus of evil. And an ancient ice storm forces a wandering tribe to choose between following a bloodthirsty shaman, or the glowing lights in the sky… Venture into new realms of terror with Scare Street’s latest bone-chilling collection. This spine-tingling volume contains fifteen ghastly tales of horror and the paranormal. More than enough to while away the hours, as you lose yourself in the shadows of the night. The deeper you plunge into this realm of terror, the farther away the real world seems. But don’t worry… just turn the page and stay a bit longer. We’re sure you’ll be able to find your way back. Just listen for the screams in the darkness. And pray they aren’t your own… This volume contains the following: 1. The Fish'r Men by David Turton 2. The Faces at the Window by Bob Johnston 3. From the Ashes by Bryan Wolford 4. The Neighbors by Peter Cronsberry 5. The Ferryman by Nicholas Paschall 6. Slug by Matias Travieso-Diaz 7. Folsom Lake by Karl Melton 8. Obsidian by Richard Beauchamp 9. Edward's Couch by Robert Douglas 10. What Lovely Petunias by Mark Towse 11. The Delirium of Negation by Justin Boote 12. I Just Write the Damned Thing by Samuel Thomas Fraser 13. A Clearing by Sam Lesek 14. Northern Lights by Drew Starling 15. Wind Chimes by Ron Ripley