Temple And Tomb

From book cover: Tombs Temples And Ancient Art: When Joseph Lindon Smith went out to Egypt as a young artist in 1898, archaeology was beginning to uncover some of the fabled treasures of an ancient land. For the next half-century, he devoted himself to the great "finds" as they were excavated from the encroaching sands, depicting them in countless paintings for the leading museums of the world. He became the friend of Flinder Petrie, the greatest of late nineteenth and early twentieth century Egyptologists, and the co-worker of the best-known archaeologists down to 1950; he explored and painted at Petra, Persepolis, Ur Palmyra, and Baalbek; he also did work with Sylvanus Griswold Morley in the ancient Maya centers of America, and painted in the Far East. His personal account of what transpired under his eyes and of the chronology and relations of ancient art over a wide area is at once exciting narrative and important history. The many illustrations chosen from his painting provide visual accompaniment to his story of classical civilizations and reveal the literal quality of his own art, which has in notable instances preserved for us the likeness of things that have since crumbled or faded on exposure to light and air after being buried for centuries. Tombs, Temples, And Ancient Art gains strength for its informality, for while the initiated will discover facts and interpretations of high importance to science, all readers will recognize in it the work of a man alive to adventure.

A former member of the People's Temple discusses his conversion to, involvement in, disillusionment with, and investigation of the cult of Jim Jones in which his mother and sister both met their deaths

"After reviewing the topography of the site, the Strudwicks recount the history of Thebes from the city's rise in the late Old Kingdom to the peak of its power in the New Kingdom and to its gradual decline in the Graeco-Roman period.

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This volume publishes papers on the Egyptian temple given at the 1994 colloquium of the Department of Egyptian Antiquities, British Museum, along with other invited contributions.

The Mortuary Temple of Rameses III seeks to generally survey this magnificent architectural construction from the 20th Dynasty, generally considered the last major building project of the New Kingdom that has withstood the test of time and man, and today able to exhibit the great potential of historical and architectural wonder the structure represents. The Table of Contents reads: An Introduction; Poem to the Temple of Medinet Habu; The Tomb of Rameses III; Places of the name of Rameses III; Medinet Habu: A History; The Temple of Medinet Habu: Another Look, with Conclusions and References, that seeks to attempt a number of things with this important "Mansion of Millions of Years." Beyond introducing the temple to visitors, students and even specialists, a Poem praises the temple for its magnificence and defying time. In addition, because of the significance of the tomb of Rameses III, a graphic description, written when the temple was first cleared in the late 1888s, is reproduced because it highlights all the salient features that then survived the ravages of time and man. More particularly, and just as the both tomb and temple have undergone changes, features observed over a century ago and may have disappeared with the influx of throngs of people who go there these days. Much more important, however, this work seeks to identify (some of the) places where the name of Rameses III has been preserved , whether in his temple and tomb, on civic structures, in museums and private collections, wherever, to reflect on how significant a ruler this, the last of the emperors of Egypt really was. Even more, the book seeks to put the temple in a historical context that also praises the excavators who rescued this magnificent piece of divinely inspired architecture, from a time when ancient man believed in the attributes and actions of a divine being, whom they made every effort to please because their destiny in the afterlife depended on how well, while on earth, they treated their fellow man and the gods, and how they stood before their god. Photographs, many in color, and Illustration provide the graphic view of important features of the temple that would familiarize the visitor and help in facilitating the functions of a Guide Book.