Tell Me How It Ends

"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore "Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books

After a series of disastrous missteps in its conduct of the war, the White House in 2006 appointed General David Petraeus as the Commanding General of the coalition forces. Tell Me How This Ends is an inside account of his attempt to turn around a failing war. Linda Robinson conducted extensive interviews with Petraeus and his subordinate commanders and spent weeks with key U.S. and Iraqi divisions. The result is the only book that ties together military operations in Iraq and the internecine political drama that is at the heart of the civil war. Replete with dramatic battles, behind-doors confrontations, and astute analysis, the book tells the full story of the Iraq War's endgame, and lays out the options that will be facing the next president when he or she takes office in January 2009.

Why is tonight different from all other nights? Tonight we kill dad. In 2022, American Jews face an increasingly unsafe and anti-Semitic landscape at home. Against this backdrop, the Jacobson family gathers for Passover in Los Angeles. But their immediate problems are more personal than political, with the three adult children, Mo, Edith, and Jacob, in various states of crisis, the result, each claims, of a lifetime of mistreatment by their father, Julian. The siblings have begun to suspect that Julian is hastening their mother Roz's demise, and years of resentment boil over as they debate whether to go through with the real reason for their reunion: an ill-considered plot to end their father’s iron rule for good. That is, if they can put their bickering, grudges, festering relationships, and distrust of one another aside long enough to act. And God help them if their mother finds out . . . Tell Me How This Ends Well presents a blistering and prescient vision of the near future, turning the exploits of one very funny, very troubled family into a rare and compelling exploration of the state of America, and what it could become.

'A spellbinding read ... the glamour of early Sixties showbiz' LOUISE CANDLISH 'Mesmerising and powerful ... an extraordinary sense of time and place' ELLY GRIFFITHS 'A stylish and page-turning mystery' RACHEL HORE 'Gripping ... her portrait of Sixties London is terrific' ELIZABETH BUCHAN LONGLISTED FOR THE HWA GOLD CROWN AWARD 2021 Set in Sixties London, a gripping drama of past secrets revealed, of manipulation and revenge for fans of Daphne du Maurier and noir movies like All About Eve and A Star is Born Delia Maxwell is an international singing sensation, an icon of 1950s glamour who is still riding high on the new 60s scene. Adored by millions, all men want to be with her, all women want to be her. But one woman wants it maybe a little too much... Lily Brooks has watched Delia all her life, studying her music and her on-stage mannerisms. Now she has a dream job as Delia's assistant - but is there more to her attachment than the admiration of a fan? Private investigator Frank is beginning to wonder. As Lily steps into Delia's spotlight, and Delia encourages her ambitious protegée, Frank's suspicions of Lily's ulterior motives increase. But are his own feelings for Delia clouding his judgement? The truth is something far darker: the shocking result of years of pain and rage, rooted in Europe's darkest hour. If Delia thought she had put her past behind her, she had better start watching her back.

There is no ideal way to find out your father is dead. For Hallie Townsend, a thirty-second news bulletin would be at the bottom of the list. But what can you do when your dad is Ellery Yates, the world's biggest fantasy writer? A fantasy writer with a best-selling series that is currently unfinished. Now, in her position as literary executor, Hallie discovers that Ellery's world isn't all perfect prose and epic battle sequences. With the pressure of appointing another author to finish the series and the expectations of a dedicated fandom, Hallie's life has been turned on its head. The obvious choice is the illustrious Mason Parrish, a fan favourite with impressive credentials, but when Fletcher Larson, Ellery's tenacious and handsome young protégé gets involved, Hallie has a more difficult decision to make. Can she finish her father's story, or will the ending die with him?

Sunday Times Crime Book of the Month The Times Crime Book of the Month Mail on Sunday Thriller of the Week 'Elegantly crafted, humane and thought-provoking. She's top drawer' Ian Rankin This is how it begins. With a near-empty building, the inhabitants forced out of their homes by property developers. With two women: idealistic, impassioned blogger Ella and seasoned campaigner, Molly. With a body hidden in a lift shaft. But how will it end?

Brothers Jude and Ryan McAllister are inseparable. When Jude stepped in to raise Ryan after the death of their mother, it became the two of them against the world. But the scars it left were bone-deep. Then Lizzie Price comes along. Lizzie hopes Ryan’s kindness can help heal her wounds from a toxic relationship. But when she meets Jude, their powerful attraction makes him difficult to resist. The problem is, Lizzie doesn’t realize Jude and Ryan are brothers, and they don’t know they’re falling for the same girl. By the time the truth comes out, everyone is in too deep. Ryan is in love, Jude is in denial, and Lizzie wants both brothers. All of them agree that no one deserves to get hurt. But love and desire have a way of testing even the strongest bonds.

Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly

NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family’s crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but getting detained—or lost in the desert along the way. A breath-taking feat of literary virtuosity, Lost Children Archive is timely, compassionate, subtly hilarious, and formally inventive—a powerful, urgent story about what it is to be human in an inhuman world.

If you could see the future, would you want to? After the disturbing visions Riley and his friends see turn out to be more than hallucinations, fate takes a dangerous twist in this dark and suspenseful page-turner. Riley and his friends are gearing up for their senior year by spending one last night hanging out in the woods, drinking a few beers, and playing Truth or Dare. But what starts out as a good time turns sinister when they find a mysterious pair of binoculars. Those who dare to look through them see strange visions, which they brush off as hallucinations. Why else would Riley see himself in bed with his best friend’s girlfriend—a girl he’s had a secret crush on for years? In the weeks that follow, the visions begin to come true...including a gruesome murder. One of Riley’s closest friends is now the prime suspect. But who is the murderer? Have Riley and his friends really seen the future through those mysterious binoculars? And what if they are powerless to change the course of events?