Taxidermy

A humorous look at what happens when taxidermy goes terribly wrong, by the founder of the hit website crappytaxidermy.com. A relaxed toad enjoying a smoke and a brew. A cat with eerily flexible front legs. A smiling lion with receding gums. Whether you choose to laugh or cringe at these spectacularly bad attempts at taxidermy, you won't be able to tear your eyes away from the curiosities inside. This volume brings together the very best of the worst (along with a DIY "Stuff Your Own Mouse" lesson by an Insect Preparator from the American Museum of Natural History), showcasing the most perverse yet imaginative anatomical reconstructions of the animal kingdom you'll ever see.

Explicit instructions for preparing and mounting dead animals and tanning skins and furs.

A beautiful waterfowl source book for carvers, taxidermists, ornithologists, and waterfowl enthusiasts. Close-up photographs show detailed feather patterns, color, and species information. Full species descriptions accompany these beautiful and important illustrations. A comprehensive state-by-state guide for observing the waterfowl in natural habitats includes national and local wildlife refuges, zoos, and other preserves.

In this collection of taxidermy art, you’ll find a winged monkey with a fez and a martini glass, a jewel-encrusted piglet, a bionic fawn, and a polar bear balancing on a floating refrigerator. Author Robert Marbury makes for a friendly (and often funny) guide, addressing the three big questions people have about taxidermy art: What is it all about? Can I see some examples? and How can I make my own? He takes readers through a brief history of taxidermy (and what sets artistic taxidermy apart) and presents stunning pieces from the most influential artists in the field. Rounding out the book are illustrated how-to lessons to get readers started on their own work, with sources for taxidermy materials and resources for the budding taxidermist.

From style wilderness to height of cool, taxidermy has staged an extraordinary comeback. No longer confined to stately homes, stuffed animals are appearing everywhere from modern apartments to luxury department stores. High-profile artists have rejuvenated the medium and museums have dusted down their historic collections and put them back on display. Illustrated with stunning photography that explores this rich artform, past and present, this title is the most comprehensive and beautiful survey of taxidermy ever produced.

Shortlisted for the 2017 Text Prize Lottie collects dead creatures and lovingly cares for them, hoping to preserve them, to save them from disintegration. Her father understands—Lottie has a scientific mind, he thinks. Her aunt wants it to stop, and she goes to cruel lengths to make sure it does. And her mother? Lottie’s mother died long ago. And Lottie is searching for a way to be close to her. The Art of Taxidermy is a heartbreaking verse novel exploring love and death, grief and beauty, and the ways we try to make sense of it all. Sharon Kernot writes poetry and fiction. Her work has appeared in a variety of journals, magazines and anthologies including Island, Mascara Literary Journal, Best Australian Poems, and Australian Love Stories. ‘Completely mesmerising, fresh and unexpected.’ Diana Sweeney, winner of 2013 Text Prize ‘An intense exploration of grief.’ Steven Herrick ‘[An] exquisite lyrical verse novel...[A] sharply evocative tale.’ West Weekend ‘The work couples the swift, clipped charm of a verse novel and the unpredictable beauty of the Australian landscape in a captivating manner that showcases an author entirely comfortable with her form...Lingers in the mind for weeks afterwards.’ Tulpa Magazine ‘Kernot has created an intriguing tale of mystery and the imagination with a haunting ambience that the ghost of Edgar Allan Poe would recognise and admire...this is a delightful story about grief transformed and the urge to resurrect and to re-create.’ Saturday Paper ‘This book is beautifully written...while the novel is about grief, it is also about the importance of remembering and keeping the memory of loved ones alive.’ Magpies Magazine ‘In lyrical language, Kernot draws a comparison between the Australian bush and death: both are beautiful and desolate at once.’ Readings ‘Kernot’s writing is imbued with life and grace and moments of infectious joy.’ SA Weekend

A quirky, timely, and disturbingly beautiful how-to taxidermy guide, emphasizing ethical sourcing and personal expression Whether inspiration came from an exhibition at an edgy art gallery, a visit to the Natural History Museum, or the sight of your crazy uncle’s jackalope, more and more people are opening up to the fun and wonder of taxidermy. A mix of art, science, and a touch of alchemy, taxidermy lets you engage with the natural world in ways most other people don’t. In Stuffed Animals, Divya Anantharaman and Katie Innamorato demystify the practice, shatter the gross stereotypes, and make taxidermy accessible to anyone, anywhere. Committed to ethical and sustainable sourcing, Anantharaman and Innamorato are part of the vanguard of young taxidermists who bring a sense of fun and experimentation to this old-school hobby. In their sold-out classes in Brooklyn, they teach hundreds of taxidermy novices how to create mantle-worthy pieces out of small birds and mammals. Both a helpful how-to manual and a strangely captivating gift book, Stuffed Animals is the definitive guide to a growing movement.

After her curiosity is piqued by a safari gone awry, a journalist delves into the curious world of taxidermy and shares her findings. It’s easy to dismiss taxidermy as a kitschy or morbid sideline, the realm of trophy fish and jackalopes or an anachronistic throwback to the dusty diorama. Yet theirs is a world of intrepid hunter-explorers, eccentric naturalists, and gifted museum artisans, all devoted to the paradoxical pursuit of creating the illusion of life. Into this subculture of passionate animal-lovers ventures journalist Melissa Milgrom, whose journey stretches from the anachronistic family workshop of the last chief taxidermist for the American Museum of Natural History to the studio where an English sculptor, granddaughter of a surrealist artist, preserves the animals for Damien Hirst’s most disturbing artworks. She wanders through Mr. Potter’s Museum of Curiosities in the final days of its existence to watch dealers vie for preserved Victorian oddities, and visits the Smithsonian’s offsite lab, where taxidermists transform zoo skins into vivacious beasts. She tags along with a Canadian bear trapper and former Roy Orbison impersonator—the three-time World Taxidermy Champion—as he resurrects an extinct Irish elk using DNA studies and Paleolithic cave art for reference; she even ultimately picks up a scalpel and stuffs her own squirrel. Transformed from a curious onlooker to an empathetic participant, Milgrom takes us deep into the world of taxidermy and reveals its uncanny appeal. “Hilarious but respectful.” —Washington Post “Engrossing.” —New Yorker “[A] delightful debut . . . Milgrom has in Still Life opened up a whole world to readers.” —Chicago Tribune “Milgrom’s lively account will appeal to readers who enjoyed Mary Roach’s quirky science books.” —Library Journal