Tatterdemalion

In a ruined world, what survives are the stories we tell Poppy, who speaks the languages of wild things, travels east to the mountains with the wheeled and elephantine beast Lyoobov. He’s seeking answers to the mysteries of his birth, and the origins of the fallen world in which he lives. Up in the glacial peaks, among a strange, mountainous people, a Juniper Tree takes Poppy deep into her roots and shows him the true stories of the people who made his world, people he thought were only myths. Their tales span centuries, from three hundred years in the future all the way back to our present day. It is through this feral but redemptive folklore that Poppy begins to understand the story of his own past and his place in the present. Tatterdemalion is a stunning collaboration between writer Sylvia V. Linsteadt and artist Rima Staines, featuring the fourteen original paintings that inspired the narrative.

'Tatterdemalion' is a collection of tragic short stories written by John Galsworthy. The stories are divided into two groups: those set in wartime and those set in peacetime. The first of this is called 'The Grey Angel, where we are introduced to a woman, who by her predilection for things French came from childish recollections of school days in Paris, and a hasty removal thence by her father during the revolution of '48, of later travels as a little maiden, by diligence, to Pau and the then undiscovered Pyrenees, to a Montpellier and a Nice as yet unspoiled. Unto her seventy-eighth year, her French accent had remained unruffled, her soul in love with French gloves and dresses; and her face had the pale, unwrinkled, slightly aquiline perfection of the 'French marquise' type—it may, perhaps, be doubted whether any French marquise ever looked the part so perfectly.

"Tatterdemalion" by John Galsworthy. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Covering a range of topics, settings and styles, the book offers the first comprehensive study of short fiction from the First World War.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Tatterdemalion About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.