Taiyo Onorato And Nico Krebs Future Memories

Large-format analog photography, laser technologies and archival materials chart visions of the future This volume is the first in the Future series presenting the ongoing collaboration between Swiss artists Taiyo Onorato and Nico Krebs (both born 1979). It explores how our conceptions of the future have changed over time and how that impacts our views on the present.

During a period of three years Taiyo Onorato and Nico Krebs traveled several months through the United States, working "on the road" on the photo series The Great Unreal. The photographic work deals with reality and the fabrication of reality. The geography of America serves as both setting and fertile ground for the examination. Mysticism and demystification are important aspects in this process, as is working with a rich inventory of visual icons that can be continually deconstructed and manipulated. The working method of both photographers is based on interventions prescribed mostly by happenstance and change. Through repetition and associative placement, the sometimes crude, sometimes subtle interventions begin to link to one another, establishing an exciting transformation of reality that only hesitatingly reveals itself to the viewer. Together with book designers Megi Zumstein and Claudio Barandun, what emerged is an unmitigated picture book that makes a visual journey possible without any instructions. It comprises narrative image sequences that approximate the curiosity and restlessness of being on the move and, at the same time, depict associative connections with the American landscape.

Large-format analog photography, laser technologies and archival materials chart visions of the future This volume is the first in the Future series presenting the ongoing collaboration between Swiss artists Taiyo Onorato and Nico Krebs (both born 1979). It explores how our conceptions of the future have changed over time and how that impacts our views on the present.

In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. 'Continental Drift' is a travel log straddling the fine line between documentation and fiction about unknown lands, their possible past and conjectured future. It relates encounters with the utterly bizarre and inaccessibly alien, as well as with a remarkable openness and lavish hospitality they'd never known before, in striking contrast to their previous trip across the United States.

Photography Is Magic draws together current ideas about the use of photography as an invaluable medium in the contemporary art world. Edited and with an essay by leading photography writer and curator Charlotte Cotton, this critical publication surveys the work of a diverse group of artists, many working at the borders of the "art world" and the "photography world," all of whom are engaged with experimental ideas concerning photographic practice and its place in a shifting photographic landscape being reshaped by digital techniques. Readers are shown the scope of photographic possibilities in the context of the contemporary creative process. From Michele Abeles and Walead Beshty to Daniel Gordon and Matthew Lipps, Cotton has selected artists who are consciously reframing photographic practices using mixed media, appropriation and a recalibration of analog processes. Cotton brings these artists together around the idea of magic, the properties of illusion and material transformation that uniquely characterize photography. Beautifully produced and critically rigorous, Photography Is Magic is aimed at younger photo aficionados, students and anyone interested in gaining a deeper understanding of contemporary photography. It includes images and text by more than 80 artists, including Sara Cwynar, Shannon Ebner, Annette Kelm, Josh Kline, Elad Lassry, Jon Rafman, Shirana Shahbazi and Sara VanDerBeek, among many others.

In 'Familiar Territory' we find portrayals of farm animals together with their owners. However, instead of being situated in a stall or field, they are pictured in the midst of peoples' living quarters. The emotional connections that exist between animals and humans find multiple expressions here, and are also effectively questioned. American photographer Jon Naiman invokes the traditions of portrait and documentary photography as a way to investigate culture, habitat, domesticity, family and gender roles, as well as our relationship with animals. Although the photographs are orchestrated and carefully composed, Naiman has managed to capture moments of intimacy.

After the end of World War II, the American road trip began appearing prominently in literature, music, movies, and photography. Many photographers embarked on trips across the U.S. in order to create work, including Robert Frank, whose seminal 1955 road trip resulted in The Americans. However, he was preceded by Edward Weston, who traveled across the country taking pictures to illustrate Walt Whitman's Leaves of Grass; Henri Cartier-Bresson, whose 1947 trip through the American South and into the West was published in the early 1950s in Harper's Bazaar; and Ed Ruscha, whose road trips between Los Angeles and Oklahoma later became Twentysix Gasoline Stations. Hundreds of photographers have continued the tradition of the photographic road trip on down to the present, from Stephen Shore to Taiyo Onorato and Nico Krebs. The Open Road considers the photographic road trip as a genre in and of itself, and presents the story of photographers for whom the American road is muse. The book features David Campany's introduction to the genre and eighteen chapters presented chronologically, each exploring one American road trip in depth through a portfolio of images and informative texts, highlighting some of the most important bodies of work made on the road from The Americans to present day.

A beautifully produced monograph on a rising star exploring postcolonialism and gender in photography Shortlisted for the Aperture-Paris Photo Photobook of the Year 2021, Hello Future is a culmination of Farah Al Qasimi's (born 1991) photographic, performance and film practice, unified within her keen focus on surface and texture, and the revealing visual influences of the splashy and florid. Al Qasimi examines postcolonial structures of power, gender and aesthetics in the Persian Gulf states and global cultural confluence and migration at large.

"Writing Over" is a drawing atlas which focuses on the relationship between the gestures of drawing, writing and map-making. The book serves as companion volume to the installation Writing Over, which was shown in 2012 at Netwerk in Aalst. The drawings which are partly derived from a personal and collective history are rendered in different types of landscapes and maps. These are accompanied by an 'Atlas Archive'; a study of surfaces used in this cartographic process - sketches, stamps, media images, engraving plates, notations - and a short story by Louis Lüthi, entitled 'Unalaska Alaska'. A special edition accompanies the book.-- Website des Künstlers (Stand: 29.05.2019).