Tadas Revolution

Winner of the 1999 Michael C. Meyer Manuscript Prize! This new book examines the social protests of popular groups in urban Mexico during and after the Mexican Revolution and also shows how the revolution inspired women to become activists in these movements. Andrew Grant Wood's well-researched narrative focuses specifically on the complex negotiation between elites and popular groups over the issue of public housing in post-revolutionary Veracruz, Mexico. Wood then compares the Veracruz experience with other tenant movements throughout Mexico and Latin America. He analyzes what the popular groups wanted, what they got, how they got it, and how the changes wrought by the revolution facilitated their actions. Grassroots organizing by house-renters in Veracruz began at a time of 'multiple sovereignty' when ruling elites found themselves in a process of regime change and political realignment. As the movement took shape, tenants expanded their opportunities through a dynamic repertoire of public demonstration, direct action, networking, and constant negotiation with landlords and public officials. During the height of the movement, protesters forced revolutionary elites to respond by requiring them either to negotiate, co-opt, and/or repress members of independent grassroots organizations in order to maintain their rule. The tenant movements demonstrate how ordinary women and men contributed to the remaking of state and civil society relations in post-revolutionary Mexico. This book analyzes the critical roles that women played as leaders and as rank-and-file agitators to keep the movements alive. The author has used a wide variety of primary sources to provide a vibrant portrayal of these urban social protesters. On a larger scale, this book shows that the voices of the urban poor were able to become part of the revolutionary dialogue and ideology. While others have highlighted the role of rural folk such as the Zapatistas, this work allows readers to appreciate the urban side of the po

Examines the causes, events, and consequences of the Sandinista Revolution in Nicaragua.

"An outlaw's diary: revolution" by Cécile Tormay. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Recipient of the Hubert Herring Memorial Award from the Pacific Coast Council on Latin American Studies for the best unpublished manuscript of 1973, Prose Fiction of the Cuban Revolution is an in-depth study of works by Cubans, Cuban exiles, and other Latin American writers. Combining historical and critical approaches, Seymour Menton classifies and analyzes over two hundred novels and volumes of short stories, revealing the extent to which Cuban literature reflects the reality of the Revolution. Menton establishes four periods—1959–1960, 1961–1965,1966–1970, and 1971– 1973—that reflect the changing policies of the revolutionary government toward the arts. Using these periods as a chronological guideline, he defines four distinct literary generations, records the facts about their works, establishes coordinates, and formulates a system of literary and historical classification. He then makes an aesthetic analysis of the best of Cuban fiction, emphasizing the novels of major writers, including Alejo Carpentier's El siglo de las luces, and José Lezama Lima's Paradiso. He also discusses the works of a large number of lesser-known writers, which must be considered in arriving at an accurate historical tableau. Menton's exploration of the short story combines a thematic and stylistic analysis of nineteen anthologies with a close study of six authors: Guillermo Cabrera Infante, Calvert Casey, Humberto Arenal, Antonio Benítez, Jesús Díaz Rodríguez, and Norberto Fuentes. Several chapters are devoted to the increasing number of novels and short stories written by Cuban exiles as well as to the eighteen novels and one short story written about the Revolution by non-Cubans, such as Julio Cortázar, Carlos Martínez Moreno, Luisa Josefina Hernández, and Pedro Juan Soto. In studying literary works to reveal the intrinsic consciousness of a historical period, Menton presents not only his own views but also those of Cuban literary critics. In addition, he clarifies the various changes in the official attitude toward literature and the arts in Cuba, using the revolutionary processes of several other countries as comparative examples.

"Our Revolution" from Leon Trotsky. Russian Marxist revolutionary and theorist (1879-1940).

In this book, Tomas Balkelis explores how the Lithuanian state was created and shaped by the Great War from its onset in 1914 to the last waves of violence in 1923. As the very notion of independent Lithuania was constructed during the war, violence is seen as an essential part of the formation of Lithuanian state, nation, and identity. War was much more than simply the historical context in which the tectonic shift from empire to nation-state took place. It transformed people, policies, institutions, and modes of thought in ways that would continue to shape the nation for decades after the conflict subsided. In telling the story of the post-WWI conflict in Lithuania, War, Revolution, and Nation-Making in Lithuania, 1914-1923 focuses on the soldiers and civilians involved in the conflict, rather than the strategies and acts of politicians, generals, or diplomats. The volume's two main themes are the impact of military, social, and cultural mobilizations on the local population, and different types of violence that were so characteristic of the region throughout the period. The actors in this story are people displaced by war and mobilized for war: refugees, veterans, volunteers, peasant conscripts, POWs, paramilitary fighters, and others who took to guns, not diplomacy, to assert their power. This is the story of how their lives were changed by war and how they shaped the society that emerged after war.

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