Swifts Landscape

Swift's Landscape argues for a fundamental reevaluation of Jonathan Swift's place in eighteenth-century literary history. Combining history, biography, and literary criticism, Carole Fabricant restores both Swift's life and his writings to their proper landscape - by emphasizing the influence of the author's Irish involvements and environs on his work.

Chimney Swifts, birds that nest and roost in chimneys, have been historically abundant in North America. But by the late 1980s, the number of swifts migrating to North America from the Amazon River Basin had declined. A growing number of people across North America are now constructing nesting towers and conducting Chimney Swift conservation projects in their own communities. With Chimney Swift Towers, concerned bird conservationists have a step-by-step guide to help them create more habitat for these beneficial, insect-eating birds. Chimney Swift experts Paul and Georgean Kyle give directions for building freestanding wooden towers, wooden kiosk towers, masonry towers, and other structures. Included are - design basics, - lists of materials needed, - useful diagrams and photographs, - and detailed instructions on site preparation, tower construction, installation, and maintenance. Anyone with basic woodworking or masonry skills and an interest in wildlife conservation will find this publication helpful. That includes do-it-yourselfers, homeowners involved in creating backyard habitat for wildlife, landscape and structural architects, park and wildscape managers, wildlife management area professionals, nature centers, garden centers, scout troops, and other civic organizations in search of community service projects.

The Cambridge Companion to Jonathan Swift is a specially commissioned collection of essays. Arranged thematically across a range of topics, this volume will deepen and extend the enjoyment and understanding of Jonathan Swift for students and scholars. The thirteen essays explore crucial dimensions of Swift s life and works. As well as ensuring a broad coverage of Swift s writing - including early and later works as well as the better known and the lesser known - the Companion also offers a way into current critical and theoretical issues surrounding the author. Special emphasis is placed on Swift s vexed relationship with the land of his birth, Ireland; and on his place as a political writer in a highly politicised age. The Companion offers a lucid introduction to these and other issues, and raises new questions about Swift and his world. The volume features a detailed chronology and a guide to further reading.

This collection of critical thinking situates the satire of Jonathan Swift within both its eighteenth-century contexts and our modern anxieties about personal identity and communication. Augustan satire at its most provocative is not simply concerned with the public matters of politics or religion, but also offers a precise medium in which to express the paradox of ironic detachment amidst deep conviction. The critics chosen for this volume demonstrate the complexity of Swift's work. Its four sections explore matters of authorial identity, the relation between Swift's writing and its historical context, the full range of his comments on gender, and his deployment of metaphor and irony to engage the reader. Swift has often been regarded as a writer who anticipated many twentieth-century cultural preoccupations, and this volume provides an opportunity to test just how modern he actually was. It also provides an answer to those who would wish to simplify his writing as that of Tory and misogynist. The theoretical perspectives of the contributors are lucidly explained and their critical terms located in the wider contexts of contemporary theory in the introduction and headnotes. The volume places Swift historically within the philosophical and religious traditions of eighteenth-century thought.

Swifts live almost entirely in the air. They eat, drink, sleep, mate and gather their nesting materials on the wing, fly thousands of miles across the world, navigating their way around storms, never lighting on tree, cliff or ground, until they return home with the summer.

Poets are makers, etymologically speaking. In practice, they are also thieves. Over a long career, from the early 1690s to the late 1730s, Jonathan Swift thrived on a creative tension between original poetry-making and the filching of familiar material from the poetic archive. The most extensive study of Swift's verse to appear in more than thirty years, Reading Swift's Poetry offers detailed readings of dozens of major poems, as well as neglected and recently recovered pieces. This book reaffirms Swift's prominence in competing literary traditions as diverse as the pastoral and the political, the metaphysical and the satirical, and demonstrates the persistence of unlikely literary tropes across his multifaceted career. Daniel Cook also considers the audacious ways in which Swift engages with Juvenal's satires, Horace's epistles, Milton's epics, Cowley's odes, and an astonishing array of other canonical and forgotten writers.

Support and protect the natural world with tips from expert gardener Joe Swift. With around 16 million UK gardens covering a larger area than all our nature reserves, you could say our largest nature reserve is one big garden! In this practical guide, Joe shows you how to support and protect our rich and varied wildlife habitats.

"This delightful journal touches the heart and moves the spirit." - The Oregonian An illustrated, round-the-world tour of idiosyncratic gardens from beloved traveler/writer/watercolorist Vivian Swift. Nine masterpiece gardens. Nine stories of grandeur, sorrow, disaster, triumph, discovery, and joy. From Scotland to Key West, from Brazil to Paris--even right next door--there is always something to learn about being human from a great garden.

An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.