Swamplands

In a world filled with breathtaking beauty, we have often overlooked the elusive magic of certain landscapes. A cloudy river flows into an Arctic wetland where sandhill cranes and muskoxen dwell. Further south, cypress branches hang low over dismal swamps. Places like these-collectively known as swamplands or peatlands-often go unnoticed for their ecological splendor. They are as globally significant as rainforests, yet, because of their reputation as wastelands, they are being systematically drained and degraded. Swamplands celebrates these wild places, as journalist Edward Struzik highlights the unappreciated struggle to save peatlands by scientists, conservationists, and landowners around the world. An ode to peaty landscapes in all their offbeat glory, the book is also a demand for awareness of the myriad threats they face. It inspires us to see the beauty and importance in these least likely of places­. Our planet's survival might depend on it.

Arguing that the pursuit of happiness is futile, the Jungian perspective asserts that the goal of life is not in happiness, but in meaning which is real, rather than a fruitless ideal. This book shows how to find life's dignity by uncovering its deepest meaning and discovering errors made.

As the 20th century began, swamps with immense timber resources covered much of the Missouri Bootheel. After investors harvested the timber, the landscape became overgrown. The conversion of swampland to farmland began with small drainage projects but complete reclamation was made possible by a system of ditches dug by the Little River Drainage District--the largest in the U.S., excavating more earth than for the Panama Canal. Farming quickly took over. The devastation of Southern cotton fields by boll weevils in the early 1920s brought to the cooler Bootheel an influx of black and white sharecroppers and cotton became the principal crop. Conflict over New Deal subsidies to increase cotton prices by reducing production led to the 1939 Sharecropper Demonstration, foreshadowing civil rights protests three decades later.

This book takes the "houseplant look" outside by exploring the wonders of lush, green, foliage plants that are hardy in the garden to -10F. Unlike flowers that fade, these big-leaved, larger-than-life plants provide year-round impact for decades and small, urban gardens that are well protected are the perfect home for them. Expert horticulturist Philip Oostenbrink has been an enthusiastic grower for years and in this book recommends the best hardy, foliage plants for texture, leaf shape, and color. Jungle gardens can be shady and immersive, sunny and open or somewhere in between and there are plants suited to all these environments including purple-leaved bananas, desert-island palms, spiky agaves, architectural Pseudopanax, and succulents such as Echeveria and Aeonium. Beautiful special photography by Sarah Cuttle features standout jungle gardens that demonstrate how to combine foliage plants effectively and create backdrops and container displays that make the plants pop. This book is the irresistible next step for all houseplant addicts and for all who are ready to embark on their very own jungle adventure.

The translator provides the text and historical context of the writings of the twelfth-century Chinese Zen master Ta Hui Tsung Kao in the Chi Yeuh Lu. Included are letters, sermons, and lectures, which cover a variety of subjects ranging from concern over the illness of a friend's son to the tending of an ox. Ta Hui addresses his remarks mainly to people in lay life and not to his fellow monks, emphasizing ways in which those immersed in worldly occupations can nevertheless learn Zen and achieve the liberation promised by the Buddha.

Describes the characteristics of the Okefenokee Swamp and the animals and plants that live there.

"Murders In The Swampland" Here is a review from the Citrus County Chronicle (Florida) written by Chris Van Ormer "Murders in the Swampland" Article from the Citrus County Chronicle Book´s murder stories send chills up spine of the Nature Coast Many people move to the Nature Coast knowing little about the region. Certainly, they´ve been enticed by the climate and the natural beauty of the countryside, the Gulf of Mexico and the lower cost of living. Yes, the Nature Coast is an attractive place. What almost no newcomer to the region does is check the crime files. Perhaps the newcomer will look up the statistics and see fewer hard crimes here than in the place they are leaving and be reassured. However, a higher crime rate reflects a larger population than that of the Nature Coast. And statistics never put a face to crime. Putting a face on big crimes in the Nature Coast is what Patty Shipp (Lieb) has done in her book, "Murders in the Swampland." She chronicles 17 murder cases from the late 1970s to the early 1990s. Some of these cases Shipp covered while she was the crime reporter for the Sun_Journal in Brooksville, from 1987 until the newspaper shut down in 1991. Shipp mentions her editor, Ken Melton, who now works for a sister newspaper of the Citrus County Chronicle, and credits Melton with encouraging her to publish her book. Each story could be fiction, if the facts and characters were not so real. The scenes of murders, the roads traveled by the murderers and the lawmen who caught them exist. Many of the lawmen are still at work and are well known the the communities. Most of the crimes are set in Heranado County, but adjacent counties figure in as well. Each story has a horrible uniqueness, but all the murders are amateurs, even the serial killers detailed in the book. Many mistakes are made that lead the lawmen to the killers. It is refreshing to see the entire crime put into one document, rather than revealed in the installments of newspaper reports. These stories read like accounts in detective magazines, for which many of them were written. Thuse the reader learns about the serial killer, Billy Mansfield, who in the late 1970s and early 1980s picked up young women hitchhikers on U.S. 19, took them back to his mother´s trailer in Weeki Wachee for some hours of rape and torture before murdering them and burying them in the back yard. I have lived near Weeki Wachee for more than seven years, I had never heard about the Mansfield murders. What is unusual about those murders and several others in the book is that so many people at the time knew about them and said nothing. Indeed, the sheriff said he would have to build a wing on the jail to detain all the people who had withheld evidence about Mansfield´s crimes. But those folks knew about the murders after the fact. A more surprising crime happened Aug 3, 1990, in Floral City, when many people were aware of the plot to murder Joanne Sanders. The gang at a car repair business in melrose would get together and talk about how it should be done, priming the murder-to-be, John Barrett. This case was perhaps the most bungled of the 17 in the book, because Sanders never got murdered at all. But four m,en who entered her house before she did were killed, while Barrett was waiting for her. Barrett was gone when Sanders came home and found the bodies. One thing this story does not tell the reader is why Barrett left before Sanders came home. Perhaps he lost his nerve, or perhaps he thought of something else to do. A striking similarity in may of these cases is the randomness of the violence. Many of the victims were not safe in the security of their own homes, where the killer broke in through the screen door in the back or just knocked on the front door and asked to use the phone or bathr

For fans of Where the Crawdads Sing, this “marvelous debut” (Alice McDermott, National Book Award–winning author of The Ninth Hour) follows a Washington, DC, artist as she faces her past and the secrets held in the waters of Florida’s lush swamps and wetlands. Loni Murrow is an accomplished bird artist at the Smithsonian who loves her job. But when she receives a call from her younger brother summoning her back home to help their obstinate mother recover after an accident, Loni’s neat, contained life in Washington, DC, is thrown into chaos, and she finds herself exactly where she does not want to be. Going through her mother’s things, Loni uncovers scraps and snippets of a time in her life she would prefer to forget—a childhood marked by her father Boyd’s death by drowning. When Loni comes across a single, cryptic note from a stranger—“There are some things I have to tell you about Boyd’s death”—she begins a dangerous quest to discover the truth, all the while struggling to reconnect with her mother and reconcile with her brother and his wife. To make matters worse, she meets a man whose attractive simple charm threatens to pull her back towards everything she’s worked to escape. Torn between worlds—her professional accomplishments in Washington, and the small town of her childhood—Loni must decide whether to delve beneath the surface into murky half-truths and avenge the past or bury it, once and for all. “Fans of Delia Owens and Lauren Groff will find this a wonderful and absorbing read” (Suzanne Feldman, author of Sisters of the Great War).

The writings of the twelfth-century Chinese Zen master Ta Hui are as immediately accessible as those of any contemporary teacher, and this book, which introduced them to the English-speaking world in the 1970s, has become a modern classic—a regular feature of recommended reading lists for Zen centers across America, even though the book has become difficult to find. We are happy to make the book available again after more than a decade of scarcity. J. C. Cleary's translation is as noteworthy for its elegant simplicity as for its accuracy. He has culled from the voluminous writings of Ta Hui Tsung Kao in the Chi Yeuh Lu this selection of letters, sermons, and lectures, some running no longer than a page, which cover a variety of subjects ranging from concern over the illness of a friend's son to the tending of an ox. Ta Hui addresses his remarks mainly to people in lay life and not to his fellow monks. Thus the emphasis throughout is on ways in which those immersed in worldly occupations can nevertheless learn Zen and achieve the liberation promised by the Buddha. These texts, available in English only in this translation, come as a revelation for their lucid thinking and startling wisdom. The translator's essay on Chan (Chinese Zen) Buddhism and his short biography of Ta Hui place the texts in their proper historical perspective.