Swamp Race

Zac needs to find the top-secretblueprints before his arch- enemy does!Can he win the race AND escape theMurky Swamp?

24 hours to save the world . . . and fold the laundry! When Professor Voler devises a competition with a set of top-secret blueprints as the prize, Zac goes head-to-head with Caz, a rival agent from the nefarious BIG spy organization. To make matters worse, the competition takes place in the Murky Swamp, which has some unusual creatures lurking about. Zac needs to find the top-secret blueprints before his arch-enemy does! Can he win the race AND escape the Murky Swamp?

A native Floridian, photographer Malcolm's first monograph,Mile O' Mud, shows us his home's beauty; scarred and raw, surrounded by lush blue sky and restorative greens and we witness a community unapologetically celebrating their colorful and unique history, full of wild abandon and enjoying every minute of it. Churning the buttery muddy water at the Florida Sports Park, the swamp buggy races keep Florida's frontier heritage alive. A bastard child to NASCAR, these custom buggies (part boat, part dragster) tear through terrain more like the lake in the center of Daytona International Speedway than the track surrounding it. The Jeep class is designed to slog through with the driver's head barely above water and the Pro-modified built exclusively for speed as they hit 75mph and dwarfed by their own four-foot wheels. Fans pile meat in baking pans and cans of Budweiser in boxes and stack themselves in bleachers, truck beds, and on top of home-made platforms to cheer for the Swamp Buggy Queen and pray for drivers' quick recoveries when the track proves too treacherous. Malcolm Lightner grew up down the street from the original "Mile O' Mud" swamp buggy track off of Radio Road. After moving to New York in 1999, he returned at least once a year from 2002 to 2013 to document the races--missing only 2005 due to a hurricane forced cancellation.

Carlos & The Everglades Race is a tale of a young Cuban man and an American college student who fall in love. Amidst family difficulties which make a normal wedding impossible they embark on a monster truck racing adventure in order to earn the prize money to fund their elopement.

Entertaining Comics Group (EC Comics) is perhaps best-known today for lurid horror comics like Tales from the Crypt and for a publication that long outlived the company’s other titles, Mad magazine. But during its heyday in the early 1950s, EC was also an early innovator in another genre of comics: the so-called “preachies,” socially conscious stories that boldly challenged the conservatism and conformity of Eisenhower-era America. EC Comics examines a selection of these works—sensationally-titled comics such as “Hate!,” “The Guilty!,” and “Judgment Day!”—and explores how they grappled with the civil rights struggle, antisemitism, and other forms of prejudice in America. Putting these socially aware stories into conversation with EC’s better-known horror stories, Qiana Whitted discovers surprising similarities between their narrative, aesthetic, and marketing strategies. She also recounts the controversy that these stories inspired and the central role they played in congressional hearings about offensive content in comics. The first serious critical study of EC’s social issues comics, this book will give readers a greater appreciation of their legacy. They not only served to inspire future comics creators, but also introduced a generation of young readers to provocative ideas and progressive ideals that pointed the way to a better America.

By fall 2015, the rise of Donald Trump as the likely Republican nominee confirmed that, for better or worse, Americans had been transported to a strange new land populated by mysterious creatures, where the normal laws of the political universe no longer applied. Fascinated, amused, and appalled, bestselling novelist Richard North Patterson accepted an invitation to write one column per week for the Huffington Post about the presidential race. Those essays are collected here for the first time in a highly personal "journal" chronicling Patterson's observations in real time. Before long, thousands of Americans were reading Patterson's weekly descriptions of the campaign, a gauntlet without rules in which the projected psyches of the candidates reflected--and stirred--the roiling emotions of a substantially disgruntled electorate. Smart, prescient, funny, and deeply informed by extensive background research, these pieces form a narrative that captures the race as it occurred--the bald-faced lies, the painful truths, the pivotal issues, and the astonishing personalities that made the election of 2016 utterly unpredictable and uniquely consequential. Best of all, in marginalia scattered throughout the book Patterson looks back to see where he was right, where he was wrong, and where events were so beyond human experience that no one could have predicted them. In this bracing, funny book, Patterson brings to bear a novelist's piercing sensibility to the process of examining the election, moments that betray a candidate's character and inner life and hold up a mirror to the American population. Filled with fresh insights and indelible prose, Fever Swamp is a masterful take on a unique campaign filled with the pathos, humor, and important lessons of the liveliest playground shoving match.

The tragedy of extinction is explained through the dramatic story of a legendary bird, the Ivory-billed Woodpecker, and of those who tried to possess it, paint it, shoot it, sell it, and, in a last-ditch effort, save it. A powerful saga that sweeps through two hundred years of history, it introduces artists like John James Audubon, bird collectors like William Brewster, and finally a new breed of scientist in Cornell's Arthur A. "Doc" Allen and his young ornithology student, James Tanner, whose quest to save the Ivory-bill culminates in one of the first great conservation showdowns in U.S. history, an early round in what is now a worldwide effort to save species. As hope for the Ivory-bill fades in the United States, the bird is last spotted in Cuba in 1987, and Cuban scientists join in the race to save it. All this, plus Mr. Hoose's wonderful story-telling skills, comes together to give us what David Allen Sibley, author of The Sibley Guide to Birds calls "the most thorough and readable account to date of the personalities, fashions, economics, and politics that combined to bring about the demise of the Ivory-billed Woodpecker." The Race to Save the Lord God Bird is the winner of the 2005 Boston Globe - Horn Book Award for Nonfiction and the 2005 Bank Street - Flora Stieglitz Award.

City of Refuge is a story of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina. The vast wetland was tough terrain that most white Virginians and North Carolinians considered uninhabitable. Perceived desolation notwithstanding, black slaves fled into the swamp's remote sectors and engaged in petit marronage, a type of escape and fugitivity prevalent throughout the Atlantic world. An alternative to the dangers of flight by way of the Underground Railroad, maroon communities often neighbored slave-labor camps, the latter located on the swamp's periphery and operated by the Dismal Swamp Land Company and other companies that employed slave labor to facilitate the extraction of the Dismal's natural resources. Often with the tacit acceptance of white company agents, company slaves engaged in various exchanges of goods and provisions with maroons-networks that padded company accounts even as they helped to sustain maroon colonies and communities. In his examination of life, commerce, and social activity in the Great Dismal Swamp, Marcus P. Nevius engages the historiographies of slave resistance and abolitionism in the early American republic. City of Refuge uses a wide variety of primary sources-including runaway advertisements; planters' and merchants' records, inventories, letterbooks, and correspondence; abolitionist pamphlets and broadsides; county free black registries; and the records and inventories of private companies-to examine how American maroons, enslaved canal laborers, white company agents, and commission merchants shaped, and were shaped by, race and slavery in an important region in the history of the late Atlantic world.