Suspicious A Hero Of Her Own

The surprising roots of the self-defense movement and the history of women’s empowerment. At the turn of the twentieth century, women famously organized to demand greater social and political freedoms like gaining the right to vote. However, few realize that the Progressive Era also witnessed the birth of the women’s self-defense movement. It is nearly impossible in today’s day and age to imagine a world without the concept of women’s self defense. Some women were inspired to take up boxing and jiu-jitsu for very personal reasons that ranged from protecting themselves from attacks by strangers on the street to rejecting gendered notions about feminine weakness and empowering themselves as their own protectors. Women’s training in self defense was both a reflection of and a response to the broader cultural issues of the time, including the women’s rights movement and the campaign for the vote. Perhaps more importantly, the discussion surrounding women’s self-defense revealed powerful myths about the source of violence against women and opened up conversations about the less visible violence that many women faced in their own homes. Through self-defense training, women debunked patriarchal myths about inherent feminine weakness, creating a new image of women as powerful and self-reliant. Whether or not women consciously pursued self-defense for these reasons, their actions embodied feminist politics. Although their individual motivations may have varied, their collective action echoed through the twentieth century, demanding emancipation from the constrictions that prevented women from exercising their full rights as citizens and human beings. This book is a fascinating and comprehensive introduction to one of the most important women’s issues of all time. This book will provoke good debate and offer distinct responses and solutions.

Trust is the only choice… Suspicious by New York Times bestselling author Heather Graham Lawyer Lorena Fortier’s suspicions about her father’s death have brought her to a small town nestled in the Everglades. But when a killer claims more victims, Lorena’s in over her head. Hardened cop Jesse Crane only complicates matters. As they face danger more menacing than any they had ever imagined, Lorena needs to put her life in Jesse’s hands. Can she do the same with her heart? FREE BONUS STORY INCLUDED IN THIS VOLUME! A Hero of Her Own by New York Times bestselling author Carla Cassidy Psychologist Jewel Mayfair’s days at Hopechest Ranch were filled with the joy of helping troubled children. But her nights were plagued by fear…and dreams that seemed all too real. Until handsome vet Quinn Logan chased away the terror. Can she trust Quinn and the passion he offers? Or is she falling in love with a man out to destroy her sanity and her life?

Suzanne Brockmann’s wildly popular Troubleshooters series showcases this master storyteller’s rare gift for blending intense adventure with sensuous romance. And it all begins with The Unsung Hero, a heart-pounding tale of love that reveals hidden truths and brings two solitary people together against all odds. BONUS: This edition contains an excerpt from Suzanne Brockmann’s Born to Darkness. After a near-fatal head injury, Navy SEAL lieutenant Tom Paoletti catches a glimpse of an international terrorist in his New England hometown. When he calls for help, the Navy dismisses the sighting as injury-induced imaginings. In a last-ditch effort to prevent disaster, Tom creates his own makeshift counterterrorism team, assembling his most loyal officers, two elderly war veterans, a couple of misfit teenagers, and Dr. Kelly Ashton. As the town’s infamous bad boy, Tom was always in love with Kelly, a sweet “girl next door” who has grown into a remarkable woman. Now he has one final chance for happiness, one last chance to win her heart, and one desperate chance to save the day. “Thanks to Suzanne Brockmann’s glorious pen, we all get to revel in heartstopping adventure and blistering romance.”—RT Book Reviews

The Invention of Suspicion argues that the English justice system underwent changes in the sixteenth century that, because of the system's participatory nature, had a widespread effect and a decisive impact on the development of English Renaissance drama. These changes gradually made evidence evaluation a popular skill: justices of peace and juries were increasingly required to weigh up the probabilities of competing narratives of facts. At precisely the same time, English dramatists were absorbing, from Latin legal rhetoric and from Latin comedy, poetic strategies that enabled them to make their plays more persuasively realistic, more 'probable'. The result of this enormously rich conjunction of popular legal culture and ancient forensic rhetoric was a drama in which dramatis personae habitually gather evidence and 'invent' arguments of suspicion and conjecture about one another, thus prompting us, as readers and audience, to reconstruct this 'evidence' as stories of characters' private histories and inner lives. In this drama, people act in uncertainty, inferring one another's motives and testing evidence for their conclusions. As well as offering an overarching account of how changes in juridical epistemology relate to post-Reformation drama, this book examines comic dramatic writing associated with the Inns of Court in the overlooked decades of the 1560s and 70s. It argues that these experiments constituted an influential sub-genre, assimilating the structures of Roman comedy to current civic and political concerns with the administration of justice. This sub-genre's impact may be seen in Shakespeare's early experiments in revenge tragedy, history play and romance comedy, in Titus Andronicus, Henry VI and The Comedy of Errors, as well as Jonson's Every Man in his Humour, Bartholomew Fair and The Alchemist. The book ranges from mid-fifteenth century drama, through sixteenth century interludes to the drama of the 1590s and 1600s. It draws on recent research by legal historians, and on a range of legal-historical sources in print and manuscript.

#1 NEW YORK TIMES BESTSELLER • A decorated former Air Force pilot. A pregnant flight attendant. A dedicated TSA agent. The fates of these three, and many others, converge in Danielle Steel’s gripping new novel—a heart-stopping thriller that engages ordinary men and women in the fight of their lives during a flight from New York to San Francisco. On a beautiful May morning at New York’s John F. Kennedy airport, two planes have just departed for San Francisco—one a 757, another a smaller Airbus A321. At a security checkpoint, TSA agent Bernice Adams finds a postcard of the Golden Gate Bridge bearing an ambiguous—perhaps ominous—message. Her supervisor dismisses her concerns, but Bernice calls security and soon Ben Waterman arrives. A senior Homeland Security agent, still grappling with guilt after a disastrous operation in which hostages were killed, Ben too becomes suspicious. Who left the postcard behind, which flight is that person on, and what exactly does the message mean? As Ben scans the passenger manifests, his focus turns to the A321, with Helen Smith as its senior pilot. Helen’s military service and her tenure with the airline have been exemplary. But her husband’s savage death in Iraq was more than anyone should bear, leaving her widowed with three children. A major film star is on board. So is an off-duty pilot who has just lost his forty-year career. So is a distraught father, traveling with the baby son he has abducted from his estranged wife. Sifting through data and relying on instinct, Ben becomes convinced that someone on Helen’s plane is planning something terrible. And he’s right. Passengers, crew, and experts on the ground become heroes out of necessity to try to avert tragedy at the eleventh hour. In her stunning novel, Danielle Steel combines intense action with stories of emotionally rich, intertwined lives. As the jet bears down on its destination of San Francisco, strangers are united, desperate choices are made, and futures will be changed forever by a handful of accidental heroes.

Penelope Akk wants to be a superhero. She's got superhero parents. She's got the ultimate mad science power, filling her life with crazy gadgets even she doesn't understand. She has two super powered best friends. In middle school, the line between good and evil looks clear. In real life, nothing is that clear. All it takes is one hero's sidekick picking a fight, and Penny and her friends are labeled supervillains. In the process, Penny learns a hard lesson about villainy: She's good at it. Criminal masterminds, heroes in power armor, bottles of dragon blood, alien war drones, shape shifters and ghosts, no matter what the super powered world throws at her, Penny and her friends come out on top. They have to. If she can keep winning, maybe she can clear her name before her mom and dad find out.

Three taut mysteries in the Edgar Award–nominated crime thriller series by a New York Times–bestselling author. Gail Connor is a fast-rising attorney in a major Miami law firm. She and fellow lawyer Anthony Quintana work hard to ensure justice for their clients, and continue to investigate crimes around town while off the clock. Suspicion of Innocence: Gail is about to make partner in her Miami law firm when her life takes a sudden turn. She discovers her sister’s murdered body and soon realizes she’s the prime suspect. Gail must fight for her life as she gets a firsthand look at the dark underside of the legal system. Suspicion of Guilt: Gail’s been handed the biggest case of her life—a career maker that will guarantee partnership at her firm. But when she discovers suspected forgery is only the top layer of a brutal murder cover-up, she’s plunged deep into conspiracy and deadly risk. Suspicion of Deceit: Gail is newly engaged to her colleague Anthony when disturbing revelations about his past come to light. It seems, as a rebellious and idealistic youth, he traveled to Central America and became entangled in the cover-up of a violent tragedy in the Cuban expatriate community. Now, to keep that secret, someone is willing to kill . . . over and over again.

London, 1817 Devon, the Earl of Malton, is a hero for his deeds at the Battle of Waterloo. But he suffers terrible nightmares, and drinks himself to sleep most nights. A habit he vows to break when he awakes one morning to find a woman sharing his bed, no memory of how she got there, and her angry brother at his door. Cathleen is mortified when her wastrel brother and his greedy wife propose a blackmail scheme involving the earl, but as a penniless war widow she's at their mercy. She goes along with the plan and sneaks into Devon's bed one night, and ends up comforting him through a night terror. Charmed by her beauty and kindness, Devon determines that rather than pay the blackmail, he will offer his hand in marriage to Cathleen. Although she is deeply attracted to the stoic earl, Cathleen cannot understand why Devon would want to marry her. What she doesn't know is that Devon owes her a debt that can never fully be repaid… 34,000 words

From Memento and Insomnia to the Batman films, The Prestige, and Inception, lies play a central role in every Christopher Nolan film. Characters in the films constantly find themselves deceived by others and are often caught up in a vast web of deceit that transcends any individual lies. The formal structure of a typical Nolan film deceives spectators about the events that occur and the motivations of the characters. While Nolan's films do not abandon the idea of truth altogether, they show us how truth must emerge out of the lie if it is not to lead us entirely astray. The Fictional Christopher Nolan discovers in Nolan's films an exploration of the role that fiction plays in leading to truth. Through close readings of all the films through Inception, Todd McGowan demonstrates that the fiction or the lie comes before the truth, and this priority forces us to reassess our ways of thinking about the nature of truth. Indeed, McGowan argues that Nolan's films reveal the ethical and political importance of creating fictions and even of lying. While other filmmakers have tried to discover truth through the cinema, Nolan is the first filmmaker to devote himself entirely to the fictionality of the medium, and McGowan discloses how Nolan uses its tendency to deceive as the basis for a new kind of philosophical filmmaking. He shows how Nolan's insistence on the priority of the fiction aligns his films with Hegel's philosophy and understands Nolan as a thoroughly Hegelian filmmaker.