Suicidegirls Geekology

The SuicideGirls are a collection of more than 2,500 pin-up girls devoted to changing your idea about what makes a woman beautiful ... and they are naked. Started in Portland, Oregon, by Missy Suicide and her friends in 2001, the SuicideGirls broke conventional notions of beauty and the pin-up girl ideal as defined by men's and women's magazines and the culture at large. This time around "SuicideGirls isn't redefining what it means to be beautiful or what it means to be a geek. They're celebrating the fact [they've] always been here, [they've] always been geeks, and [they've] always been beautiful." "SuicideGirls: Geekology" casts the spotlight on the self-proclaimed geeks of the SuicideGirls population--the video-game players, the comic-book readers, the Trekkies, and many other shining examples of the culture they're celebrating. There's something really wonderful about this book. There's something beautiful around the idea of showcasing girl geeks in all their glory: to go beyond the photos and find out that, to us, each piece of the picture means something. To find out how many hours we put into designing our cosplay and how attentive we are to the homages we create. We're not just playing dress up in a world we know nothing about. We were right there with it, helping to build popularity from the ground up: first in line, issue number one. Once a subculture of a subculture, women are now a full force in the geek community.

"SuicideGirls" explores the SuicideGirl phenomenon from their start in 2001 to their Web sites that attract more than one million visitors per week. This title shines a light on a new female aesthetic--a look reminiscent of vintage Betty Page and Bunny Yeager, but with a decisively 21st-century edge.

The SuicideGirls are a collection of more than 2,500 pin-up girls devoted to changing your idea about what makes a woman beautiful ... and they are naked. Started in Portland, Oregon, by Missy Suicide and her friends in 2001, the SuicideGirls broke conventional notions of beauty and the pin-up girl ideal as defined by men's and women's magazines and the culture at large. In addition to the millions of visitors that frequent the SG Website, this book will appeal to both men and women (their membership is split nearly equally) who thought the shy, artsy chick with the black eyeliner and nose ring was the sexiest girl in high school (every guy in Silverlake, Williamsburg, and beyond).

The SuicideGirls are a collection of more than 2,500 pin-up girls devoted to changing your idea about what makes a woman beautiful ... and they are naked. Started in Portland, Oregon, by Missy Suicide and her friends in 2001, the SuicideGirls broke conventional notions of beauty and the pin-up girl ideal as defined by men's and women's magazines and the culture at large. This time around "SuicideGirls isn't redefining what it means to be beautiful or what it means to be a geek. They're celebrating the fact [they've] always been here, [they've] always been geeks, and [they've] always been beautiful."

Infrequently published chronicle of the exploits and photographs of the world famous alternative model cult known as the SuicideGirls.

Spin: 360°' is a portrait of one of London's leading design studios. It's a 520pp monograph that looks at every aspect of Spin's work in identity, print, moving image, retail, digital and environmental graphics, as well as the studio's self-directed activities in publishing, curating and collecting. As well as interviews and essays by Spin's two founders : Tony Brook and Patricia Finegan. Spin: 360° has texts by Paula Scher, Stefan Sagmeister, Ben Bos, Wim Crouwel, Rick Poynor, Steven Heller, Patrick Burgoyne and artist and author Edmund de Waal. The first 1000 copies of Spin: 360° come with a limited edition pack of six silk-screened A5 cards (Colorplan Ebony 350gsm) in a matching envelope, plus a set of six button badges. Cards and badges designed by Spin.

This collection of engaging and beautiful portraits by Wayne Lawrence celebrates the diversity and community of one of New York City's most popular beaches. Orchard Beach might not be the most elegant place to sunbathe, but if you live in the Bronx, it's the closest place to swim, relax on the sand, and escape the city's oppressive summer heat. Drawn to the public beach for its less-than-glamorous reputation, photographer Wayne Lawrence felt a connection to the community as soon as he began snapping pictures. His glamorous portraits of proud men and women, loving couples, and families at play challenge stereotypes associated with working-class people by focusing on universal themes such as the ties that bind and cultural pride. Whether Anglo, African American, or Latino; statuesque or stout; young or old, each individual is treated with dignity and sensitivity. Lawrence's subjects are a community standing in defiance of popular opinion, proud to call Orchard Beach their own.

A vampire who runs a suicide hotline tries to do what he can to help humans who don't want to live any longer and, in the process, accidentally adopts a teenage girl. This dark comedy follows the vampire Gideon as he tries to help the contemporary "children" he meets over the hotline-even as he avoids finding ways to help himself.

The weekend, a solitary house, beautiful models and an experienced photographer. Michael White's photographs are, in truth, e: r: otic short stories. From graceful and ladylike to wantonly obscene, nothing is off the table. A photo book bursting with intimate e: r: oticism that delves deep into the private happenings of weekends. P.S. Take a look before using up all your weekend.